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Current version of Bob Dylan Lyrics Desolation Row (http://www.mp3lyrics.org/b/bob-dylan/desolation-row/) Current version of the lyrics |
Version 1 of Bob Dylan Lyrics Desolation Row (http://www.mp3lyrics.org/b/bob-dylan/desolation-row/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | They’re selling postcards of the hanging | They're selling postcards of the hanging | 1 | |||||||||||
| 2 | They’re painting the passports brown | They're painting the passports brown | 2 | |||||||||||
| The beauty parlor is filled with sailors | The beauty parlor is filled with sailors | |||||||||||||
| The circus is in town | The circus is in town | |||||||||||||
| 1 | 1 | |||||||||||||
| Here comes the blind commissioner | Here comes the blind commissioner | |||||||||||||
| 3 | They’ve got him in a trance | They've got him in a trance | 3 | |||||||||||
| One hand is tied to the tight-rope walker | One hand is tied to the tight-rope walker | |||||||||||||
| The other is in his pants | The other is in his pants | |||||||||||||
| 4 | And the riot squad they're restless | 4 | ||||||||||||
| 2 | And the riot squad they’re restless | 2 | ||||||||||||
| They need somewhere to go | They need somewhere to go | |||||||||||||
| 5 | As lady and I look out tonight | As Lady and I look out tonight | 5 | |||||||||||
| 6 | From desolation row | From Desolation Row. | 6 | |||||||||||
| Cinderella, she seems so easy | Cinderella, she seems so easy | |||||||||||||
| 7 | It takes one to know one, she smiles | "It takes one to know one," she smiles | 7 | |||||||||||
| 8 | And puts her hands into her back pockets | And puts her hands in her back pockets | 8 | |||||||||||
| Bette Davis style | Bette Davis style | |||||||||||||
| 9 | And in comes Romeo, he's moaning | 9 | ||||||||||||
| 10 | And in comes Romeo, he’s moaning | "You belong to Me I Believe" | 10 | |||||||||||
| 11 | "You belong to me I believe" | And someone says, "You're in the | 11 | |||||||||||
| 12 | And someone turns and says to him | wrong place, my friend | 12 | |||||||||||
| 13 | "My friend you'd better leave" | You better leave" | 13 | |||||||||||
| 14 | And the only sound that's left | 14 | ||||||||||||
| 3 | And the only sound that’s left | 3 | ||||||||||||
| After the ambulances go | After the ambulances go | |||||||||||||
| Is Cinderella sweeping up | Is Cinderella sweeping up | |||||||||||||
| 15 | On desolation row | On Desolation Row. | 15 | |||||||||||
| Now the moon is almost hidden | Now the moon is almost hidden | |||||||||||||
| 16 | The stars they're just pretending to hide | The stars are beginning to hide | 16 | |||||||||||
| The fortunetelling lady | The fortunetelling lady | |||||||||||||
| Has even taken all her things inside | Has even taken all her things inside | |||||||||||||
| 4 | 4 | |||||||||||||
| All except for Cain and Abel | All except for Cain and Abel | |||||||||||||
| And the hunchback of Notre Dame | And the hunchback of Notre Dame | |||||||||||||
| 17 | Everyone is makin' love | Everybody is making love | 17 | |||||||||||
| Or else expecting rain | Or else expecting rain | |||||||||||||
| 18 | And the Good Samaritan, he's dressing | 18 | ||||||||||||
| 19 | And the good Samaritan, he’s dressing | He's getting ready for the show | 19 | |||||||||||
| 20 | He’s getting ready for the show | He's going to the carnival tonight | 20 | |||||||||||
| 21 | He’s going to the carnival tonight | On Desolation Row. | 21 | |||||||||||
| 22 | On desolation row | Now Ophelia, she's 'neath the window | 22 | |||||||||||
| 5 | 5 | |||||||||||||
| 6 | Ophelia, she’s ’neath the window | 6 | ||||||||||||
| For her I feel so afraid | For her I feel so afraid | |||||||||||||
