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Version 2 of Bob Dylan Lyrics Desolation Row (http://www.mp3lyrics.org/b/bob-dylan/desolation-row/v2.html) Version 2 of the lyrics |
Version 1 of Bob Dylan Lyrics Desolation Row (http://www.mp3lyrics.org/b/bob-dylan/desolation-row/v1.html) Version 1 of the lyrics | ||||||||||||
| They're selling postcards of the hanging | They're selling postcards of the hanging | ||||||||||||
| They're painting the passports brown | They're painting the passports brown | ||||||||||||
| The beauty parlor is filled with sailors | The beauty parlor is filled with sailors | ||||||||||||
| The circus is in town | The circus is in town | ||||||||||||
| Here comes the blind commissioner | Here comes the blind commissioner | ||||||||||||
| They've got him in a trance | They've got him in a trance | ||||||||||||
| One hand is tied to the tight-rope walker | One hand is tied to the tight-rope walker | ||||||||||||
| The other is in his pants | The other is in his pants | ||||||||||||
| And the riot squad they're restless | And the riot squad they're restless | ||||||||||||
| They need somewhere to go | They need somewhere to go | ||||||||||||
| As Lady and I look out tonight | As Lady and I look out tonight | ||||||||||||
| From Desolation Row. | From Desolation Row. | ||||||||||||
| Cinderella, she seems so easy | Cinderella, she seems so easy | ||||||||||||
| "It takes one to know one," she smiles | "It takes one to know one," she smiles | ||||||||||||
| And puts her hands in her back pockets | And puts her hands in her back pockets | ||||||||||||
| Bette Davis style | Bette Davis style | ||||||||||||
| And in comes Romeo, he's moaning | And in comes Romeo, he's moaning | ||||||||||||
| "You belong to Me I Believe" | "You belong to Me I Believe" | ||||||||||||
| And someone says, "You're in the | And someone says, "You're in the | ||||||||||||
| wrong place, my friend | wrong place, my friend | ||||||||||||
| 1 | you'd better leave" | You better leave" | 1 | ||||||||||
| And the only sound that's left | And the only sound that's left | ||||||||||||
| After the ambulances go | After the ambulances go | ||||||||||||
| Is Cinderella sweeping up | Is Cinderella sweeping up | ||||||||||||
| On Desolation Row. | On Desolation Row. | ||||||||||||
| Now the moon is almost hidden | Now the moon is almost hidden | ||||||||||||
| The stars are beginning to hide | The stars are beginning to hide | ||||||||||||
| 2 | The fortune-telling lady | The fortunetelling lady | 2 | ||||||||||
| Has even taken all her things inside | Has even taken all her things inside | ||||||||||||
| All except for Cain and Abel | All except for Cain and Abel | ||||||||||||
| And the hunchback of Notre Dame | And the hunchback of Notre Dame | ||||||||||||
| Everybody is making love | Everybody is making love | ||||||||||||
| Or else expecting rain | Or else expecting rain | ||||||||||||
| And the Good Samaritan, he's dressing | And the Good Samaritan, he's dressing | ||||||||||||
| He's getting ready for the show | He's getting ready for the show | ||||||||||||
| He's going to the carnival tonight | He's going to the carnival tonight | ||||||||||||
| On Desolation Row. | On Desolation Row. | ||||||||||||
| 1 | 1 | ||||||||||||
| Now Ophelia, she's 'neath the window | Now Ophelia, she's 'neath the window | ||||||||||||
| For her I feel so afraid | For her I feel so afraid | ||||||||||||
| On her twenty-second birthday | On her twenty-second birthday | ||||||||||||
| She already is an old maid | She already is an old maid | ||||||||||||
| To her, death is quite romantic | To her, death is quite romantic | ||||||||||||
| She wears an iron vest | She wears an iron vest | ||||||||||||
| Her profession's her religion | Her profession's her religion | ||||||||||||
| Her sin is her lifelessness | Her sin is her lifelessness | ||||||||||||
| And though her eyes are fixed upon | And though her eyes are fixed upon | ||||||||||||
| Noah's great rainbow | Noah's great rainbow | ||||||||||||
| She spends her time peeking | She spends her time peeking | ||||||||||||
| Into Desolation Row. | Into Desolation Row. | ||||||||||||
| Einstein, disguised as Robin Hood | Einstein, disguised as Robin Hood | ||||||||||||
| With his memories in a trunk | With his memories in a trunk | ||||||||||||
| Passed this way an hour ago | Passed this way an hour ago | ||||||||||||
| With his friend, a jealous monk | With his friend, a jealous monk | ||||||||||||
| He looked so immaculately frightful | He looked so immaculately frightful | ||||||||||||
| As he bummed a cigarette | As he bummed a cigarette | ||||||||||||
| Then he went off sniffing drainpipes | Then he went off sniffing drainpipes | ||||||||||||
| And reciting the alphabet | And reciting the alphabet | ||||||||||||
| You would not think to look at him | You would not think to look at him | ||||||||||||
| But he was famous long ago | But he was famous long ago | ||||||||||||
| For playing the electric violin | For playing the electric violin | ||||||||||||
