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Current version of Digital Underground Lyrics Heartbeat Props (http://www.mp3lyrics.org/d/digital-underground/heartbeat-pro...) Current version of the lyrics |
Version 2 of Digital Underground Lyrics Heartbeat Props (http://www.mp3lyrics.org/d/digital-underground/heartbeat-pro...) Version 2 of the lyrics | |||||||||||||
| 1 | People get ready for the heartbeat props | [Chorus] | 1 | |||||||||||
| 2 | (We're giving heartbeat props) | People, get ready for the heartbeat props | 2 | |||||||||||
| 3 | Everybody get ready for the heartbeat props | (Heartbeat props!) | 3 | |||||||||||
| 4 | (We're giving heartbeat props) | Everybody, get ready for the heartbeat props | 4 | |||||||||||
| 5 | (Heartbeat props!) | 5 | ||||||||||||
| We're gonna make it funky with the heartbeat props, y'all | We're gonna make it funky with the heartbeat props, y'all | |||||||||||||
| 6 | (We're giving heartbeat props) | (Heartbeat props!) | 6 | |||||||||||
| It's time to get busy with the heartbeat props | It's time to get busy with the heartbeat props | |||||||||||||
| (We're giving heartbeat props) | (We're giving heartbeat props) | |||||||||||||
| 7 | I give my man props cause he's living | 7 | ||||||||||||
| 8 | I give my man props 'cause he's living | (Why wait until the heartbeat stops) | 8 | |||||||||||
| 1 | (Why wait until the heartbeat stops?) | 1 | ||||||||||||
| Check it out, y'all, proper respect is what we're giving | Check it out, y'all, proper respect is what we're giving | |||||||||||||
| (We're giving heartbeat props) | (We're giving heartbeat props) | |||||||||||||
| 1 | Uh, I give my man props cause he's living | 1 | ||||||||||||
| 2 | (Why wait until the heartbeat stops) | 2 | ||||||||||||
| 3 | Don't you know that proper respect is what we're giving | 3 | ||||||||||||
| 4 | (We're giving heartbeats props) | 4 | ||||||||||||
| 9 | Uh, I give my man props 'cause he's living | [Shock G] | 9 | |||||||||||
| 2 | (Why wait until the heartbeat stops?) | 2 | ||||||||||||
| 3 | Don't you know that the proper respect is what we're giving | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| Seems like you wondered each day if the Underground | Seems like you wondered each day if the Underground | |||||||||||||
| Is going to stay down with the funky beats | Is going to stay down with the funky beats | |||||||||||||
| Even if you know that I'm a junkie for a bump that's funky | Even if you know that I'm a junkie for a bump that's funky | |||||||||||||
| And a fool for the loop, see, a groupie for the old one-twoiee | And a fool for the loop, see, a groupie for the old one-twoiee | |||||||||||||
| 10 | A bass freak would say “Oohwee, | 10 | ||||||||||||
| 11 | A bass freak would say oohwee | Peace to DU cause I like the way you do me” | 11 | |||||||||||
| 5 | Peace to DU 'cause I like the way you do me | 5 | ||||||||||||
| I love to go on about the funk, matter of fact | I love to go on about the funk, matter of fact | |||||||||||||
| I'd love to be another funk front runner | I'd love to be another funk front runner | |||||||||||||
| 6 | 6 | |||||||||||||
| But first we gotta deal with the fronters | But first we gotta deal with the fronters | |||||||||||||
| So I can't go on, it's time to drop a few bombs | So I can't go on, it's time to drop a few bombs | |||||||||||||
| 12 | Get busy, G, go on and take 'em to school | (Get busy, G, go on and take ‘em to school) | 12 | |||||||||||
| Yeah, it's time spread the jewels | Yeah, it's time spread the jewels | |||||||||||||
| 7 | 7 | |||||||||||||
| I ask you about Malcolm and you tell me that he's wicked | I ask you about Malcolm and you tell me that he's wicked | |||||||||||||
| Farrakhan comes you can't seem to buy a ticket | Farrakhan comes you can't seem to buy a ticket | |||||||||||||
| 13 | And check what my man's got to say | And check what my man has to say | 13 | |||||||||||