| On her twenty-second birthday | On her twenty-second birthday | |||||||||||||
| She already is an old maid | She already is an old maid | |||||||||||||
| 23 | To her, death is quite romantic | 23 | ||||||||||||
| 7 | Now to her, death is quite romantic | 7 | ||||||||||||
| She wears an iron vest | She wears an iron vest | |||||||||||||
| 24 | Her profession is her religion | Her profession's her religion | 24 | |||||||||||
| Her sin is her lifelessness | Her sin is her lifelessness | |||||||||||||
| 8 | 8 | |||||||||||||
| And though her eyes are fixed upon | And though her eyes are fixed upon | |||||||||||||
| 25 | Noah’s great rainbow | Noah's great rainbow | 25 | |||||||||||
| She spends her time peeking | She spends her time peeking | |||||||||||||
| 26 | Into desolation row | Into Desolation Row. | 26 | |||||||||||
| Einstein, disguised as Robin Hood | Einstein, disguised as Robin Hood | |||||||||||||
| With his memories in a trunk | With his memories in a trunk | |||||||||||||
| Passed this way an hour ago | Passed this way an hour ago | |||||||||||||
| 27 | With his friend, some jealous monk | With his friend, a jealous monk | 27 | |||||||||||
| 28 | He looked so immaculately frightful | 28 | ||||||||||||
| 29 | Now he looked so immaculately frightful | As he bummed a cigarette | 29 | |||||||||||
| 9 | As he bummed his cigarette | 9 | ||||||||||||
| Then he went off sniffing drainpipes | Then he went off sniffing drainpipes | |||||||||||||
| And reciting the alphabet | And reciting the alphabet | |||||||||||||
| 10 | 10 | |||||||||||||
| You would not think to look at him | You would not think to look at him | |||||||||||||
| But he was famous long ago | But he was famous long ago | |||||||||||||
| For playing the electric violin | For playing the electric violin | |||||||||||||
| 30 | On desolation row | On Desolation Row. | 30 | |||||||||||
| Dr. Filth, he keeps his world | Dr. Filth, he keeps his world | |||||||||||||
| 31 | Locked inside of his leather cup | Inside of a leather cup | 31 | |||||||||||
| But all his sexless patients | But all his sexless patients | |||||||||||||
| 32 | They’re trying to blow it up | They're trying to blow it up | 32 | |||||||||||
| 11 | 11 | |||||||||||||
| Now his nurse, some local loser | Now his nurse, some local loser | |||||||||||||
| 33 | She’s in charge of the cyanide hole | She's in charge of the cyanide hole | 33 | |||||||||||
| 34 | She also keeps the cards that read | And she also keeps the cards that read | 34 | |||||||||||
| 35 | "Have mercy on his soul" | "Have Mercy on His Soul" | 35 | |||||||||||
| 36 | They all play on penny whistles | 36 | ||||||||||||
| 12 | They all play on the penny whistle | 12 | ||||||||||||
| You can hear them blow | You can hear them blow | |||||||||||||
| If you lean your head out far enough | If you lean your head out far enough | |||||||||||||
| 37 | From desolation row | From Desolation Row. | 37 | |||||||||||
| 38 | Across the street they've | 38 | ||||||||||||
| 39 | Across the street they’ve nailed the curtains | nailed the curtains | 39 | |||||||||||
| 40 | They’re getting ready for the feast | They're getting ready for the feast | 40 | |||||||||||
| 41 | The phantom of the opera | The Phantom of the Opera | 41 | |||||||||||
| In a perfect image of a priest | In a perfect image of a priest | |||||||||||||
| 42 | They're spoonfeeding Casanova | 42 | ||||||||||||
| 13 | They’re spoon feeding Casanova | 13 | ||||||||||||
| To get him to feel more assured | To get him to feel more assured | |||||||||||||
| 43 | Then they’ll kill him with self-confidence | Then they'll kill him with self-confidence | 43 | |||||||||||
| After poisoning him with words | After poisoning him with words | |||||||||||||
