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Current version of Brand New Lyrics Sic Transit Gloria...Glory Fades (http://www.mp3lyrics.org/b/brand-new/sic-transit-gloria/) Current version of the lyrics |
Version 2 of Brand New Lyrics Sic Transit Gloria...Glory Fades (http://www.mp3lyrics.org/b/brand-new/sic-transit-gloria/v2.h...) Version 2 of the lyrics | |||||||||||||
| 1 | Keep the noise low, she doesn't wanna blow it | Keep the noise low, She doesn’t want to blow it. | 1 | |||||||||||
| 2 | Shaking head to toe | Shaking head to toe while your left | 2 | |||||||||||
| 3 | While your left hand does the 'show me around' | hand does "the show me around" | 3 | |||||||||||
| 4 | Quickens your heartbeat | Quickens your heartbeat, It beats me straight into the ground | 4 | |||||||||||
| 5 | It beats me straight up to the ground | You don’t recover from a night like this. | 5 | |||||||||||
| 1 | A victim, still lying in bed - completely motionless. | 1 | ||||||||||||
| 2 | A hand moves in the dark to a zipper. | 2 | ||||||||||||
| 3 | Hear a boy bracing tight against sheets barely whisper, | 3 | ||||||||||||
| 4 | "This is so messed up." | 4 | ||||||||||||
| 5 | Upon arrival the guests had all stared, | 5 | ||||||||||||
| 6 | Dripping wet and clearly depressed, he'd | 6 | ||||||||||||
| 7 | headed straight for the stairs. | 7 | ||||||||||||
| 8 | No longer cool, but a boy in a stitch. | 8 | ||||||||||||
| 9 | Unprepared for a life full of lies and failing relationships. | 9 | ||||||||||||
| 10 | (Up the stairs, the station where the act | 10 | ||||||||||||
| 11 | becomes the art of growing up.) | 11 | ||||||||||||
| 12 | He keeps his hands low, | 12 | ||||||||||||
| 13 | He doesn't wanna blow it. | 13 | ||||||||||||
| 14 | He's wet from head to toe, and his eyes | 14 | ||||||||||||
| 15 | give her the up and the down. | 15 | ||||||||||||
| 16 | His stomach turns, and he thinks of throwing up | 16 | ||||||||||||
| 17 | But the body on the bed beckons | 17 | ||||||||||||
| 18 | forward, and he starts growing up. | 18 | ||||||||||||
| 6 | You don't recover from a night like this | The fever, the focus, | 6 | |||||||||||
| 7 | A victim, still lying in bed, completely motionless | The reasons that I had to believe you weren't too hard to sell. | 7 | |||||||||||
| 1 | A hand moves in the dark to a zipper | 1 | ||||||||||||
| 2 | Hear a boy bracing tight against sheets | 2 | ||||||||||||
| 3 | Barely whisper, "This is so messed up" | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| 5 | Upon arrival the guests had all stared | 5 | ||||||||||||
| 6 | Dripping wet and clearly depressed | 6 | ||||||||||||
| 7 | He'd headed straight for the stairs | 7 | ||||||||||||
| 8 | No longer cool, but a boy in a stitch | 8 | ||||||||||||
| 9 | Unprepared for a life full of lies and failing relationships | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | He keeps his hands low, he doesn't wanna blow it | 11 | ||||||||||||
| 12 | He's wet from head to toe and | 12 | ||||||||||||
| 13 | His eyes give her the up and the down | 13 | ||||||||||||
| 14 | His stomach turns and he thinks of throwing up | 14 | ||||||||||||
| 15 | But the body on the bed beckons forward | 15 | ||||||||||||
| 16 | And he starts growing up | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | The fever, the focus | 18 | ||||||||||||
| 19 | The reasons that I had to believe you weren't too hard to sell | 19 | ||||||||||||
| 20 | Die young and save yourself | 20 | ||||||||||||
| 21 | The tickle, the taste of | 21 | ||||||||||||
| 22 | It used to be the reason I breathed but now it's choking me up | 22 | ||||||||||||
| Die young and save yourself | Die young and save yourself | |||||||||||||
| 8 | The tickle, the taste of... | 8 | ||||||||||||
| 9 | She hits the lights, this doesn't seem quite fair | It used to be the reason I breathe, | 9 | |||||||||||
| 10 | Despite of everything he learned from his friends | but now it's choking me up. | 10 | |||||||||||