| Right or wrong, don't you think that he deserves a play? | Right or wrong, don't you think that he deserves a play? | |||||||||||||
| 14 | Cause he's living for you and you and you and you | 14 | ||||||||||||
| 8 | 'Cause he's living for you and you and you and you | 8 | ||||||||||||
| The brother X tried but he died trying to get through | The brother X tried but he died trying to get through | |||||||||||||
| 15 | So why wait until the heartbeat stops? | So why wait until the heartbeat stops | 15 | |||||||||||
| Yo, go on and give my man his props | Yo, go on and give my man his props | |||||||||||||
| 9 | 9 | |||||||||||||
| If you're really that down then act what you say | If you're really that down then act what you say | |||||||||||||
| KRS and Chuck need support today | KRS and Chuck need support today | |||||||||||||
| I see you posing with the Dr King hanging on your wall | I see you posing with the Dr King hanging on your wall | |||||||||||||
| Only difference is Chuck might give you that call | Only difference is Chuck might give you that call | |||||||||||||
| 10 | 10 | |||||||||||||
| To march on Friday, yeah, it's kind of frightening | To march on Friday, yeah, it's kind of frightening | |||||||||||||
| Let me move so I don't get hit by the bolt of lightning | Let me move so I don't get hit by the bolt of lightning | |||||||||||||
| 16 | Striking you down 'cause you're fronting | Striking you down cause you're fronting | 16 | |||||||||||
| A dead leader can't tax your mind | A dead leader can't tax your mind | |||||||||||||
| Therefore he's not a threat to your personal time | Therefore he's not a threat to your personal time | |||||||||||||
| 11 | 11 | |||||||||||||
| All the lagging and the dragging | All the lagging and the dragging | |||||||||||||
| 17 | Yo, I got something to do that day | (Yo, I got something to do that day) | 17 | |||||||||||
| Yeah, you sound like an old bitch nagging | Yeah, you sound like an old bitch nagging | |||||||||||||
| 18 | Fuck that fronting, fuck that fronting | Fuck that fronting! We're pumping up the brothers | 18 | |||||||||||
| 19 | We're pumping up the brothers 'cause the brothers keep it pumping | Cause the brothers keep it pumping | 19 | |||||||||||
| 12 | 12 | |||||||||||||
| You got it all wrong | You got it all wrong | |||||||||||||
| When you wait for the TV to tell you what's going on | When you wait for the TV to tell you what's going on | |||||||||||||
| 20 | Don't you hype on the mic ,yeah, they never get it right | I thought you're hype on the mic | 20 | |||||||||||
| 5 | Yeah, they never get it right | 5 | ||||||||||||
| That's why you see we gotta thank God, y'all | That's why you see we gotta thank God, y'all | |||||||||||||
| For niggas like Ice Cube | For niggas like Ice Cube | |||||||||||||
| 21 | Cause they'll tell the record straight | 21 | ||||||||||||
| 22 | 'Cause they'll tell the record straight | (Yo, my man's a prophet too) | 22 | |||||||||||
| 23 | Yo, my man's a prophet too, yo, god, you think he ain't? | Yo, god, you think he ain't? | 23 | |||||||||||
| So do the right thing, it's not a black or a white thing | So do the right thing, it's not a black or a white thing | |||||||||||||
| We're here to let you know it's just a human being thing | We're here to let you know it's just a human being thing | |||||||||||||
| 24 | We're pulling out all stops 'cause it's time give heartbeat props | We're pulling out all stops | 24 | |||||||||||
| 25 | Cause it's time give heartbeat props | 25 | ||||||||||||
| 13 | (We're giving heartbeat props) | 13 | ||||||||||||
| 14 | I give my man props 'cause he's living | 14 | ||||||||||||
| 15 | (Why wait until the heartbeat stops?) | 15 | ||||||||||||
| 16 | Proper respect is what we're giving | 16 | ||||||||||||
| 26 | (We're giving heartbeat props) | [Chorus] | 26 | |||||||||||