| 1 | And the Phantom's shouting to skinny girls | 1 | ||||||||||||
| 2 | "Get outa here if you don't know" | 2 | ||||||||||||
| 3 | Casanova is just being punished for going | 3 | ||||||||||||
| 4 | To Desolation Row. | 4 | ||||||||||||
| 44 | And the phantom shouts to skinny girls | At midnight all the agents | 44 | |||||||||||
| 14 | "Get outta here if you don’t know | 14 | ||||||||||||
| 15 | Casanova he's just being punished for going | 15 | ||||||||||||
| 16 | To desolation row" | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | Now at midnight all the agents | 18 | ||||||||||||
| And the superhuman crew | And the superhuman crew | |||||||||||||
| Come out and round up everyone | Come out and round up everyone | |||||||||||||
| That knows more than they do | That knows more than they do | |||||||||||||
| 19 | 19 | |||||||||||||
| Then they bring them to the factory | Then they bring them to the factory | |||||||||||||
| 45 | Where the heart attack machine | Where the heart-attack machine | 45 | |||||||||||
| Is strapped across their shoulders | Is strapped across their shoulders | |||||||||||||
| And then the kerosene | And then the kerosene | |||||||||||||
| 20 | 20 | |||||||||||||
| Is brought down from the castles | Is brought down from the castles | |||||||||||||
| By insurance men who go | By insurance men who go | |||||||||||||
| 46 | Check to see that no one is escaping | Check to see that nobody is escaping | 46 | |||||||||||
| 47 | To desolation row | To Desolation Row. | 47 | |||||||||||
| 48 | Praise be to Nero’s Neptune | They be to Nero's Neptune | 48 | |||||||||||
| The Titanic sails at dawn | The Titanic sails at dawn | |||||||||||||
| 49 | And everybody’s shouting | Everybody's shouting | 49 | |||||||||||
| 50 | "Which side are you on?" | "Which side are you on ?" | 50 | |||||||||||
| 51 | And Ezra Pound and T. S. Eliot | 51 | ||||||||||||
| 52 | And Ezra Pound and T.S. Elliott | Fighting in the captain's tower | 52 | |||||||||||
| 53 | Fighting in the captain’s tower | While calypso singers laugh at them | 53 | |||||||||||
| 21 | While Calypso's singers laugh at them | 21 | ||||||||||||
| And fishermen hold flowers | And fishermen hold flowers | |||||||||||||
| 22 | 22 | |||||||||||||
| Between the windows of the sea | Between the windows of the sea | |||||||||||||
| Where lovely mermaids flow | Where lovely mermaids flow | |||||||||||||
| And nobody has to think too much | And nobody has to think too much | |||||||||||||
| 54 | About desolation row | About Desolation Row. | 54 | |||||||||||
| 23 | 23 | |||||||||||||
| Yes, I received your letter yesterday | Yes, I received your letter yesterday | |||||||||||||
| About the time the door knob broke | About the time the door knob broke | |||||||||||||
| When you asked me how I was doing | When you asked me how I was doing | |||||||||||||
| 55 | Was that some kind of joke? | Was that some kind of joke ? | 55 | |||||||||||
| 24 | 24 | |||||||||||||
| All these people that you mention | All these people that you mention | |||||||||||||
| 56 | Yes, I know them, they’re quite lame | Yes, I know them, they're quite lame | 56 | |||||||||||
| I had to rearrange their faces | I had to rearrange their faces | |||||||||||||
| And give them all another name | And give them all another name | |||||||||||||
| 57 | Right now I can't read too good | 57 | ||||||||||||
| 58 | Right now I cannot read too well | Dont send me no more letters no | 58 | |||||||||||
| 25 | Don’t send me no more letters, no | 25 | ||||||||||||
| Not unless you mail them | Not unless you mail them | |||||||||||||
| 59 | From desolation row | From Desolation Row. | 59 | |||||||||||
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