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Current version of Canibus Lyrics Die Slow (http://www.mp3lyrics.org/c/canibus/die/) Current version of the lyrics |
Version 1 of Canibus Lyrics Die Slow (http://www.mp3lyrics.org/c/canibus/die/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | Yo | f Journalist | 1 | |||||||||||
| 1 | (Die slow) | 1 | ||||||||||||
| 2 | Yeah | 2 | ||||||||||||
| 3 | (Die slow) | 3 | ||||||||||||
| 4 | Ya niggas better | 4 | ||||||||||||
| 5 | (Die slow) | 5 | ||||||||||||
| 6 | Uh | 6 | ||||||||||||
| 7 | (Die slow) | 7 | ||||||||||||
| 8 | 8 | |||||||||||||
| 9 | All you can do is die slow nigga | 9 | ||||||||||||
| 10 | (Die slow) | 10 | ||||||||||||
| 11 | (Die slow) | 11 | ||||||||||||
| 12 | (Die slow) | 12 | ||||||||||||
| 13 | (Die slow) | 13 | ||||||||||||
| 14 | (Die slow) | 14 | ||||||||||||
| 15 | (Die slow) | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | All you can do is die | 17 | ||||||||||||
| 18 | (Die slow) | 18 | ||||||||||||
| 19 | Yeah | 19 | ||||||||||||
| 20 | (Die slow) | 20 | ||||||||||||
| 21 | (Die slow) | 21 | ||||||||||||
| 2 | Fuck y'all | [Canibus] | 2 | |||||||||||
| 3 | (Die slow) | Yo (Die Slow) | 3 | |||||||||||
| 4 | (Die slow) | Yea (Die Slow) | 4 | |||||||||||
| 5 | Die slow nigga | Ya niggas better..(Die Slow) | 5 | |||||||||||
| 6 | (Die slow) | Uh (Die Slow) | 6 | |||||||||||
| 7 | (Die slow) | All you can do is (Die Slow) nigga (Die Slow) | 7 | |||||||||||
| 1 | (Die Slow) 4x | 1 | ||||||||||||
| 2 | All you can do is die (Slow) | 2 | ||||||||||||
| 3 | Yea | 3 | ||||||||||||
| 4 | (Die Slow) 2x | 4 | ||||||||||||
| 5 | Fuck ya'll | 5 | ||||||||||||
| 6 | (Die Slow) 2x | 6 | ||||||||||||
| 7 | Die Slow nigga | 7 | ||||||||||||
| 8 | (Die Slow) | 8 | ||||||||||||
| 8 | Yo, you against me, no contest, my tongue hydraulics | (Canibus) | 8 | |||||||||||
| 9 | Strong enough to flip a '64 Impala with 3 adult passengers | Yo | 9 | |||||||||||
| 10 | And a 4 hundred pound driver | You against me.. No contest | 10 | |||||||||||
| 11 | And drown you in less than an ounce of your own saliva | My tongue hydraulics | 11 | |||||||||||
| 12 | Strong enough to flip a 64 impala | 12 | ||||||||||||
| 13 | Rubber face rappers get, stretched like elastic | with 3 adult passengers | 13 | |||||||||||
| 9 | and a 4 hundred pound driver | 9 | ||||||||||||
| 10 | And drown you in less than an | 10 | ||||||||||||
| 11 | ounce of your own saliva | 11 | ||||||||||||
| 12 | Rubberface rappers get, stretched like elastic | 12 | ||||||||||||
| Claymation characters wit verbal vernacular | Claymation characters wit verbal vernacular | |||||||||||||
| Slappin' ya, like a white water rafter | Slappin' ya, like a white water rafter | |||||||||||||
| 14 | Or a Olympic kayaked, paddlin' across the Niagara | Or a Olympic kayaker, paddlin' across the Niagara | 14 | |||||||||||
| 22 | 22 | |||||||||||||
| My afterburners'll be burnin' you after | My afterburners'll be burnin' you after | |||||||||||||
| 15 | Ya' body already been splashed with acid and you turn to ashes | Ya' body already been splashed with acid | 15 | |||||||||||
| 16 | Assassins camouflaged in the grass blastin' | And you turn to ashes | 16 | |||||||||||
| 17 | Leavin' blood all over ya' lady like Jackie O'Nassis | Assassins camouflauged in the grass blastin' | 17 | |||||||||||
| 18 | Leavin' blood all over ya' lady | 18 | ||||||||||||