| 17 | I give my man props 'cause he's living | 17 | ||||||||||||
| 18 | (Why wait until the heartbeat stops?) | 18 | ||||||||||||
| 19 | Don't you know, don't you know that proper respect is what we're giving | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | (We're giving heartbeat props) | 21 | ||||||||||||
| 22 | You're giving more respect to a dead man than you do my man | 22 | ||||||||||||
| 23 | And my man's got the plans in his hand | 23 | ||||||||||||
| 24 | (Why wait until the heartbeat stops?) | 24 | ||||||||||||
| 25 | (Heartbeat props) | 25 | ||||||||||||
| 6 | [Big Money Odi$] | 6 | ||||||||||||
| I'm the type of guy that's sly like a fox | I'm the type of guy that's sly like a fox | |||||||||||||
| An honor roll student in the school of hard knocks | An honor roll student in the school of hard knocks | |||||||||||||
| There was different type of brother that I used to look up to | There was different type of brother that I used to look up to | |||||||||||||
| But I'm still giving props where the props are due | But I'm still giving props where the props are due | |||||||||||||
| 26 | 26 | |||||||||||||
| But let me start with a fool I don't give a fuck about | But let me start with a fool I don't give a fuck about | |||||||||||||
| 27 | I wanted to give a fuck you out | I wanted to give a Fuck You out | 27 | |||||||||||
| To the nigga who went out on a whim | To the nigga who went out on a whim | |||||||||||||
| He was a roody-poo for shooting Huey Newton | He was a roody-poo for shooting Huey Newton | |||||||||||||
| 27 | 27 | |||||||||||||
| But I'm thanking God for niggas like Iceberg Slim | But I'm thanking God for niggas like Iceberg Slim | |||||||||||||
| And the chick the honky's ran to see | And the chick the honky's ran to see | |||||||||||||
| She was the honky-tonk's fantasy | She was the honky-tonk's fantasy | |||||||||||||
| Tina Turner, the living legacy | Tina Turner, the living legacy | |||||||||||||
| And she's still got you tripping off the legs you see | And she's still got you tripping off the legs you see | |||||||||||||
| Another chick they used to beg to see | Another chick they used to beg to see | |||||||||||||
| 28 | 28 | |||||||||||||
| Was Josephine Baker, she had them hooked | Was Josephine Baker, she had them hooked | |||||||||||||
| They loved the way she shook her money-maker | They loved the way she shook her money-maker | |||||||||||||
| But why did it take them so many decades | But why did it take them so many decades | |||||||||||||
| To give a little praise to who they ran rave to see | To give a little praise to who they ran rave to see | |||||||||||||
| 28 | With a dark complexion | [PeeWee] | 28 | |||||||||||
| 29 | She was sex symbol befo' Marilyn Monroe | With a dark complexion she was sex symbol befo' Marilyn Monroe | 29 | |||||||||||
| 30 | But her heart stopped before | But her heart stopped before they gave props to the old pro | 30 | |||||||||||
| 29 | They gave props to the old pro | 29 | ||||||||||||
| 31 | [Big Money Odi$] | 31 | ||||||||||||
| 32 | It took a great man to mold those | It took a great man to mold "O" | 32 | |||||||||||
| 33 | So I want to give props to my pops because he told those | So I want to give props to my pops because he told "O" | 33 | |||||||||||
| 34 | But there's a time to break necks and throw bolos | But there's a time to break necks and throw bolows | 34 | |||||||||||
| Be a cold bro and throw low blows | Be a cold bro and throw low blows | |||||||||||||
| 30 | 30 | |||||||||||||
| When you want to close the shows of your foes | When you want to close the shows of your foes | |||||||||||||
| 35 | 'Cause foes are those that you got to break like windows | Cause foes are those that you got to break like windows | 35 | |||||||||||
| Check it, when respect goes it's time to break a nose | Check it, when respect goes it's time to break a nose | |||||||||||||
