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Current version of Eminem Lyrics Business (http://www.mp3lyrics.org/e/eminem/business/) Current version of the lyrics |
Version 2 of Eminem Lyrics Business (http://www.mp3lyrics.org/e/eminem/business/v2.html) Version 2 of the lyrics | ||||||||||||
| 1 | Marshall, sounds like an S.O.S | Marshall, sounds like an SOS... | 1 | ||||||||||
| 1 | Holy whack unlyrical lyrics Andre, you're fuckin' right | 1 | |||||||||||
| 2 | To the rap mobile, let's go | Holy wack, unlyrical lyrics Andre, you're fuckin' | 2 | ||||||||||
| 3 | (Marshall marshall) | right... | 3 | ||||||||||
| 2 | Bitches and gentleman | 2 | |||||||||||
| 4 | It's show time | To the rapmobile, let's go... | 4 | ||||||||||
| 3 | Hurry, hurry step right up | 3 | |||||||||||
| 5 | Introducin' the star of our show, his name is | (Marshall, Marshall), bitches and gentlemen, it's | 5 | ||||||||||
| 6 | (Marshall) | showtime, hurry hurry, step right up, introducing | 6 | ||||||||||
| 7 | You wouldn't wanna be anywhere else in the world right now | the star of our show, his name is, {Marshall}, you | 7 | ||||||||||
| 8 | So without further ado, I bring to you | wouldn't want to be anywhere else in the world | 8 | ||||||||||
| 9 | (Marshall) | right now, so without further ado, I bring to you, | 9 | ||||||||||
| 10 | (Marshall)... | 10 | |||||||||||
| 4 | You 'bout to witness hip hop in its | 4 | |||||||||||
| 11 | Most purest, most rawest form, flow almost flawless | You 'bout to witness hip-hop in it's most purest, | 11 | ||||||||||
| 12 | Most hardest, most honest, known artist | more rawest form, flow almost flawless, most | 12 | ||||||||||
| 13 | Chip off the old block but old doc is back | hardest, most honest known artist, chip off the | 13 | ||||||||||
| 14 | old block, but ol' Doc is, {back}, looks like | 14 | |||||||||||
| 15 | Looks like Batman brought his own Robin | Batman brought his own Robin, oh God, Sadam's got | 15 | ||||||||||
| 16 | Oh god, Saddam's got his own Laden | his own Laden, with his own private plane, his own | 16 | ||||||||||
| 17 | With his own private plane, his own pilot | pilot, set to blow college dorm rooms doors off | 17 | ||||||||||
| 18 | Set to blow college dorm room doors off the hinges | the hinges, oranges, peach, pears, plums, | 18 | ||||||||||
| 19 | syringes, {vnn vnn}, yeah here I come, I'm inches, | 19 | |||||||||||
| 20 | Oranges, peach, pears, plums, syringes | away from you, dear fear none, hip-hop is in a | 20 | ||||||||||
| 21 | Yeah, here I come | state of 911, so... | 21 | ||||||||||
| 5 | I'm inches away from you, here, fear none | 5 | |||||||||||
| 22 | Hip hop is in a state of nine one one, so | [Chorus] | 22 | ||||||||||
| 6 | 6 | ||||||||||||
| 23 | Let's get down to business | Let's get down to business, I don't got no time to | 23 | ||||||||||
| 24 | I don't got no time to play around what is this? | play around, what is this, must be a circus in | 24 | ||||||||||
| 25 | Must be a circus in town, let's shut the shit down | town, let's shut the shit down on these clowns, | 25 | ||||||||||
| 26 | On these clowns, can I get a witness? | can I get a witness, {hell yeah}, let's get down | 26 | ||||||||||
| 27 | Hell yea | to business, I don't got no time to play around, | 27 | ||||||||||
| 28 | what is this, must be a circus in town, let's shut | 28 | |||||||||||
| 29 | Let's get down to business | the shit down on these clowns, can I get a | 29 | ||||||||||
| 30 | I don't got no time to play around what is this? | witness, (hell yeah)... | 30 | ||||||||||
| 7 | Must be a circus in town, let's shut the shit down | 7 | |||||||||||
