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Current version of Harry Chapin Lyrics There Only Was One Choice (http://www.mp3lyrics.org/h/harry-chapin/there/) Current version of the lyrics |
Version 1 of Harry Chapin Lyrics There Only Was One Choice (http://www.mp3lyrics.org/h/harry-chapin/there/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | There's a kid out on my corner hear him strumming like a fool | There's a kid out on my corner -- hear him strumming like a fool | 1 | |||||||||||
| 2 | Shivering in his dungarees but still he's going to school | Shivering in his dungarees -- but still he's going to school | 2 | |||||||||||
| 3 | His cheeks are made of peach fuzz, his hopes may be the same | His cheeks are made of peach fuzz -- his hopes may be the same | 3 | |||||||||||
| But he's signed up as a soldier out to play the music game | But he's signed up as a soldier out to play the music game | |||||||||||||
| 4 | There are fake patches on his jacket | There are fake patches on his jacket -- he's | 4 | |||||||||||
| 5 | He's used bleach to fade his jeans | used bleach to fade his jeans | 5 | |||||||||||
| 6 | With a brand new stay pressed shirt | With a brand new stay pressed shirt -- and | 6 | |||||||||||
| 7 | And some creased and wrinkled dreams | some creased and wrinkled dreams | 7 | |||||||||||
| 8 | His face a blemish garden but his eyes are virgin clear | His face a blemish garden -- but his eyes are virgin clear | 8 | |||||||||||
| 9 | His voice is Chicken Little's, but he's hearing Paul Revere | His voice is Chicken Little's -- But he's hearing Paul Revere | 9 | |||||||||||
| 1 | 1 | |||||||||||||
| 10 | When he catches himself giggling | When he catches himself giggling -- he forces up a sneer | 10 | |||||||||||
| 11 | He forces up a sneer | Though he'd rather have a milk shake -- he | 11 | |||||||||||
| 12 | Though he'd rather have a milk shake | keeps forcing down the beer | 12 | |||||||||||
| 13 | He keeps forcing down the beer | Just another folkie -- late in coming down the pike | 13 | |||||||||||
| 14 | Just another folkie, late in coming down the pike | Riding his guitar -- he left Kid brother with his bike | 14 | |||||||||||
| 2 | Riding his guitar, he left Kid brother with his bike | 2 | ||||||||||||
| And he's got Guthrie running in his bones | And he's got Guthrie running in his bones | |||||||||||||
| He's the hobo kid who's left his home | He's the hobo kid who's left his home | |||||||||||||
| And his Beatles records and the Rolling Stones | And his Beatles records and the Rolling Stones | |||||||||||||
| 15 | This boy is staying acoustic | This boy is staying acoustic. | 15 | |||||||||||
| 3 | 3 | |||||||||||||
| There's Seeger singing in his heart | There's Seeger singing in his heart | |||||||||||||
| He hopes his songs will somehow start | He hopes his songs will somehow start | |||||||||||||
| To heal the cracks that split apart | To heal the cracks that split apart | |||||||||||||
| America gone plastic | America gone plastic | |||||||||||||
| And now there's Dylan dripping from his mouth | And now there's Dylan dripping from his mouth | |||||||||||||
| He's hitching himself way down south | He's hitching himself way down south | |||||||||||||
| To learn a little black and blues | To learn a little black and blues | |||||||||||||
| From old street men who paid their dues | From old street men who paid their dues | |||||||||||||
| 'Cause they knew they had nothing to lose | 'Cause they knew they had nothing to lose | |||||||||||||
| 16 | They knew it, so they just got to it | They knew it | 16 | |||||||||||
| 1 | So they just got to it | 1 | ||||||||||||
| With cracked old Gibsons and red clay shoes | With cracked old Gibsons and red clay shoes | |||||||||||||
| 17 | Playing 1 4 5 chords like good news | Playing 1-4-5 chords like good news | 17 | |||||||||||
| And cursed with skin that calls for blood | And cursed with skin that calls for blood | |||||||||||||
| They put their face and feet in mud | They put their face and feet in mud | |||||||||||||
| 18 | But oh, they learned the music from way down there | But oh they learned the music from way down there | 18 | |||||||||||
| The real ones learn it somewhere | The real ones learn it somewhere | |||||||||||||
| 19 | Strum your guitar, sing it kid | Strum your guitar -- sing it kid | 19 | |||||||||||
| 20 | Just write about your feelings, not the things you never did | Just write about your feelings -- not the things you never did | 20 | |||||||||||
| 21 | Inexperience, it once had cursed me | Inexperience -- it once had cursed me | 21 | |||||||||||
