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Current version of Busta Rhymes Lyrics Flipmode Squad Meets Def Squad (http://www.mp3lyrics.org/b/busta-rhymes/flipmode-squad-meets...) Current version of the lyrics |
Version 1 of Busta Rhymes Lyrics Flipmode Squad Meets Def Squad (http://www.mp3lyrics.org/b/busta-rhymes/flipmode-squad-meets...) Version 1 of the lyrics | |||||||||||||
| 1 | [Verse One: Jamal] | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| Taking you to the other terrain, we mash strictly for the cream | Taking you to the other terrain, we mash strictly for the cream | |||||||||||||
| 1 | Here to kill your whole scene and your motherfuckin' team | Here to kill your whole scene and your motherfuckin team | 1 | |||||||||||
| Little 'Mal, the raw dawg, I know you heard of me | Little 'Mal, the raw dawg, I know you heard of me | |||||||||||||
| You probably know some bitch niggaz who wanna murder me | You probably know some bitch niggaz who wanna murder me | |||||||||||||
| Busta Reggie Murray Ramp and Mercy's all we need for disaster | Busta Reggie Murray Ramp and Mercy's all we need for disaster | |||||||||||||
| For me the microphone master | For me the microphone master | |||||||||||||
| Look, I crash ya, bash ya skull | Look, I crash ya, bash ya skull | |||||||||||||
| Fucky with Mally G if you're trying to take a fall | Fucky with Mally G if you're trying to take a fall | |||||||||||||
| 2 | Niggaz talk about killin and never get to it | 2 | ||||||||||||
| 3 | Niggaz talk about killin' and never get to it | Fuck the yappin, be true to it, do it | 3 | |||||||||||
| 1 | Fuck the yappin', be true to it, do it | 1 | ||||||||||||
| Steady scream about your East and your West side | Steady scream about your East and your West side | |||||||||||||
| But you ain't in it when it comes to the homicide | But you ain't in it when it comes to the homicide | |||||||||||||
| Niggaz better get up off that bullshit quick | Niggaz better get up off that bullshit quick | |||||||||||||
| 4 | Caught up in the limelight, gettin' way too slick | Caught up in the limelight gettin way too slick | 4 | |||||||||||
| 5 | See 'em at the shows 'bout to rock they shit off | See em at the shows bout to rock they shit off | 5 | |||||||||||
| 6 | Gettin' they peeps fucked up 'cause they block is soft | Gettin they peeps fucked up cause they block is soft | 6 | |||||||||||
| 2 | 2 | |||||||||||||
| As for terror, I sever the best of MC's | As for terror, I sever the best of MC's | |||||||||||||
| 7 | Look, little Mally G trippin' off these indo trees | Look, little Mally G trippin off these indo trees | 7 | |||||||||||
| 8 | About to murder label's jerkin' but mercy us | About to murder label's jerkin but mercy us | 8 | |||||||||||
| Def Squad niggaz prophesize like the Perseus | Def Squad niggaz prophesize like the Perseus | |||||||||||||
| 9 | Droppin' degrees to zero with flatlines | Droppin degrees to zero with flatlines | 9 | |||||||||||
| Kill your whole entourage off with just one rhyme | Kill your whole entourage off with just one rhyme | |||||||||||||
| 10 | One rhyme, one rhyme, one rhyme, just one rhyme | One rhyme... one rhyme... just one rhyme | 10 | |||||||||||
| 11 | I, I don't give a fuck, I kill 'em with just one rhyme | I don't give a fuck I kill em with just one rhyme | 11 | |||||||||||
| 12 | Woo, hah, heh, yahah, you wish that you could get with this | 12 | ||||||||||||
| 3 | Woo, yeah, you wish that you could get with this | 3 | ||||||||||||
| Terrorist, lyricist, for your era it's | Terrorist, lyricist, for your era it's | |||||||||||||
| 13 | My time to shine and I'm still payin' dues | My time to shine and I'm still payin dues | 13 | |||||||||||
| And I'ma be famous on either rap or the news, motherfucker | And I'ma be famous on either rap or the news, motherfucker | |||||||||||||
| 14 | I only tell you nothin' but the real it's | I only tell you nothin but the real it's | 14 | |||||||||||
| 15 | Tight up in the struggle tryin' to get this fuckin' meal, why? | tight up in the struggle tryin to get this fuckin meal, why? | 15 | |||||||||||