| 13 | like Jackie O'Nassis | 13 | ||||||||||||
| I'll fly ya' body outta Dallas | I'll fly ya' body outta Dallas | |||||||||||||
| 19 | Perform plastic surgery while we airborne and switch caskets | Perform plastic surgery while we | 19 | |||||||||||
| 20 | Then lie to the masses, I'll tell 'em that | airborne and switch caskets | 20 | |||||||||||
| 21 | You got murdered over some East West beef, between rappers | Then lie to the masses | 21 | |||||||||||
| 22 | I'll tell'em that you got | 22 | ||||||||||||
| 23 | Radio stations'll express their sadness | murdered over some East West | 23 | |||||||||||
| 24 | Play classics back to back and pass out stop the violence pamphlets | beef, between rappers | 24 | |||||||||||
| 25 | Just imagine, every night ya' girls fuckin' ya' best friend | Radio stations'll express they sadness | 25 | |||||||||||
| 14 | Play classics back to back and | 14 | ||||||||||||
| 15 | pass out "Stop The | 15 | ||||||||||||
| 16 | Violence" pamphlets | 16 | ||||||||||||
| 17 | Just imagine, every night ya' girls | 17 | ||||||||||||
| 18 | fuckin' ya' best friend | 18 | ||||||||||||
| While you in hell throwin' tantrums | While you in hell throwin' tantrums | |||||||||||||
| 26 | I'll be lampin' in a mansion | 26 | ||||||||||||
| 27 | I'll be lampin' in a mansion somewhere out in the Hamptons | somewhere out in the Hamptons | 27 | |||||||||||
| 28 | Givin' some pretty ass bitch a spankin', nigga you can't win | Givin' some pretty ass bitch a spankin' | 28 | |||||||||||
| 29 | I'm laughin' 'cause you a has been | Nigga you can't win | 29 | |||||||||||
| 19 | I'm laughin' cause you a has been | 19 | ||||||||||||
| You'll never get ya' groove back | You'll never get ya' groove back | |||||||||||||
| 23 | 23 | |||||||||||||
| So don't even bother askin', Angela Bassett | So don't even bother askin', Angela Bassett | |||||||||||||
| You'll just get ya' ass kicked | You'll just get ya' ass kicked | |||||||||||||
| Get ya' head chopped off and dropped in a basket | Get ya' head chopped off and dropped in a basket | |||||||||||||
| My left arms taken but my right ones free | My left arms taken but my right ones free | |||||||||||||
| That means I could diss another muthafuckin' emcee | That means I could diss another muthafuckin' emcee | |||||||||||||
| 24 | 24 | |||||||||||||
| Wit rhymes that appear clearer than liquid crystal | Wit rhymes that appear clearer than liquid crystal | |||||||||||||
| 30 | My lyrical is more visual than television screen pixels | My lyrical is more visual than | 30 | |||||||||||
| 31 | I fire pistols, hit you wit' miniature missiles | television screen pixels | 31 | |||||||||||
| 32 | Riddle ya' body wit' holes then watch the blood sprinkle | I fire pistols, hit you wit' minature missles | 32 | |||||||||||
| 33 | Riddle ya' body wit' holes then | 33 | ||||||||||||
| 20 | watch the blood sprinkle | 20 | ||||||||||||
| Ya probably had no idea what you was gettin' into | Ya probably had no idea what you was gettin' into | |||||||||||||
| 34 | On the mic, Can-i-bus is invincible | On the mic, Can-I-Bus is invincible | 34 | |||||||||||
| Fuck you | Fuck you | |||||||||||||
| 35 | (Die slow) | (CONVO 1) | 35 | |||||||||||
| 36 | Hey yo, that nigga got an attitude | ("Die Slow" through out the convo) | 36 | |||||||||||
| 37 | (Die slow) | Hey Yo that nigga got an attitude | 37 | |||||||||||
