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Current version of The Animals Lyrics House Of The Rising Sun (http://www.mp3lyrics.org/a/animals/the-house-of-the-rising-s...) Current version of the lyrics |
Version 5 of The Animals Lyrics House Of The Rising Sun (http://www.mp3lyrics.org/a/animals/the-house-of-the-rising-s...) Version 5 of the lyrics | ||||||||||||
| There is a house in New Orleans | There is a house in New Orleans | ||||||||||||
| They call the Rising Sun | They call the Rising Sun | ||||||||||||
| And it's been the ruin of many a poor boy | And it's been the ruin of many a poor boy | ||||||||||||
| And God, I know I'm one | And God, I know I'm one | ||||||||||||
| My mother was a tailor | My mother was a tailor | ||||||||||||
| She sewed my new blue jeans | She sewed my new blue jeans | ||||||||||||
| 1 | My father was a gamblin' man | My father was a gambling man | 1 | ||||||||||
| Down in New Orleans | Down in New Orleans | ||||||||||||
| Now the only thing a gambler needs | Now the only thing a gambler needs | ||||||||||||
| Is a suitcase and trunk | Is a suitcase and trunk | ||||||||||||
| And the only time he's satisfied | And the only time he's satisfied | ||||||||||||
| Is when he's on a drunk | Is when he's on a drunk | ||||||||||||
| 2 | Oh, mother, tell your children | Oh mother tell your children | 2 | ||||||||||
| Not to do what I have done | Not to do what I have done | ||||||||||||
| Spend your lives in sin and misery | Spend your lives in sin and misery | ||||||||||||
| 3 | In the house of the rising sun | In the house of the Rising Sun | 3 | ||||||||||
| 4 | Well, I got one foot on the platform | Well I got one foot on the platform | 4 | ||||||||||
| The other foot on the train | The other foot on the train | ||||||||||||
| 5 | I'm goin' back to New Orleans | I'm going back to New Orleans | 5 | ||||||||||
| To wear that ball and chain | To wear that ball and chain | ||||||||||||
| Well, there is a house in New Orleans | Well, there is a house in New Orleans | ||||||||||||
| They call the Rising Sun | They call the Rising Sun | ||||||||||||
| And it's been the ruin of many a poor boy | And it's been the ruin of many a poor boy | ||||||||||||
| And God, I know I'm one | And God, I know I'm one | ||||||||||||
| 1 | 1 | ||||||||||||
| 2 | [THE HOUSE OF THE RISING SUN[1] | 2 | |||||||||||
| 3 | Written by: Alan Price/Traditional | 3 | |||||||||||
| 4 | Performed by: The Animals[2]-1964 | 4 | |||||||||||
| 5 | Albums: The Animals-1964, House of the Rising Sun-1970, Rip It To | 5 | |||||||||||
| 6 | Shreds-1984, The Sullivan Years: British Invasion-1990, Animals-2000, | 6 | |||||||||||
| 7 | British Legends-2006, et al.] | 7 | |||||||||||
| 8 | 8 | ||||||||||||
| 9 | [1] Various places in New Orleans, Louisiana have been proposed as the | 9 | |||||||||||
| 10 | inspiration for the song, with varying degrees of plausibility. Only two | 10 | |||||||||||
| 11 | candidates, however, have historical documentation as using the name | 11 | |||||||||||
| 12 | "Rising Sun," both having listings in old city directories. The first | 12 | |||||||||||
| 13 | was a small short-lived hotel on Conti Street in the French Quarter in | 13 | |||||||||||
| 14 | the 1820s. An excavation and document search in early 2005 found | 14 | |||||||||||
| 15 | evidence supporting this claim, including an advertisement with language | 15 | |||||||||||
| 16 | that may have euphemistically indicated prostitution. The second was a | 16 | |||||||||||
| 17 | late 19th-century, "Rising Sun Hall," on the riverfront of the uptown | 17 | |||||||||||
| 18 | Carrollton neighborhood, which seems to have been a building owned and | 18 | |||||||||||
| 19 | used for meetings of a "Social Aid & Pleasure Club," commonly rented out | 19 | |||||||||||
| 20 | for dances and functions. Definite links to gambling or prostitution, if | 20 | |||||||||||
| 21 | any, are undocumented for either of these buildings, neither of which | 21 | |||||||||||
| 22 | still exists.] | 22 | |||||||||||
| 23 | 23 | ||||||||||||
| 24 | [2] The earliest recording of this song seems to be by: Clarence "Tom" | 24 | |||||||||||
| 25 | Ashley & Gwen Foster in 1933. Other versions are recorded by: The | 25 | |||||||||||
| 26 | Callahan Brothers-1934, Roy Acuff-1938, Woodie Guthrie-1941, Lead | 26 | |||||||||||
| 27 | Belly-1948, Nina Simone-1954, Glenn Yarbrough-1957, Joan Baez-1959, Bob | 27 | |||||||||||
| 28 | Dylan-1962, The Supremes-1964, Marianne Faithful-1965, Nat Stuckey-1969, | 28 | |||||||||||
| 29 | 29 | ||||||||||||
| 30 | Claude King-1970, Conway Twitty-1970, Frijid Pink-1970, Dolly | 30 | |||||||||||
| 31 | Parton-1980, Adolescents-1987, Jandek-1987, Tracy Chapman-1990, Miriam | 31 | |||||||||||
| 32 | Makeba-1994, Sinead O'Connor-1994, Peter, Paul & Mary-1995, | 32 | |||||||||||
| 33 | Evereve-2000, Bachman Turner Overdrive-2001, Brand New Sin-2006, | 33 | |||||||||||
| 34 | Sentenced-2007, et al.] | 34 | |||||||||||
| 35 | 35 | ||||||||||||
| 36 | [3]Ball and chain, as used here, is a phrase that refers to a | 36 | |||||||||||
| 37 | restraining device that was used to slow down prisoners, consisting of a | 37 | |||||||||||
| 38 | heavy, solid, metal ball, attached to a chain, which is shackled to the | 38 | |||||||||||
| 39 | leg. The device is no longer used in developed countries today, but was | 39 | |||||||||||
| 40 | reported to be a standard in Sing Sing (Ossining Prison, New York State) | 40 | |||||||||||
| 41 | until the 1920s.] | 41 | |||||||||||
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