| Niggaz act shifty so I shift a long | Niggaz act shifty so I shift a long | |||||||||||||
| 16 | Three tri three chrome, it's the same ol' song | three tri three chrome, it's the same ol song | 16 | |||||||||||
| 4 | 4 | |||||||||||||
| I seen the shades and the suedes from afar Pah | I seen the shades and the suedes from afar Pah | |||||||||||||
| 17 | But hold up, do you know who I are? | But hold up do you know who I are? | 17 | |||||||||||
| The M-A-Double, you want trouble you got it the spot is on | The M-A-Double, you want trouble you got it the spot is on | |||||||||||||
| You blot it I got it then shot it it's hot up in your dome | You blot it I got it then shot it it's hot up in your dome | |||||||||||||
| 18 | Peace with the chrome, piece that I pack | Peace with the chrome piece that I pack | 18 | |||||||||||
| Remember fuck around and catch a Mack to your back | Remember fuck around and catch a Mack to your back | |||||||||||||
| 3 | [Verse Two: Redman] | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| Who the fuck I be I, you cannot see I | Who the fuck I be I, you cannot see I | |||||||||||||
| Flabbergasted, blasted, my Magnum P.I. | Flabbergasted, blasted, my Magnum P.I. | |||||||||||||
| 19 | Oops, I lie, I got a cannon bout the size of Grand Canyon | Oops I lie, I got a cannon bout the size of Grand Canyon | 19 | |||||||||||
| I'm prime time, giving MC's Knots Landing | I'm prime time, giving MC's Knots Landing | |||||||||||||
| 20 | Duck, heavens to fuckin' Merkatroid | Duck, heavens to fuckin Merkatroid | 20 | |||||||||||
| I drop noise that employs the unbelievable | I drop noise that employs the unbelievable | |||||||||||||
| Recline like receding hairline, crime speaks fine | Recline like receding hairline, crime speaks fine | |||||||||||||
| 21 | With a nine pull line blind keep mines up my sleeve until | with a nine pull line blind keep mines up my sleeve until | 21 | |||||||||||
| 22 | you start to quiver, metabolism splits rivers | 22 | ||||||||||||
| 5 | You start to quiver, metabolism splits rivers | 5 | ||||||||||||
| I rock so many broads I leave your entourage tender | I rock so many broads I leave your entourage tender | |||||||||||||
| Like bartenders mix liquor | Like bartenders mix liquor | |||||||||||||
| 23 | I serve you over the rocks, I feed you to my flock | I serve you over the rocks, I feed you to my | 23 | |||||||||||
| 24 | Now time to click triggers | flock, now time to click triggers | 24 | |||||||||||
| Manslaughter in alphabetical order for four quarters | Manslaughter in alphabetical order for four quarters | |||||||||||||
| 25 | Raw water turn sons to grandaughters | raw water turn sons to grandaughters | 25 | |||||||||||
| 26 | Ah ha ha ha ha! I bring trouble where, you sleep | 26 | ||||||||||||
| 6 | I bring trouble where, you sleep | 6 | ||||||||||||
| So I double dare to bust you in your bubble bear, coat | So I double dare to bust you in your bubble bear, coat | |||||||||||||
| Antidotes cause gunsmoke in Tokyo | Antidotes cause gunsmoke in Tokyo | |||||||||||||
| MC's dosey do your mics up in this rodeo | MC's dosey do your mics up in this rodeo | |||||||||||||
| 27 | My star roast 'em up by the thousands, millions, quadrillions | My star roast em up by the thousands, millions, quadrillions | 27 | |||||||||||
| 28 | Shuttin' down national state buildings with high ceilings | Shuttin down national state buildings with high ceilings | 28 | |||||||||||
| Funk Doc to the spot freeze | Funk Doc to the spot freeze | |||||||||||||
| 29 | Creepin' on MC's like Vietnamese in army fatigues | Creepin on MC's like Vietnamese in army fatigues | 29 | |||||||||||
| Def Squad representer | Def Squad representer | |||||||||||||
| Hit yo' ass up from the bottom when you enter | Hit yo' ass up from the bottom when you enter | |||||||||||||
| 30 | Hey yo, once a crack head, always a tack head | [Verse Three: Keith Murray] | 30 | |||||||||||
| 5 | 5 | |||||||||||||
| 6 | Hey yo once a crack head, always a tack head | 6 | ||||||||||||
