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Version 7 of Eminem Lyrics Lose Yourself (http://www.mp3lyrics.org/e/eminem/lose-yourself/v7.html) Version 7 of the lyrics |
Version 5 of Eminem Lyrics Lose Yourself (http://www.mp3lyrics.org/e/eminem/lose-yourself/v5.html) Version 5 of the lyrics | |||||||||||
| [Intro] | [Intro] | |||||||||||
| Look.. if you had.. one shot,or one opportunity | Look.. if you had.. one shot,or one opportunity | |||||||||||
| To seize everything you ever wanted.. in one moment | To seize everything you ever wanted.. in one moment | |||||||||||
| Would you capture it.. or just let it slip? Yo.. | Would you capture it.. or just let it slip? Yo.. | |||||||||||
| [Verse 1] | [Verse 1] | |||||||||||
| His palms are sweaty, knees weak, arms are heavy | His palms are sweaty, knees weak, arms are heavy | |||||||||||
| There's vomit on his sweater already, mom's spaghetti | There's vomit on his sweater already, mom's spaghetti | |||||||||||
| He's nervous, but on the surface he looks calm and ready | He's nervous, but on the surface he looks calm and ready | |||||||||||
| to drop bombs, but he keeps on forgetting | to drop bombs, but he keeps on forgetting | |||||||||||
| what he wrote down, the whole crowd goes so loud | what he wrote down, the whole crowd goes so loud | |||||||||||
| He opens his mouth but the words won't come out | He opens his mouth but the words won't come out | |||||||||||
| He's chokin, how? Everybody's jokin now | He's chokin, how? Everybody's jokin now | |||||||||||
| The clock's run out, time's up, over - BLAOW! | The clock's run out, time's up, over - BLAOW! | |||||||||||
| 1 | Snap back to reality, Oh there goes gravity | Snap back to reality, Opss - there goes gravity | 1 | |||||||||
| 2 | Oh there goes Rabbit, he choked | OHH - there goes Rabbit, he choked | 2 | |||||||||
| He's so mad, but he won't | He's so mad, but he won't | |||||||||||
| 3 | Give up that easy no, he won't have it | Give up that easy nope, he won't have it | 3 | |||||||||
| He knows, his whole back's to these ropes | He knows, his whole back's to these ropes | |||||||||||
| It don't matter, he's dope | It don't matter, he's dope | |||||||||||
| He knows that, but he's broke | He knows that, but he's broke | |||||||||||
| He's so sad that he knows | He's so sad that he knows | |||||||||||
| when he goes back to this mobile home, that's when it's | when he goes back to this mobile home, that's when it's | |||||||||||
| 4 | back to the lab again, yo, this whole rapshody | back to the lab again, yo, this whole rhapsody | 4 | |||||||||
| He better go capture this moment and hope it don't pass him | He better go capture this moment and hope it don't pass him | |||||||||||
| [Chorus] | [Chorus] | |||||||||||
| 5 | You Better, lose yourself in the music, the moment | You better - lose yourself in the music, the moment | 5 | |||||||||
| You own it, you better never let it go (go) | You own it, you better never let it go (go) | |||||||||||
| You only get one shot, do not miss your chance to blow | You only get one shot, do not miss your chance to blow | |||||||||||
| This opportunity comes once in a lifetime | This opportunity comes once in a lifetime | |||||||||||
| 6 | Give it up, lose yourself in the music, the moment | You better - lose yourself in the music, the moment | 6 | |||||||||
| You own it, you better never let it go (go) | You own it, you better never let it go (go) | |||||||||||
| You only get one shot, do not miss your chance to blow | You only get one shot, do not miss your chance to blow | |||||||||||
| This opportunity comes once in a lifetime | This opportunity comes once in a lifetime | |||||||||||
| 7 | You Better.. | You better.. | 7 | |||||||||
| [Verse 2] | [Verse 2] | |||||||||||
| Soul's escaping, through this hole that is gaping | Soul's escaping, through this hole that is gaping | |||||||||||
| This world is mine for the taking | This world is mine for the taking | |||||||||||
| Make me king, as we move toward a, new world order | Make me king, as we move toward a, new world order | |||||||||||
| A normal life is boring; but superstardom's | A normal life is boring; but superstardom's | |||||||||||
| close to post-mortem, it only grows harder | close to post-mortem, it only grows harder | |||||||||||