| But give respect before the soul goes | But give respect before the soul goes | |||||||||||||
| 7 | [PeeWee] | 7 | ||||||||||||
| Well, I suppose respect is what respect'll get ya | Well, I suppose respect is what respect'll get ya | |||||||||||||
| So I'm giving them gifts before they're stiff like the pose | So I'm giving them gifts before they're stiff like the pose | |||||||||||||
| In the pictures of Vogue and flashy fashion magazines | In the pictures of Vogue and flashy fashion magazines | |||||||||||||
| 36 | You be thumbing in 'em, props to Beverly Johnson | You be thumbing in ‘em, props to Beverly Johnson | 36 | |||||||||||
| 37 | She was the first black woman in 'em | She was the first black woman in ‘em | 37 | |||||||||||
| 38 | Pee, drop the bomb and end the pressure with the menace | [Big Money Odi$] | 38 | |||||||||||
| 39 | Smith & Wesson clear the lesson that your mama gave | Pee, drop a bomb and a mental Smith & Wesson | 39 | |||||||||||
| 40 | Mama gave PeeWee the same threats, she used drastic measures | give the lesson that your mama gave | 40 | |||||||||||
| 31 | Told me to give her the full respect or get my ass kicked | 31 | ||||||||||||
| 32 | It was my intention to relent just till the last kick | 32 | ||||||||||||
| 33 | When she goes she'll roll over in a solid gold casket | 33 | ||||||||||||
| 8 | [PeeWee] | 8 | ||||||||||||
| 9 | Mama gave PeeWee the same threats, she used drastic measures | 9 | ||||||||||||
| 10 | Told me to get the full respect or get my ass kicked | 10 | ||||||||||||
| 11 | Those small treasures are her pleasure till her last kick | 11 | ||||||||||||
| 12 | And when she goes she'll roll over in a solid gold casket | 12 | ||||||||||||
| When I was young Muhammad Ali had me sprung | When I was young Muhammad Ali had me sprung | |||||||||||||
| 41 | 'Cause he was the champ, as the champion he was my idol | Cause he was the champion, as the champion he was my idol | 41 | |||||||||||
| Yo, they took his title when he wouldn't take the gun | Yo, they took his title when he wouldn't take the gun | |||||||||||||
| 42 | And fight in Vietnam the only way he felt, then he won the belt again | And fight in Vietnam | 42 | |||||||||||
| 43 | He hung with what he felt, then he won the belt again | 43 | ||||||||||||
| Now they want me in the army but they can't harm me | Now they want me in the army but they can't harm me | |||||||||||||
| 44 | 'Cause I ain't no punk, I ain't under man to Uncle Tommy | Cause I ain't no punk, ain't no uncle | 44 | |||||||||||
| 45 | Props to Islam, it's getting brothers together before the big bomb | and my name ain't Tommy | 45 | |||||||||||
| 13 | Props to Islam, it's getting brothers | 13 | ||||||||||||
| 14 | together before the big bomb | 14 | ||||||||||||
| Blast out, before we're all assed-out | Blast out, before we're all assed-out | |||||||||||||
| 46 | We need to see that we got to start giving the props to the living | We need to see that we got to start | 46 | |||||||||||
| 47 | giving the props to the living | 47 | ||||||||||||
| 34 | (We're giving heartbeat props) | 34 | ||||||||||||
| 35 | I said I give my man props 'cause he's living | 35 | ||||||||||||
| 36 | (Why wait until the heartbeat stops?) | 36 | ||||||||||||
| 37 | Uh, I said proper respect is what we're giving | 37 | ||||||||||||
| 48 | (We're giving heartbeat props) | [Chorus] | 48 | |||||||||||
| 38 | I said I give my man props 'cause he's living | 38 | ||||||||||||
| 39 | (Why wait until the heartbeat stops?) | 39 | ||||||||||||
| 40 | Proper respect is what we're giving | 40 | ||||||||||||
| 41 | 41 | |||||||||||||
| 42 | (We're giving heartbeat props) | 42 | ||||||||||||
| 43 | I said I give my man props 'cause he's living | 43 | ||||||||||||
| 44 | (Why wait until the heartbeat stops?) | 44 | ||||||||||||
| 45 | Don't you know that proper respect is what we're giving | 45 | ||||||||||||