| You have no craftibility all that shit you talk is dead | You have no craftibility all that shit you talk is dead | |||||||||||||
| 31 | As sex, drugs and violence, balance the scales of reality | As sex drugs and violence, balance the scales of reality | 31 | |||||||||||
| Y'all don't want no parts of Keith Murray | Y'all don't want no parts of Keith Murray | |||||||||||||
| I'm nicety and sheisty, I get that ass iced deliciously | I'm nicety and sheisty, I get that ass iced deliciously | |||||||||||||
| 32 | Niggaz ain't shit to me, word up | Niggaz ain't shit to me (word up) | 32 | |||||||||||
| 33 | You stupid niggaz always got somethin' smart to say | You stupid niggaz always got somethin smart to say | 33 | |||||||||||
| And probably can't even spell TWA | And probably can't even spell TWA | |||||||||||||
| 34 | My crew is like police pull up and park anywhere (ERRRRR) | 34 | ||||||||||||
| 35 | My crew is like police pull up and park anywhere | Jump out and get it on right then and there (whassup whassup??) | 35 | |||||||||||
| 7 | Yeah yeah | 7 | ||||||||||||
| 8 | Jump out and get it on right then and there | 8 | ||||||||||||
| 9 | Whassup? Whassup? | 9 | ||||||||||||
| Niggaz is pussy and ways and actions show it | Niggaz is pussy and ways and actions show it | |||||||||||||
| Most of y'all niggaz dead, and don't even know it | Most of y'all niggaz dead, and don't even know it | |||||||||||||
| 36 | And Def Squad L.O.D. for life | And Def Squad L.O.D. for life (word up, yeah fuck your life) | 36 | |||||||||||
| 10 | Word up, yeah, fuck your life | 10 | ||||||||||||
| Act trife I'll let my dog cold fuck your wife | Act trife I'll let my dog cold fuck your wife | |||||||||||||
| 11 | Fuck your life | 11 | ||||||||||||
| 7 | [Interlude: Announcer] | 7 | ||||||||||||
| Aiyyo, you just heard the sounds of Mally G | Aiyyo, you just heard the sounds of Mally G | |||||||||||||
| 37 | Redman, Keith Murray, bringin' the ruckus, the Def Squad | Redman, Keith Murray, bringin the ruckus, the Def Squad | 37 | |||||||||||
| Next up is the Flipmode Squad, this is Howard Cossell | Next up is the Flipmode Squad, this is Howard Cossell | |||||||||||||
| First up to the ring Rampage the Last Boy Scout | First up to the ring Rampage the Last Boy Scout | |||||||||||||
| Lord Have Mercy For, and the In-fer-mous | Lord Have Mercy For, and the In-fer-mous | |||||||||||||
| Busta Rhymes | Busta Rhymes | |||||||||||||
| 8 | [Verse Four: Rampage] | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| Two one two, I'm living life as a rugged MC | Two one two, I'm living life as a rugged MC | |||||||||||||
| 38 | When I step up in your jam, yo, I'm V.I.P. | When I step up in your jam yo I'm V.I.P. | 38 | |||||||||||
| 39 | Niggaz and bitches be eyein' me | Niggaz and bitches be eyein me | 39 | |||||||||||
| 40 | I'm spontaneous, I'm wreckin' brothers out the frame | I'm spontaneous, I'm wreckin brothers out the frame | 40 | |||||||||||
| Because I'm dangerous | Because I'm dangerous | |||||||||||||
| I'm well known like Keith Murray and my boy Reggie Noble | I'm well known like Keith Murray and my boy Reggie Noble | |||||||||||||
| 41 | Chickenheads get gassed, so they call me on my mobile | Chickenheads get gassed, so they call me on my mobile *beeping* | 41 | |||||||||||
| I'm great distance like AT&T | I'm great distance like AT&T | |||||||||||||
| I stroke like a butterfly, sting like a bee | I stroke like a butterfly, sting like a bee | |||||||||||||
| 42 | Yo I Fades Them All like my man Mally G | 42 | ||||||||||||
| 12 | Yo, I Fades Them All like my man Mally G | 12 | ||||||||||||
| Whip a nigga ass for free | Whip a nigga ass for free | |||||||||||||
| 43 | And makin' sure he see visions of me | And makin sure he see visions of me | 43 | |||||||||||
| Rampage the talk of the town | Rampage the talk of the town | |||||||||||||
| 44 | The stalker of New York that fucks up the underground | The stalker of New York that fucks up the underground (no doubt) | 44 | |||||||||||
| 45 | I'm comin' thorough like a pack of Life Savers | I'm comin thorough like a pack of Life Savers | 45 | |||||||||||