| Homie grows hotter, he blows it's all over | Homie grows hotter, he blows it's all over | |||||||||||
| These hoes is all on him, coast to coast shows | These hoes is all on him, coast to coast shows | |||||||||||
| He's known as the Globetrotter | He's known as the Globetrotter | |||||||||||
| Lonely roads, God only knows | Lonely roads, God only knows | |||||||||||
| He's grown farther from home, he's no father | He's grown farther from home, he's no father | |||||||||||
| He goes home and barely knows his own daughter | He goes home and barely knows his own daughter | |||||||||||
| But hold your nose cause here goes the cold water | But hold your nose cause here goes the cold water | |||||||||||
| These hoes don't want him no mo', he's cold product | These hoes don't want him no mo', he's cold product | |||||||||||
| They moved on to the next schmoe who flows | They moved on to the next schmoe who flows | |||||||||||
| He nose-dove and sold nada, and so the soap opera | He nose-dove and sold nada, and so the soap opera | |||||||||||
| is told, it unfolds, I suppose it's old partner | is told, it unfolds, I suppose it's old partner | |||||||||||
| But the beat goes on da-da-dum da-dum da-dah | But the beat goes on da-da-dum da-dum da-dah | |||||||||||
| [Chorus] | [Chorus] | |||||||||||
| [Verse 3] | [Verse 3] | |||||||||||
| No more games, I'ma change what you call rage | No more games, I'ma change what you call rage | |||||||||||
| Tear this motherfuckin roof off like two dogs caged | Tear this motherfuckin roof off like two dogs caged | |||||||||||
| I was playin in the beginning, the mood all changed | I was playin in the beginning, the mood all changed | |||||||||||
| I've been chewed up and spit out and booed off stage | I've been chewed up and spit out and booed off stage | |||||||||||
| But I kept rhymin and stepped right in the next cypher | But I kept rhymin and stepped right in the next cypher | |||||||||||
| Best believe somebody's payin the pied piper | Best believe somebody's payin the pied piper | |||||||||||
| All the pain inside amplified by the | All the pain inside amplified by the | |||||||||||
| fact that I can't get by with my nine to | fact that I can't get by with my nine to | |||||||||||
| five and I can't provide the right type of | five and I can't provide the right type of | |||||||||||
| life for my family, cause man, these God damn | life for my family, cause man, these God damn | |||||||||||
| 8 | food stamps don't buy diapers, and it's no movie | food stamps don't buy diapers, and there's no movie | 8 | |||||||||
| There's no Mekhi Phifer, this is my life | There's no Mekhi Phifer, this is my life | |||||||||||
| And these times are so hard, and it's gettin even harder | And these times are so hard, and it's gettin even harder | |||||||||||
| Tryin to feed and water my seed plus, teeter-totter | Tryin to feed and water my seed plus, teeter-totter | |||||||||||
| Caught up between bein a father and a primadonna | Caught up between bein a father and a primadonna | |||||||||||
| Baby momma drama screamin on her too much for me to wanna | Baby momma drama screamin on her too much for me to wanna | |||||||||||
| stay in one spot, another day of monotony, | stay in one spot, another day of monotony, | |||||||||||
| has gotten me to the point, I'm like a snail I've got | has gotten me to the point, I'm like a snail I've got | |||||||||||
| to formulate a plot, or end up in jail or shot | to formulate a plot, or end up in jail or shot | |||||||||||
| Success is my only motherfuckin option, failure's not | Success is my only motherfuckin option, failure's not | |||||||||||
| Mom I love you but this trailer's got to go | Mom I love you but this trailer's got to go | |||||||||||
| I cannot grow old in Salem's Lot | I cannot grow old in Salem's Lot | |||||||||||
| So here I go it's my shot, feet fail me not | So here I go it's my shot, feet fail me not | |||||||||||
| This may be the only opportunity that I got | This may be the only opportunity that I got | |||||||||||
| [Chorus] | [Chorus] | |||||||||||
| [Outro] | [Outro] | |||||||||||
| 9 | You can do anything if you set your mind to it, man | You can do anything you set your mind to, man | 9 | |||||||||
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