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Current version of Blue Öyster Cult Lyrics Before The Kiss, A Redcap (http://www.mp3lyrics.org/b/blue-oyster-cult/before/) Current version of the lyrics |
Version 1 of Blue Öyster Cult Lyrics Before The Kiss, A Redcap (http://www.mp3lyrics.org/b/blue-oyster-cult/before/v1.html) Version 1 of the lyrics | ||||||||||||
| 1 | So grab your rose and ring side seat | So grab your rose and ring side seat, | 1 | ||||||||||
| We're back home at Conry's bar | We're back home at Conry's bar | ||||||||||||
| 2 | The blond girl with her tattoo | The blond girl with her tattoo, | 2 | ||||||||||
| 3 | Reds and wine, Cokes of course | Reds and wine, cokes of course | 3 | ||||||||||
| 4 | Oh my Suzy, my Suzy | Oh my suzy, my suzy, | 4 | ||||||||||
| Why did we ever start | Why did we ever start | ||||||||||||
| It's morning now, you'd never know | It's morning now, you'd never know | ||||||||||||
| 5 | The gin, the gin, glows in the dark, glows in the dark | The gin, the gin, glows in the | 5 | ||||||||||
| 1 | dark, glows in the dark | 1 | |||||||||||
| 6 | And underneath the black light | And underneath, the black light, | 6 | ||||||||||
| Underneath it all | Underneath it all | ||||||||||||
| 7 | Four and forty redheads meet | Four and forty redheads meet, | 7 | ||||||||||
| Come to doom 'til the dawn | Come to doom 'til the dawn | ||||||||||||
| With threats of gas and rose motif | With threats of gas and rose motif | ||||||||||||
| 8 | Their lips apart like swollen rose | Their lips apart like a swollen rose | 8 | ||||||||||
| 9 | Their tongues extend and then retract | Their tongues extend, and then retract | 9 | ||||||||||
| 10 | A redcap, a redcap, before the kiss, before the kiss | A redcap, a redcap, before the | 10 | ||||||||||
| 2 | kiss, before the kiss. | 2 | |||||||||||
| Doors like flint and window panes | Doors like flint and window panes | ||||||||||||
| An endless shadow bar | An endless shadow bar | ||||||||||||
| The owner's boys have gone to work | The owner's boys have gone to work | ||||||||||||
| 11 | To stop big deals behind that bar | To stop big deals behind the bar | 11 | ||||||||||
| While outside on the turnpike | While outside on the turnpike | ||||||||||||
| They got this new hit tune | They got this new hit tune | ||||||||||||
| Where thrills become as cheap as gas | Where thrills become as cheap as gas | ||||||||||||
| And gas as cheap as thrills | And gas as cheap as thrills | ||||||||||||
| One thrill and mundane here at last | One thrill and mundane here at last | ||||||||||||
| 12 | Expect to cross one more | Expect the cross one more | 12 | ||||||||||
| Lecherous invisible | Lecherous invisible | ||||||||||||
| Beware the limping cat | Beware the limping cat | ||||||||||||
| Whose black teeth grip between loose jaws | Whose black teeth grip between loose jaws | ||||||||||||
| Still ripe and fully bloomed | Still ripe and fully bloomed | ||||||||||||
| A rose that's not from anywhere | A rose that's not from anywhere | ||||||||||||
| That you would know or I would care | That you would know or I would care | ||||||||||||
| 13 | And their owners act most cheerfully | And the owners boys act most cheerfully | 13 | ||||||||||
| Back home at Conry's bar | Back home at Conry's bar | ||||||||||||
| When their patrons' thoughts at last | When their patrons' thoughts at last | ||||||||||||
| Grow too big for their skulls | Grow too big for their skulls | ||||||||||||
| 14 | Awful things are happening | And awful things are happening | 14 | ||||||||||
| We've let this drama fold | We've let this drama fold | ||||||||||||
| And now the time has come at last | And now the time has come at last | ||||||||||||
| 15 | To crush the motif of the rose | To crush the motif of the rose. | 15 | ||||||||||
| So grab your rose and ring side seat | So grab your rose and ring side seat | ||||||||||||
| We're back home at Conry's bar | We're back home at Conry's bar | ||||||||||||
| The blond girl with her tattoo | The blond girl with her tattoo | ||||||||||||
| Reds and wine, cokes of course | Reds and wine, cokes of course | ||||||||||||
| 16 | Oh my Suzy, my Suzy | Oh my suzy, my suzy | 16 | ||||||||||
| Why did we ever start | Why did we ever start | ||||||||||||
| It's morning now, you'd never know | It's morning now, you'd never know | ||||||||||||
| The gin, the gin, glows in the dark, glows in the dark | The gin, the gin, glows in the | ||||||||||||
| 3 | dark, glows in the dark | 3 | |||||||||||
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