| 38 | Yeah, he be actin' rude | Yeah he be actin rude | 38 | |||||||||||
| 25 | (Die slow) | 25 | ||||||||||||
| And he's always trynna' battle you | And he's always trynna' battle you | |||||||||||||
| 26 | (Die slow) | 26 | ||||||||||||
| That last album was terrible | That last album was terrible | |||||||||||||
| 39 | When he's on the radio he never got a clean mouth | 39 | ||||||||||||
| 40 | (Die slow) | Yeah everytime he freestyles, his | 40 | |||||||||||
| 41 | When he's on the radio | words be gettin' bleeped out | 41 | |||||||||||
| 42 | (Die slow) | You got the album? | 42 | |||||||||||
| 43 | He never got a clean mouth | Naw I heard it was weak | 43 | |||||||||||
| 27 | (Die slow) | 27 | ||||||||||||
| 28 | Yeah, every time he freestyles | 28 | ||||||||||||
| 29 | (Die slow) | 29 | ||||||||||||
| 30 | His words be gettin' bleeped out | 30 | ||||||||||||
| 31 | 31 | |||||||||||||
| 32 | (Die slow) | 32 | ||||||||||||
| You got the album? | You got the album? | |||||||||||||
| 44 | (Die slow) | I said it was weak | 44 | |||||||||||
| 33 | Naw, I heard it was weak | 33 | ||||||||||||
| 34 | (Die slow) | 34 | ||||||||||||
| 35 | You got the album? I said it was weak | 35 | ||||||||||||
| 36 | (Die slow) | 36 | ||||||||||||
| But the shit don't come out till next week | But the shit don't come out till next week | |||||||||||||
| 45 | Hey Yo I like the nigga's beats | 45 | ||||||||||||
| 37 | (Die slow) | 37 | ||||||||||||
| 38 | Hey yo, I like the nigga's beats | 38 | ||||||||||||
| 39 | (Die slow) | 39 | ||||||||||||
| Yo that shit be comin' bugged out | Yo that shit be comin' bugged out | |||||||||||||
| 46 | (Die slow) | Hey Yo that nigga Bis dumbs out | 46 | |||||||||||
| 47 | Hey yo, that nigga Bis dumbs out | He waited too long to come out............ | 47 | |||||||||||
| 40 | (Die slow) | 40 | ||||||||||||
| 41 | He waited too long to come out | 41 | ||||||||||||
| 48 | To you bitch niggas who talk alot but walk the block, in halter tops | (Journalist) | 48 | |||||||||||
| 21 | To you bitch niggas who talk alot | 21 | ||||||||||||
| 22 | But walk the block, in halter tops | 22 | ||||||||||||
| Left side of ya chest, mark the spot | Left side of ya chest, mark the spot | |||||||||||||
| 49 | That's where a nigga put it, when I'm hooded | That's where a nigga put it, when i'm hooded | 49 | |||||||||||
| 50 | Then fill you up wit big bullets prepare you for some channel 6 footage | Then fill you up wit big bullets | 50 | |||||||||||
| 51 | Prepare you for some channel 6 footage | 51 | ||||||||||||
| 52 | Know what is, me and Bis, runnin' through ya courtyard | Know what is, Me and Bis, | 52 | |||||||||||
| 53 | Creepin' wit a four-five and reachin' for ya door knob | runnin' through ya courtyard | 53 | |||||||||||
| 54 | Throw a gun under ya chin, see how quick your whore rise | Creepin' wit a four-five and | 54 | |||||||||||
| 55 | One shot could have a short slide, right out the North side | reachin for ya door knob | 55 | |||||||||||
| 56 | Throw a gun under ya chin, see | 56 | ||||||||||||
| 57 | Your whole flow is porkrine, spit the small oints | how quick your whore rise | 57 | |||||||||||
| 23 | One shot could have a short slide, | 23 | ||||||||||||
| 24 | right out the North side | 24 | ||||||||||||
| 25 | Your whole flow is porkrine | 25 | ||||||||||||
| 26 | Spit the small oints | 26 | ||||||||||||