| 31 | On these clowns, can I get a witness? | Quick gotta move fast, gotta perform miracles, gee | 31 | ||||||||||
| 32 | Hell yea | willikers Dre, holy bat syllables, look at all the | 32 | ||||||||||
| 33 | bullshit that goes on in Gotham when I'm gone, | 33 | |||||||||||
| 34 | Quick gotta move fast, gotta perform miracles | time to get rid of these rap criminals, so skip to | 34 | ||||||||||
| 35 | Gee willikers Dre, holy Bat Syllables | your lou while I do what I do best, you ain't even | 35 | ||||||||||
| 36 | Look at all the bullshit that goes on in Gotham | impressed no more, you're used to it, flows too | 36 | ||||||||||
| 37 | When I'm gone time to get rid of these rap criminals | wet, nobody close to it, nobody says it, but still | 37 | ||||||||||
| 38 | everybody knows the shit, the most hated on out of | 38 | |||||||||||
| 39 | So, skip to ya lou, while I do what I do best | all those who say they get hated on in eighty | 39 | ||||||||||
| 40 | You ain't even impressed no more, you used to it | songs and exaggerate it all so much, they make it | 40 | ||||||||||
| 41 | Flows too wet, nobody close to it | all up, there's no such thing, like a female with | 41 | ||||||||||
| 42 | Nobody says it was till everyone knows the shit | good looks, who cooks and cleans, it just means so | 42 | ||||||||||
| 43 | much more to so much more people when you're | 43 | |||||||||||
| 44 | The most hated on outta all those who say they get hated | rappin' and you know what for, the show must go | 44 | ||||||||||
| 45 | On eighties songs | on, so I'd like to welcome y'all to Marshall and | 45 | ||||||||||
| 46 | Exaggerate it all so much | Andre's carnival, c'mon now... | 46 | ||||||||||
| 8 | They make it all up | 8 | |||||||||||
| 47 | There's no such thing | [Chorus] | 47 | ||||||||||
| 9 | 9 | ||||||||||||
| 48 | Like a female with good looks who cooks and cleans | It's just like old times, the dynamic duo, two old | 48 | ||||||||||
| 49 | It just means so much more to so much more | friends, why panic, you already know who's fully | 49 | ||||||||||
| 50 | People when you rappin' and you know what for | capable, the two capped heroes, dial straight down | 50 | ||||||||||
| 51 | The show must go on, so I'd like to welcome y'all | the center eight-zero-zero, you can even call | 51 | ||||||||||
| 52 | To Marshall and Andre's carnival | collect, the most feared duet, since me and Elton | 52 | ||||||||||
| 53 | played career Russian Roulette, and never even see | 53 | |||||||||||
| 54 | Come on | me blink or get to bustin' a sweat, people | 54 | ||||||||||
| 55 | Let's get down to business | steppin' over people just to rush to the set, just | 55 | ||||||||||
| 56 | I don't got no time to play around what is this? | to get to see an emcee who breathes so freely, | 56 | ||||||||||
| 57 | Must be a circus in town, let's shut the shit down | ease over these beat's and be so breezy, Jesus how | 57 | ||||||||||
| 58 | On these clowns, can I get a witness? | can shit be so easy, how can one Chandra be so | 58 | ||||||||||
| 59 | Hell yea | Levy, turn on these beats, emcee's don't see me, | 59 | ||||||||||
| 60 | believe me BET and MTV are gonna grieve, when we | 60 | |||||||||||
| 61 | Let's get down to business | leave, dog fo' sheezy, can't leave rap alone, the | 61 | ||||||||||
| 62 | I don't got no time to play around what is this? | game needs me, 'till we grow beards, get weird, | 62 | ||||||||||
| 63 | Must be a circus in town, let's shut the shit down | and disappear into the mountains, nothin' but | 63 | ||||||||||
| 64 | On these clowns, can I get a witness? | clowns down here, but we ain't fuckin around round | 64 | ||||||||||
