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Current version of Dangerdoom Lyrics A.T.H.F. (Aqua Teen Hunger Force) (http://www.mp3lyrics.org/d/danger-doom/athf/) Current version of the lyrics |
Version 1 of Dangerdoom Lyrics A.T.H.F. (Aqua Teen Hunger Force) (http://www.mp3lyrics.org/d/danger-doom/athf/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | Dangerdoom in the hizzy | [Meatwad] | 1 | |||||||||||
| 2 | Widdy, widdy, widdy, widdy | Danger Doom in the hizzy! | 2 | |||||||||||
| 3 | Widdy, widdy, widdy, we | Widdy widdy widdy widdy widdy widdy widdy we | 3 | |||||||||||
| We need food | We need food | |||||||||||||
| 4 | What you doin' there? | [Carl] | 4 | |||||||||||
| 5 | I'm rappin' | Whare you doin there? | 5 | |||||||||||
| 1 | Yeah, no, no, I see that, what for? | 1 | ||||||||||||
| 6 | Money, that and | [Meatwad] | 6 | |||||||||||
| 1 | I'm rappin | 1 | ||||||||||||
| 2 | 2 | |||||||||||||
| 3 | [Carl] | 3 | ||||||||||||
| 4 | Yeah... no, no I see that - what for? | 4 | ||||||||||||
| 5 | 5 | |||||||||||||
| 6 | [Meatwad] | 6 | ||||||||||||
| 7 | Money - that and... | 7 | ||||||||||||
| I wanna get some steady bitches and hoes | I wanna get some steady bitches and hoes | |||||||||||||
| 7 | And some candy for my nerves | And some candy for my nose | 7 | |||||||||||
| 8 | Some diamond stones, to roll with my chrome and | Some diamond stones, to roll with my chrome and.. | 8 | |||||||||||
| 8 | 8 | |||||||||||||
| 9 | [Carl] | 9 | ||||||||||||
| 10 | Hey, genius. You even know what that means? | 10 | ||||||||||||
| 11 | 11 | |||||||||||||
| 12 | [Meatwad] | 12 | ||||||||||||
| 13 | Uh-uh - what does it mean? | 13 | ||||||||||||
| 9 | Hey, genius, you even know what that means? | [Carl] | 9 | |||||||||||
| 10 | Uh, uh, what does it mean? | Where's the keyboards, and the | 10 | |||||||||||
| 11 | Where's the keyboards and the tambourine and the guitar | tambourine, and the guitar | 11 | |||||||||||
| 12 | And you know, I mean, the stuff that like white people like | And you know, I mean - the stuff | 12 | |||||||||||
| 14 | that like, white people like | 14 | ||||||||||||
| 15 | [Meatwad] | 15 | ||||||||||||
| We had a piano | We had a piano | |||||||||||||
| 2 | Somethin' bad ass, like, uhh, I don't know | 2 | ||||||||||||
| 3 | Like uh, REO Speedwagon or somethin' | 3 | ||||||||||||
| 4 | Hell yeah | 4 | ||||||||||||
| 13 | Aiyyo, I know this dude right | [Carl] | 13 | |||||||||||
| 14 | Carl, he wore tight blue sweats but wasn't glued too tight | Somethin bad-ass, like uhh, I don't know | 14 | |||||||||||
| 15 | All he had upstairs was a crude light | Like uhh, REO Speedwagon or somethin | 15 | |||||||||||
| 5 | You think that's weird? He lived next door to a food fight | 5 | ||||||||||||
| 16 | Howdy Danger, much obliged for the beat god | [Meatwad] | 16 | |||||||||||
| 17 | Even though you still eat lard by the Meatwad | Hell yeah! | 17 | |||||||||||
| 6 | Mesquite charred, speakin' of which or who | 6 | ||||||||||||
| 7 | Voice all squeaky like they tuned it up a pitch or two | 7 | ||||||||||||
| 18 | A chunk of burned up witch's brew, get your crew | [MF Doom] | 18 | |||||||||||
| 19 | See if they can't get past the stench of the stew | Aiyyo, I know this dude right | 19 | |||||||||||
| 16 | Carl, he wore tight blue sweats | 16 | ||||||||||||
| 17 | but wasn't glued too tight | 17 | ||||||||||||
| 18 | All he had upstairs was a crude light | 18 | ||||||||||||
| 19 | You think that's weird? He lived | 19 | ||||||||||||
| 20 | next door to a food fight | 20 | ||||||||||||
| 21 | Howdy Danger, much obliged for the beat God | 21 | ||||||||||||
| 22 | Even though you still eat lard, by the Meatwad | 22 | ||||||||||||
| 23 | Mesquite charred, speakin of which or who | 23 | ||||||||||||
| 24 | Voice all squeaky like they | 24 | ||||||||||||
| 25 | tuned it up a pitch or two | 25 | ||||||||||||
| 26 | A cuhnk of burned up witch's brew, get your crew | 26 | ||||||||||||
| 27 | See if they can't get pat the stench of the stew | 27 | ||||||||||||
| It stank like a septic tank full of big poo | It stank like a septic tank full of big poo | |||||||||||||
| He mostly only turned into a frank or a igloo | He mostly only turned into a frank or a igloo | |||||||||||||