| I'm nasty, but my small joints grip the bar point | I'm nasty, but my small joints grip the bar point | |||||||||||||
| 58 | Drop on top of the blue line, right beside the red one | Drop on top of the blue | 58 | |||||||||||
| 59 | Keep the flow fearsome, 'til the day my career done | line..right beside the red one | 59 | |||||||||||
| 60 | Keep the flow fairsome, 'till | 60 | ||||||||||||
| 61 | Bring it to ya ass if you the challengin' type | the day my career done | 61 | |||||||||||
| 62 | Especially those, surroundin' the mic, sound of the light | Bring it to ya ass if you the challengin type | 62 | |||||||||||
| 63 | To the Journ, y'all ain't no suitable splitters | Especially those, surroundin' the mic | 63 | |||||||||||
| 64 | True to you niggas, lay you out on MD's, recoupin' ya liver | Sound of the light | 64 | |||||||||||
| 65 | To the Journ, ya'll ain't no suitable spitters | 65 | ||||||||||||
| 66 | Shoutin' my name | True to you niggas | 66 | |||||||||||
| 27 | Lay you out on MD's, recoupin' ya liver | 27 | ||||||||||||
| 28 | Shoutin' my name, | 28 | ||||||||||||
| Ya best to control the noise soldier boy | Ya best to control the noise soldier boy | |||||||||||||
| 67 | Or homicide will be all over you poys with Polaroids | Or homicide will be all over | 67 | |||||||||||
| 29 | you poys with Polaroids | 29 | ||||||||||||
| 68 | (Die slow) | (CONVO 2) | 68 | |||||||||||
| 69 | Yeah, yo that nigga Journalist gets busy yo | ("Die Slow" through out the convo) | 69 | |||||||||||
| 70 | (Die slow) | Yea, yo that nigga Journalist gets busy yo | 70 | |||||||||||
| I heard he's from Philly yo | I heard he's from Philly yo | |||||||||||||
| 42 | (Die slow) | 42 | ||||||||||||
| I seen him in Bis video | I seen him in Bis video | |||||||||||||
| 43 | (Die slow) | 43 | ||||||||||||
| He's so skinny tho' | He's so skinny tho' | |||||||||||||
| 44 | 44 | |||||||||||||
| 45 | (Die slow) | 45 | ||||||||||||
| Now he's rollin' wit Canibus? | Now he's rollin' wit Canibus? | |||||||||||||
| 46 | (Die slow) | 46 | ||||||||||||
| I don't even understand his shit | I don't even understand his shit | |||||||||||||
| 71 | (Die slow) | That nigga sounds like an amaetur | 71 | |||||||||||
| 72 | That nigga sounds like an amateur | Yo i heard Jay manage him | 72 | |||||||||||
| 73 | (Die slow) | Yo he got some heavy gold shit | 73 | |||||||||||
| 47 | Yo, I heard Jay manage him | 47 | ||||||||||||
| 48 | 48 | |||||||||||||
| 49 | (Die slow) | 49 | ||||||||||||
| 50 | Yo, he got some heavy gold shit | 50 | ||||||||||||
| 51 | (Die slow) | 51 | ||||||||||||
| Man, that's some old shit | Man, that's some old shit | |||||||||||||
| 74 | (Die slow) | Yea yo the niggas that he roll wit' | 74 | |||||||||||
| 75 | Yeah yo, the niggas that he roll wit' | probably let 'em hold it | 75 | |||||||||||
| 52 | (Die slow) | 52 | ||||||||||||
| 53 | Probably let 'em hold it | 53 | ||||||||||||
| 54 | 54 | |||||||||||||
| 55 | (Die slow) | 55 | ||||||||||||
| He got alotta Benji's | He got alotta Benji's | |||||||||||||
| 56 | (Die slow) | 56 | ||||||||||||
| No he don't | No he don't | |||||||||||||
| 76 | (Die slow) | Everytime, when i see him in | 76 | |||||||||||
| 77 | Every time, when I see him in the back of the source | the back of The Source | 77 | |||||||||||
| 78 | (Die slow) | He looks ???? | 78 | |||||||||||
| 57 | He looks [Incomprehensible] | 57 | ||||||||||||
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