| Ask Marley Marl who's the real Future Flavors | Ask Marley Marl who's the real Future Flavors | |||||||||||||
| 13 | 13 | |||||||||||||
| My technique I freak seven days a week | My technique I freak seven days a week | |||||||||||||
| I'm undefeated, you can see my Quantum Leap | I'm undefeated, you can see my Quantum Leap | |||||||||||||
| I'm hittin brothers where it hurt, lyrical expert | I'm hittin brothers where it hurt, lyrical expert | |||||||||||||
| 46 | Those who got no publishing they need to get jerked | Those who got no publishing they need to get jerked (no doubt) | 46 | |||||||||||
| 47 | A hundred percent, I gets down what I invent | a hundred percent, I gets down what I invent | 47 | |||||||||||
| Rap artists be dying to a certain extent | Rap artists be dying to a certain extent | |||||||||||||
| Sometimes they use the underground to make a comeback | Sometimes they use the underground to make a comeback | |||||||||||||
| That shit is wack, fade away and never come back | That shit is wack, fade away and never come back | |||||||||||||
| 48 | For now and forever, it's the evil that men do | [Verse Five: Lord Have Mercy] | 48 | |||||||||||
| 10 | 10 | |||||||||||||
| 11 | For now and forever, it's the, evil that men do | 11 | ||||||||||||
| Mental, my inner center Winter | Mental, my inner center Winter | |||||||||||||
| Frosted froze crews inventor, inventor | Frosted froze crews inventor, inventor | |||||||||||||
| Invader, evacuate I collapse your major | Invader, evacuate I collapse your major | |||||||||||||
| Straights and lose minds | Straights and lose minds | |||||||||||||
| You're splits two times, for intruders, for these losers | You're splits two times, for intruders, for these losers | |||||||||||||
| My maneuvers, drop like lugers | My maneuvers, drop like lugers | |||||||||||||
| Illegal, maybe Lethal, like Gibson's | Illegal, maybe Lethal, like Gibson's | |||||||||||||
| 49 | Splittin' blessings, with three Weapons | Splittin blessings, with three Weapons | 49 | |||||||||||
| 50 | Lay in the cut like C-Sections, infestin' the nine-six | Lay in the cut like C-Sections, infestin the nine-six | 50 | |||||||||||
| For you mindless, niggaz I smack spineless | For you mindless, niggaz I smack spineless | |||||||||||||
| 14 | 14 | |||||||||||||
| Or lay back like recliners, as inject jewels | Or lay back like recliners, as inject jewels | |||||||||||||
| 51 | As flesh, moves, when in vaginas, ooh, ooh ooh ooh | As flesh, moves, when in vaginas, oooh, oooh ooh ooh | 51 | |||||||||||
| 52 | Corrupt your minors like New York City's finest lineups | Corrupt your minors, like New York City's finest | 52 | |||||||||||
| 53 | On LSD fine fust in your sinus | lineups, on LSD fine fust, in your sinus | 53 | |||||||||||
| 54 | Crush like China's, opiuMC grinders | Crush like chinas, opiuMC grinders | 54 | |||||||||||
| My dust, these rhymers I hijack like airliners | My dust, these rhymers I hijack like airliners | |||||||||||||
| The infiltrator, creator, I'm sinful | The infiltrator, creator, I'm sinful | |||||||||||||
| Papers stay viscous like religious cults | Papers stay viscous like religious cults | |||||||||||||
| Leaders that drop scriptures, and rock clips or assault heaters | Leaders that drop scriptures, and rock clips or assault heaters | |||||||||||||
| My Flipmode niggaz, we're like Afghanistan guerillas | My Flipmode niggaz, we're like Afghanistan guerillas | |||||||||||||
| 12 | [Verse Six: Busta Rhymes] | 12 | ||||||||||||
| 13 | 13 | |||||||||||||
| If you want more information look listen and read | If you want more information look listen and read | |||||||||||||
| While I sit back and I roll another fat bag of weed | While I sit back and I roll another fat bag of weed | |||||||||||||
| We about to take control of your set like cruise control speed | We about to take control of your set like cruise control speed | |||||||||||||
| Satisfy my lyrical semen, plants my Johnny Apple-seed | Satisfy my lyrical semen, plants my Johnny Apple-seed | |||||||||||||