| 22 | But your youth is no handicap, it's what makes you thirsty | But your youth is no handicap -- it's what makes you thirsty | 22 | |||||||||||
| 23 | Hey kid, you know you can hear your footsteps | Hey, kid you know you can hear your footsteps | 23 | |||||||||||
| 24 | As you're kicking up the dust | as you're kicking up the dust | 24 | |||||||||||
| And the rustling in the shadows tells you secrets you can trust | And the rustling in the shadows tells you secrets you can trust | |||||||||||||
| The capturing of whispers is the way to write a song | The capturing of whispers is the way to write a song | |||||||||||||
| 25 | It's when you get to microphones, the music can go wrong | It's when you get to microphones the music can go wrong | 25 | |||||||||||
| You can't see the audience with spotlights in your eyes | You can't see the audience with spotlights in your eyes | |||||||||||||
| Your feet can't feel the highway from where the Lear jet flies | Your feet can't feel the highway from where the Lear jet flies | |||||||||||||
| When you glide in silent splendor in your padded limousines | When you glide in silent splendor in your padded limousines | |||||||||||||
| Only you are crying there behind the silver screen | Only you are crying there behind the silver screen | |||||||||||||
| 2 | Now you battle dragons -- but they'll all turn into frogs | 2 | ||||||||||||
| 3 | When you grab the wheel of fortune -- you get caught up in the cog | 3 | ||||||||||||
| 26 | Now you battle dragons, but they'll all turn into frogs | First your art turns into craft -- then the yahoos start to laugh | 26 | |||||||||||
| 4 | When you grab the wheel of fortune, you get caught up in the cog | 4 | ||||||||||||
| 5 | 5 | |||||||||||||
| 6 | First your art turns into craft then the yahoos start to laugh | 6 | ||||||||||||
| Then you'll hear the jackals howl 'cause they love to watch the fall | Then you'll hear the jackals howl 'cause they love to watch the fall | |||||||||||||
| 27 | They're the lost ones out there feeding | They're the lost ones out there feeding on | 27 | |||||||||||
| 28 | On the wounded and the bleeding | the wounded and the bleeding | 28 | |||||||||||
| They always are the first to see the cracks upon the walls | They always are the first to see the cracks upon the walls | |||||||||||||
| When I started this song I was still thirty-three | When I started this song I was still thirty-three | |||||||||||||
| The age that Mozart died and sweet Jesus was set free | The age that Mozart died and sweet Jesus was set free | |||||||||||||
| Keats and Shelley too soon finished, Charley Parker would be | Keats and Shelley too soon finished, Charley Parker would be | |||||||||||||
| And I fantasized some tragedy'd be soon curtailing me | And I fantasized some tragedy'd be soon curtailing me | |||||||||||||
| 29 | Well just today I had my birthday, I made it thirty-four | Well just today I had my birthday -- I made it thirty-four | 29 | |||||||||||
| Mere mortal, not immortal, not star-crossed anymore | Mere mortal, not immortal, not star-crossed anymore | |||||||||||||
| 30 | I've got this problem with my aging, I no longer can ignore | I've got this problem with my aging I no longer can ignore | 30 | |||||||||||
| A tame and toothless tabby can't produce a lion's roar | A tame and toothless tabby can't produce a lion's roar | |||||||||||||
| And I can't help being frightened on these midnight afternoons | And I can't help being frightened on these midnight afternoons | |||||||||||||
| 31 | When I ask the loaded questions | When I ask the loaded questions -- Why does winter come so soon? | 31 | |||||||||||
| 7 | "Why does winter come so soon?" | 7 | ||||||||||||
| And where are all the golden girls that I was singing for | And where are all the golden girls that I was singing for | |||||||||||||
| The daybreak chorus of my dreams serenades no more | The daybreak chorus of my dreams serenades no more | |||||||||||||
| 32 | Yeah the minute man is going soft, the mirror's on the shelf | Yeah the minute man is going soft -- the mirror's on the shelf | 32 | |||||||||||
| 33 | Only when the truth's up there can you fool yourself? | Only when the truth's up there -- can you fool yourself | 33 | |||||||||||
| 34 | I am the aged jester who won't gracefully retire | I am the aged jester -- who won't gracefully retire | 34 | |||||||||||
| A clumsy clown without a net caught staggering on the high wire | A clumsy clown without a net caught staggering on the high wire | |||||||||||||