| On Desolation Row. | On Desolation Row. | ||||||||||||
| Dr. Filth, he keeps his world | Dr. Filth, he keeps his world | ||||||||||||
| Inside of a leather cup | Inside of a leather cup | ||||||||||||
| But all his sexless patients | But all his sexless patients | ||||||||||||
| They're trying to blow it up | They're trying to blow it up | ||||||||||||
| 3 | Now his nurse, some local loser, | Now his nurse, some local loser | 3 | ||||||||||
| 4 | she's in charge of the cyanide hole | She's in charge of the cyanide hole | 4 | ||||||||||
| And she also keeps the cards that read | And she also keeps the cards that read | ||||||||||||
| "Have Mercy on His Soul" | "Have Mercy on His Soul" | ||||||||||||
| They all play on penny whistles | They all play on penny whistles | ||||||||||||
| You can hear them blow | You can hear them blow | ||||||||||||
| If you lean your head out far enough | If you lean your head out far enough | ||||||||||||
| From Desolation Row. | From Desolation Row. | ||||||||||||
| 2 | 2 | ||||||||||||
| Across the street they've | Across the street they've | ||||||||||||
| nailed the curtains | nailed the curtains | ||||||||||||
| They're getting ready for the feast | They're getting ready for the feast | ||||||||||||
| The Phantom of the Opera | The Phantom of the Opera | ||||||||||||
| In a perfect image of a priest | In a perfect image of a priest | ||||||||||||
| 5 | They're spoon feeding Casanova | They're spoonfeeding Casanova | 5 | ||||||||||
| To get him to feel more assured | To get him to feel more assured | ||||||||||||
| Then they'll kill him with self-confidence | Then they'll kill him with self-confidence | ||||||||||||
| After poisoning him with words | After poisoning him with words | ||||||||||||
| And the Phantom's shouting to skinny girls | And the Phantom's shouting to skinny girls | ||||||||||||
| 6 | "Get outta here if you don't know" | "Get outa here if you don't know" | 6 | ||||||||||
| Casanova is just being punished for going | Casanova is just being punished for going | ||||||||||||
| To Desolation Row. | To Desolation Row. | ||||||||||||
| At midnight all the agents | At midnight all the agents | ||||||||||||
| And the superhuman crew | And the superhuman crew | ||||||||||||
| Come out and round up everyone | Come out and round up everyone | ||||||||||||
| That knows more than they do | That knows more than they do | ||||||||||||
| Then they bring them to the factory | Then they bring them to the factory | ||||||||||||
| Where the heart-attack machine | Where the heart-attack machine | ||||||||||||
| Is strapped across their shoulders | Is strapped across their shoulders | ||||||||||||
| And then the kerosene | And then the kerosene | ||||||||||||
| Is brought down from the castles | Is brought down from the castles | ||||||||||||
| By insurance men who go | By insurance men who go | ||||||||||||
| Check to see that nobody is escaping | Check to see that nobody is escaping | ||||||||||||
| To Desolation Row. | To Desolation Row. | ||||||||||||
| 7 | Praise be to Nero's Neptune | They be to Nero's Neptune | 7 | ||||||||||
| The Titanic sails at dawn | The Titanic sails at dawn | ||||||||||||
| Everybody's shouting | Everybody's shouting | ||||||||||||
| "Which side are you on ?" | "Which side are you on ?" | ||||||||||||
| And Ezra Pound and T. S. Eliot | And Ezra Pound and T. S. Eliot | ||||||||||||
| Fighting in the captain's tower | Fighting in the captain's tower | ||||||||||||
| While calypso singers laugh at them | While calypso singers laugh at them | ||||||||||||
| And fishermen hold flowers | And fishermen hold flowers | ||||||||||||
| Between the windows of the sea | Between the windows of the sea | ||||||||||||
| Where lovely mermaids flow | Where lovely mermaids flow | ||||||||||||
| And nobody has to think too much | And nobody has to think too much | ||||||||||||
| About Desolation Row. | About Desolation Row. | ||||||||||||
| 3 | 3 | ||||||||||||
| Yes, I received your letter yesterday | Yes, I received your letter yesterday | ||||||||||||
| About the time the door knob broke | About the time the door knob broke | ||||||||||||
| When you asked me how I was doing | When you asked me how I was doing | ||||||||||||
| Was that some kind of joke ? | Was that some kind of joke ? | ||||||||||||
| All these people that you mention | All these people that you mention | ||||||||||||
| Yes, I know them, they're quite lame | Yes, I know them, they're quite lame | ||||||||||||
| I had to rearrange their faces | I had to rearrange their faces | ||||||||||||
| And give them all another name | And give them all another name | ||||||||||||
| Right now I can't read too good | Right now I can't read too good | ||||||||||||
| 8 | don't send me no more letters no | Dont send me no more letters no | 8 | ||||||||||
| Not unless you mail them | Not unless you mail them | ||||||||||||
| From Desolation Row. | From Desolation Row. | ||||||||||||
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