| 65 | Hell yea | here, yo' Dre, what up, can I get a hell, hell | 65 | ||||||||||
| 66 | yeah, now... | 66 | |||||||||||
| 10 | It's just like old times, the dynamic duo | 10 | |||||||||||
| 67 | Two old friends, why panic? | [Chorus] | 67 | ||||||||||
| 11 | You already know who's fully capable, the two caped heroes | 11 | |||||||||||
| 68 | Dial straight down the center eight zero zero | So there you have it folks, (Marshall), has come | 68 | ||||||||||
| 69 | to save the day, back with his friend Andre, and | 69 | |||||||||||
| 70 | You can even call collect, the most feared duet | to remind you that bullshit does not pay, because, | 70 | ||||||||||
| 71 | Since me and Elton, play career Russian Roulette | (Marshall), and Andre are here to stay and never | 71 | ||||||||||
| 72 | And never even seen me blink get me bustin' a sweat | go away until our dying day until we're old and | 72 | ||||||||||
| 73 | People steppin' over people just to rush to the set | grey, (Marshall), so until next time friends, same | 73 | ||||||||||
| 74 | blonde hair, same rap channel, good night | 74 | |||||||||||
| 75 | Just to get to see an MC who breathes so freely | everyone, thank you for coming, your host for the | 75 | ||||||||||
| 76 | Ease over these beats, and be so breezy | evening, (Marshall), oh, ha... | 76 | ||||||||||
| 12 | Jesus, how can shit be so easy? | 12 | |||||||||||
| 13 | How can one Chandra be so levy? | 13 | |||||||||||
| 14 | 14 | ||||||||||||
| 15 | Turn on these beats MC's don't see me | 15 | |||||||||||
| 16 | Believe me, BET and MTV | 16 | |||||||||||
| 17 | Are gonna grieve when we leave, dawg for sheezy | 17 | |||||||||||
| 18 | Can't leave rap alone the game needs me | 18 | |||||||||||
| 19 | 19 | ||||||||||||
| 20 | 'Til we grow beards, get weird and disappear | 20 | |||||||||||
| 21 | Into the mountains | 21 | |||||||||||
| 22 | Nothin' but clowns down here | 22 | |||||||||||
| 23 | But we ain't fuckin' around 'round here | 23 | |||||||||||
| 24 | 24 | ||||||||||||
| 25 | Yo Dre | 25 | |||||||||||
| 26 | Whuddup? | 26 | |||||||||||
| 27 | Can I get a hell yea? | 27 | |||||||||||
| 28 | Hell yea | 28 | |||||||||||
| 29 | 29 | ||||||||||||
| 30 | Let's get down to business | 30 | |||||||||||
| 31 | I don't got no time to play around what is this? | 31 | |||||||||||
| 32 | Must be a circus in town, let's shut the shit down | 32 | |||||||||||
| 33 | On these clowns, can I get a witness? | 33 | |||||||||||
| 34 | Hell yea | 34 | |||||||||||
| 35 | 35 | ||||||||||||
| 36 | Let's get down to business | 36 | |||||||||||
| 37 | I don't got no time to play around what is this? | 37 | |||||||||||
| 38 | Must be a circus in town, let's shut the shit down | 38 | |||||||||||
| 39 | On these clowns, can I get a witness? | 39 | |||||||||||
| 40 | Hell yea | 40 | |||||||||||
| 41 | 41 | ||||||||||||
| 42 | So there you have it folks | 42 | |||||||||||
| 43 | Marshall | 43 | |||||||||||
| 44 | Has come to save the day | 44 | |||||||||||
| 45 | Back with his friend Andre | 45 | |||||||||||
| 46 | And to remind you that bullshit does not pay | 46 | |||||||||||
| 47 | Because | 47 | |||||||||||
| 48 | Marshall | 48 | |||||||||||
| 49 | And Andre are here to stay and never go away | 49 | |||||||||||
| 50 | Until our dying day, until we're old and gray | 50 | |||||||||||
| 51 | Marshall | 51 | |||||||||||
| 52 | So until next time friends | 52 | |||||||||||
| 53 | Same blonde hair, same rap channel | 53 | |||||||||||
| 54 | Goodnight everyone, thank you for coming | 54 | |||||||||||
| 55 | Your host for the evening | 55 | |||||||||||
| 56 | Marshall | 56 | |||||||||||
| 57 | Oh hah | 57 | |||||||||||
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