| 46 | 46 | |||||||||||||
| 47 | (We're giving heartbeat props) | 47 | ||||||||||||
| 48 | You're giving more respect to a dead man than you do my man | 48 | ||||||||||||
| 49 | And my man's got the plans in his hand | 49 | ||||||||||||
| 50 | (Why wait until the heartbeat stops?) | 50 | ||||||||||||
| 51 | (Heartbeat props) | 51 | ||||||||||||
| 49 | (We're giving heartbeat props) | [Shock G] | 49 | |||||||||||
| 50 | You're giving more respect to a dead man than you do my man | Yeah, Spike Lee, Alex Haley, Brand | 50 | |||||||||||
| 51 | And my man's got the plans in his hand | Nubian, sister Whoopi Goldberg | 51 | |||||||||||
| 52 | (Why wait until the heartbeat stops?) | Dick Gregory, X-Clan, sister Isis, BDP, | 52 | |||||||||||
| 53 | Proper respect is what we're giving | Muhammad Ali, Stevie Wonder | 53 | |||||||||||
| 52 | 52 | |||||||||||||
| 53 | (We're giving heartbeat props) | 53 | ||||||||||||
| 54 | Uh, I said I give my man props 'cause he's living | 54 | ||||||||||||
| 55 | (Why wait until the heartbeat stops?) | 55 | ||||||||||||
| 56 | Don't you know that proper respect is what we're giving | 56 | ||||||||||||
| 57 | 57 | |||||||||||||
| 58 | (We're giving heartbeat props) | 58 | ||||||||||||
| 59 | I give my man props 'cause he's living | 59 | ||||||||||||
| 60 | (Why wait until the heartbeat stops?) | 60 | ||||||||||||
| 61 | Proper respect is what we're giving | 61 | ||||||||||||
| 62 | 62 | |||||||||||||
| 63 | We're giving heartbeat props | 63 | ||||||||||||
| 64 | Why wait until the heartbeat stops? | 64 | ||||||||||||
| 65 | We're giving heartbeat props | 65 | ||||||||||||
| 66 | (Heartbeat props) | 66 | ||||||||||||
| 67 | 67 | |||||||||||||
| 68 | (We're giving heartbeat props) | 68 | ||||||||||||
| 69 | You're giving more respect to a dead man than you do my man | 69 | ||||||||||||
| 70 | And my man's got the plans in his hand | 70 | ||||||||||||
| 71 | (Why wait until the heartbeat stops?) | 71 | ||||||||||||
| 72 | (Heartbeat props) | 72 | ||||||||||||
| 73 | 73 | |||||||||||||
| 74 | Yeah, Spike Lee, Alex Haley, Brand Nubian, sister Whoopi Goldberg | 74 | ||||||||||||
| 75 | Dick Gregory, X-Clan, sister Isis, BDP, Muhammad Ali, Stevie Wonder | 75 | ||||||||||||
| Poor Righteous Teachers, Andrew Jackson, Denzel Washington | Poor Righteous Teachers, Andrew Jackson, Denzel Washington | |||||||||||||
| 54 | Sister Sarah Sahad Ali, Public Enemy, Stokley Carmichael | Sister Sarah Sahad Ali (?), Public Enemy, Stokley Carmichael | 54 | |||||||||||
| 76 | 76 | |||||||||||||
| Sister Oprah Winfrey, yeah, Jesse Jackson, nuff respect, Paris | Sister Oprah Winfrey, yeah, Jesse Jackson, nuff respect, Paris | |||||||||||||
| 55 | Gangstarr, Gil Scott Heron, George the fuck Clinton, Louis Farrakhan | Gangstarr, Gil Scott Heron, George the | 55 | |||||||||||
| 15 | fuck Clinton, Louis Farrakhan | 15 | ||||||||||||
| Sister Queen Latifah, Bill Cosby, sister Angela Davis | Sister Queen Latifah, Bill Cosby, sister Angela Davis | |||||||||||||
| The entire Nation of Islam, nucka, know what I'm saying? | The entire Nation of Islam, nucka, know what I'm saying? | |||||||||||||
| 56 | Afrika Bambaataa, Miles motherfucking | 56 | ||||||||||||
| 57 | Afrika Bambaataa, Miles motherfucking Davis, sister Assata Shakur | Davis, sister Assata Shakur | 57 | |||||||||||
| Once known as Joanne Chesimard, Robert Townsend, Nelson Mandela | Once known as Joanne Chesimard, Robert Townsend, Nelson Mandela | |||||||||||||
| Karreem Adul-Jabbar, the Black Panther Party, James Earl Jones | Karreem Adul-Jabbar, the Black Panther Party, James Earl Jones | |||||||||||||
| The FOIs, nucka, Howard E. Rollins, sister Naomi, yeah, nuff respect | The FOIs, nucka, Howard E. Rollins, | |||||||||||||
| 16 | sister Naomi, yeah, nuff respect! | 16 | ||||||||||||
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