| 8 | 8 | |||||||||||||
| Switch your view to the brother with the fried dreads | Switch your view to the brother with the fried dreads | |||||||||||||
| 20 | Not to be confused with the incense selling Thai heads | Not to be confused with the | 20 | |||||||||||
| 21 | His name rhymes with Mike Cock | incense selling thai heads | 21 | |||||||||||
| 28 | His name rhymes with Mike-Cock | 28 | ||||||||||||
| You could call him livewire, eye sockets, Frylock | You could call him livewire, eye sockets, Frylock | |||||||||||||
| 9 | 9 | |||||||||||||
| Able to shoot electricity through his eyeballs | Able to shoot electricity through his eyeballs | |||||||||||||
| 22 | And blast all through your single sided brick and drywall | And blast all through your single | 22 | |||||||||||
| 29 | sided brick and drywall | 29 | ||||||||||||
| More interesting than professional wrestling | More interesting than professional wrestling | |||||||||||||
| 23 | When he's online you can find him on instant pestering | When he's online, you can find | 23 | |||||||||||
| 24 | him on Instant Pestering | 24 | ||||||||||||
| What's up with your boy? He's not a soft or hot drink | What's up with your boy? He's not a soft or hot drink | |||||||||||||
| 25 | Whoever don't like it could suck his straw, it's hot pink | Whoever don't like it could suck | 25 | |||||||||||
| 30 | his straw, it's hot pink | 30 | ||||||||||||
| On some junk like Gucci on a classy ho | On some junk like Gucci on a classy ho | |||||||||||||
| Might splash you in the face with nuclear pistachio | Might splash you in the face with nuclear pistachio | |||||||||||||
| 26 | Make a fast break, or that'll be the last mistake | 26 | ||||||||||||
| 27 | Make a fast break or that'll be the last mistake | that ass'll make is what you get for | 27 | |||||||||||
| 28 | That ass'll make, is what you get for messin' with Master Shake | messin with Master Shake | 28 | |||||||||||
| Look out, don't block the screen son, lunge across | Look out, don't block the screen son, lunge across | |||||||||||||
| 29 | Tryin' to watch Adult Swim, Aqua Teen Hunger Force | Tryin to watch [Adult Swim], | 29 | |||||||||||
| 30 | "Aqua Teen Hunger Force!" | 30 | ||||||||||||
| Rock this cult hymn, sock your mean younger boss | Rock this cult hymn, sock your mean younger boss | |||||||||||||
| 31 | Psht, Adult Swim, Aqua Teen Hunger Force | Psht - [Adult Swim], "Aqua | 31 | |||||||||||
| 32 | He often wondered, should he get the logo tatted to his woody? | Teen Hunger Force!" | 32 | |||||||||||
| 33 | He could be number one in the hood, gee, easily | He often wondered, should he get the | 33 | |||||||||||
| 34 | logo tatted to his woody? | 34 | ||||||||||||
| 35 | Shake callin', he, heh | He could be "#1 in the hood, G!" | 35 | |||||||||||
| 36 | You know I | Easily | 36 | |||||||||||
| 10 | I'd just got off the phone with somebody else | 10 | ||||||||||||
| 37 | And, uh, that wasn't about you | (*BEEP!!*} | 37 | |||||||||||
| 11 | 11 | |||||||||||||
| 31 | [Master Shake] | 31 | ||||||||||||
| 32 | Shake callin, he heh | 32 | ||||||||||||
| 33 | You know I wa-ahhhhhhaaaaeehh | 33 | ||||||||||||
| 34 | I'd just got off the phone with somebody else and uh | 34 | ||||||||||||
| 35 | that wasn't about you | 35 | ||||||||||||
| That was about me being upset about something else | That was about me being upset about something else | |||||||||||||
| 38 | I shouldn't have called you but I did 'cause I just | I shouldn't have called you but I did, cause I just | 38 | |||||||||||
| 39 | I like you so much, I'm really looking forward | I like you so much, I'm REALLY looking | 39 | |||||||||||
| 40 | To us working together and just as of now that I'm calm | forward to us working together | 40 | |||||||||||
| 36 | And just, as of now that I'm calm | 36 | ||||||||||||
| 37 | And after I've apologized | 37 | ||||||||||||
| 38 | profusely - probably too much | 38 | ||||||||||||
| 39 | I am available, call me doggie - woof! | 39 | ||||||||||||
| 41 | And after I've apologized profusely, probably too much | {*phone hangs up*} | 41 | |||||||||||
| 12 | I am available, call me doggie | 12 | ||||||||||||
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