| 11 | He doesn't feel so prepared | Die young and save yourself. | 11 | |||||||||||
| 23 | She's breathing quiet and smooth | 23 | ||||||||||||
| 12 | He's gasping for air | She hits the lights, | 12 | |||||||||||
| 13 | This doesn't seem quite fair. | 13 | ||||||||||||
| 14 | "This is the first and last time," he says | Despite everything he learned from his | 14 | |||||||||||
| 15 | She fakes a smile and presses her hips into his | friends, he doesn't feel so prepared. | 15 | |||||||||||
| 16 | He keeps his hands pinned down at his sides | She's breathing quiet and smooth, | 16 | |||||||||||
| 19 | He is gasping for air. | 19 | ||||||||||||
| 20 | "This is the first and last time", he says | 20 | ||||||||||||
| 21 | She fakes a smile, and presses her hips into his. | 21 | ||||||||||||
| 22 | He keeps his hands pinned down at his sides. | 22 | ||||||||||||
| He's holding back from telling her | He's holding back from telling her | |||||||||||||
| 17 | Exactly what it really feels like | exactly what it really feels like. | 17 | |||||||||||
| 18 | He is the lamb, she is the slaughter. | 18 | ||||||||||||
| 19 | He is the lamb, she is the slaughter | She's moving way too fast, and all he wanted was to hold her. | 19 | |||||||||||
| 20 | She's moving way too fast and all he wanted was to hold her | Nothing that he tells her is really having an effect. | 20 | |||||||||||
| 21 | Nothing that he tells her's really having an effect | He whispers that he loves her, but she's | 21 | |||||||||||
| 22 | He whispers that he loves her | probably only looking for... | 22 | |||||||||||
| 23 | But she's probably only looking for | (Up the stairs, the station where the act | 23 | |||||||||||
| 24 | becomes the art of growing old.) | 24 | ||||||||||||
| 25 | So much more than he could ever give | So much more than he could ever give, | 25 | |||||||||||
| 26 | A life free of lies and a meaningful relationship | A life full of lies and meaningful relationships. | 26 | |||||||||||
| 27 | He keeps his hands pinned down at his sides | He keeps his hands pinned down at his sides, | 27 | |||||||||||
| 28 | He waits for it to end | He waits for it to end and for the aching in his gut to subside. | 28 | |||||||||||
| 24 | And for the aching in his guts to subside | 24 | ||||||||||||
| 29 | The fever, the focus, | 29 | ||||||||||||
| 30 | The fever, the focus | The reason that I had to believe you weren't too hard to sell. | 30 | |||||||||||
| 31 | The reasons that I had to believe you weren't too hard to sell | Die young and save yourself. | 31 | |||||||||||
| 25 | Die young and save yourself | 25 | ||||||||||||
| The tickle, the taste of | The tickle, the taste of | |||||||||||||
| 32 | It used to be the reason I breathed but now it's choking me up | It used to be the reason that I breathed, | 32 | |||||||||||
| 33 | Die young and save yourself | but now it's choking me up. | 33 | |||||||||||
| 34 | Die young and save yourself. | 34 | ||||||||||||
| 26 | Up the stairs, the station where | 26 | ||||||||||||
| 35 | The act becomes the art of growing up | Up the stairs, the station where the act | 35 | |||||||||||
| 36 | becomes, the art of growing old. | 36 | ||||||||||||
| 27 | The fever, the focus | 27 | ||||||||||||
| 37 | The reasons that I had to believe you weren't too hard to sell | The fever, the focus, | 37 | |||||||||||
| 38 | Die young and save yourself | The reason that I had to believe you weren't too hard to sell. | 38 | |||||||||||
| 23 | Die young and save yourself. | 23 | ||||||||||||
| The tickle, the taste of | The tickle, the taste of | |||||||||||||
| 39 | It used to be the reason I breathed but now it's choking me up | It used to be the reason that I breathed, | 39 | |||||||||||
| Die young and save yourself | but now it's choking me up. | |||||||||||||
| 24 | Die young and save yourself. | 24 | ||||||||||||
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