| Mental slave grip on your brain like white people | Mental slave grip on your brain like white people | |||||||||||||
| My music will dominate the population like black people | My music will dominate the population like black people | |||||||||||||
| 55 | Utilize my efforts to exercise my inner thoughts | Utilize my efforts to execersize my inner thoughts | 55 | |||||||||||
| I capitalize on my many and various styles of all sorts | I capitalize on my many and various styles of all sorts | |||||||||||||
| 56 | Hold down the forts smokin', drinkin' mad quarts | Hold down the forts smokin drinkin mad quarts | 56 | |||||||||||
| For sports talk to chickenheads in botty lik shorts | For sports talk to chickenheads in botty lik shorts | |||||||||||||
| 15 | 15 | |||||||||||||
| Let's get the cream so that we can move up in this fortress | Let's get the cream so that we can move up in this fortress | |||||||||||||
| Bounce to art galleries and purchase exotic portraits | Bounce to art galleries and purchase exotic portraits | |||||||||||||
| Here we go again, another phenomenon when I get on | Here we go again, another phenomenon when I get on | |||||||||||||
| Busta Rhymes and my nigga named Stretch Armstrong | Busta Rhymes and my nigga named Stretch Armstrong | |||||||||||||
| We represent the ultimate unit for the nine-season | We represent the ultimate unit for the nine-season | |||||||||||||
| Flipmode Squad will bust your shit for even the wrong reasons | Flipmode Squad will bust your shit for even the wrong reasons | |||||||||||||
| Chaotic sample make a nigga wanna get down | Chaotic sample make a nigga wanna get down | |||||||||||||
| Till they come through like the ATF and shut your shit down | Till they come through like the ATF and shut your shit down | |||||||||||||
| 57 | Alcohol, tobacco and firearms is how we movin' | Alcohol tobacco and firearms is how we movin | 57 | |||||||||||
| 58 | Raw rapid fire flows while the music keeps you niggaz groovin' | Raw rapid fire flows while the music keeps you niggaz groovin | 58 | |||||||||||
| 59 | I don't know who the fuck you really think you foolin | 59 | ||||||||||||
| 60 | I don't know who the fuck you really think you foolin' | You're so far from up to par and your shit needs improvin | 60 | |||||||||||
| 16 | You're so far from up to par and your shit needs improvin' | 16 | ||||||||||||
| From your conversation the way you come across your shit is off | From your conversation the way you come across your shit is off | |||||||||||||
| 61 | Malfunctionin' my nigga you about to feel the real force | Malfunctionin my nigga you about to feel the real force | 61 | |||||||||||
| 62 | Lay you on your face while I beat you up your head with the holy cross | Lay you on your face while I beat you up | 62 | |||||||||||
| 63 | Exotic niggaz blastin' off to the Land of the Lost | your head with the holy cross | 63 | |||||||||||
| 64 | If you can't see this, I recommend some | Exotic niggaz blastin off to the Land of the Lost | 64 | |||||||||||
| 65 | School for the blind by Helen Keller | If you can't see this | 65 | |||||||||||
| 66 | I recommend some school for the blind by Helen Keller | 66 | ||||||||||||
| Big ups to Lord Have Mercy, Rampage and the Cella Dwellas | Big ups to Lord Have Mercy, Rampage and the Cella Dwellas | |||||||||||||
| Redman and the Rockafellas | Redman and the Rockafellas | |||||||||||||
| Big ups to Mally G, Keith Murray sunny days and bad weathers | Big ups to Mally G, Keith Murray sunny days and bad weathers | |||||||||||||
| But still we travel the world like National Lampoon | But still we travel the world like National Lampoon | |||||||||||||
| 67 | It's Busta Rhymes for the whole entire ninety-six | It's Busta Rhymes for the whole entire ninety-six SO STAY TUNED!!! | 67 | |||||||||||
| 68 | So saty tuned | Hahahahahahahahah | 68 | |||||||||||
| 69 | Flipmode COMPLETELY getting inside that ass | 69 | ||||||||||||
| 17 | Flipmode, completely getting inside that ass | 17 | ||||||||||||
| Def Squad, respek | Def Squad, respek | |||||||||||||
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