| Yesterday's a collar that has settled round my waist | Yesterday's a collar that has settled round my waist | |||||||||||||
| Today keeps slipping by me, it leaves no aftertaste | Today keeps slipping by me, it leaves no aftertaste | |||||||||||||
| Tomorrow is a daydream, the future's never true | Tomorrow is a daydream, the future's never true | |||||||||||||
| Am I just a fading fire or a breeze passing through? | Am I just a fading fire or a breeze passing through? | |||||||||||||
| 35 | Hello my Country, I once came to tell everyone your story | Hello my Country | 35 | |||||||||||
| 4 | I once came to tell everyone your story | 4 | ||||||||||||
| Your passion was my poetry | Your passion was my poetry | |||||||||||||
| 36 | And your past, my most potent glory | And your past my most potent glory | 36 | |||||||||||
| Your promise was my prayer | Your promise was my prayer | |||||||||||||
| Your hypocrisy my nightmare | Your hypocrisy my nightmare | |||||||||||||
| And your problems fill my present | And your problems fill my present | |||||||||||||
| Are we both going somewhere? | Are we both going somewhere? | |||||||||||||
| 37 | Step right up young lady | Step right up young lady -- Your two hundred | 37 | |||||||||||
| 38 | Your two hundred birthdays make you old if not senile | birthdays make you old if not senile | 38 | |||||||||||
| 39 | And we see the symptoms there in your rigor mortise smile | And we see the symptoms there in your rigor mortis smile | 39 | |||||||||||
| With your old folks eating dog food and your children eating paint | With your old folks eating dog food and your children eating paint | |||||||||||||
| While the pirates own the flag and sell us sermons on restraint | While the pirates own the flag and sell us sermons on restraint | |||||||||||||
| 40 | And while blood's the only language | And while blood's the only language that your deaf old ears can hear | 40 | |||||||||||
| 8 | That your deaf old ears can hear | 8 | ||||||||||||
| And still you will not answer with that message coming clear | And still you will not answer with that message coming clear | |||||||||||||
| Does it mean there's no more ripples in your tired old glory stream | Does it mean there's no more ripples in your tired old glory stream | |||||||||||||
| And the buzzards own the carcass of your dream? | And the buzzards own the carcass of your dream? | |||||||||||||
| 41 | Oh B U Y Centennial | B*U*Y Centennial | 41 | |||||||||||
| Sell 'em pre-canned laughter | Sell 'em pre-canned laughter | |||||||||||||
| America Perennial | America Perennial | |||||||||||||
| Sing happy ever after | Sing happy ever after | |||||||||||||
| 42 | There's a dance band on the Titanic | There's a Dance Band on the Titanic | 42 | |||||||||||
| 43 | Singing nearer my God to thee | Singing Nearer My God to Thee | 43 | |||||||||||
| And the iceberg's on the starboard bow | And the iceberg's on the starboard bow | |||||||||||||
| Won't you dance with me | Won't you dance with me | |||||||||||||
| Yes I read it in the New York Times | Yes I read it in the New York Times | |||||||||||||
| That was on the stands today | That was on the stands today | |||||||||||||
| It said that dreams were out of fashion | It said that dreams were out of fashion | |||||||||||||
| We'll hear no more empty promises | We'll hear no more empty promises | |||||||||||||
| There'll be no more wasted passions | There'll be no more wasted passions | |||||||||||||
| To clutter up our play | To clutter up our play | |||||||||||||
| It really was a good sign | It really was a good sign | |||||||||||||
| The words went on to say | The words went on to say | |||||||||||||
| It shows that we are growing up | It shows that we are growing up | |||||||||||||
| 44 | In oh, so many healthy ways | In oh so many healthy ways | 44 | |||||||||||
| 45 | And I told myself this is exactly where I'm at | And I told myself this is | 45 | |||||||||||
| 5 | Exactly where I'm at | 5 | ||||||||||||
| But I don't much like thinking about that | But I don't much like thinking about that | |||||||||||||
| 46 | Harry, are you really so naive? | Harry -- are you really so naive | 46 | |||||||||||
| You can honestly believe | You can honestly believe | |||||||||||||
| That the country's getting better | That the country's getting better | |||||||||||||
| When all you do is let her alone | When all you do is let her alone | |||||||||||||
| 47 | Harry, can you really be surprised? | Harry -- Can you really be surprised | 47 | |||||||||||
| 48 | When it's there before your eyes | when it's there before your eyes | 48 | |||||||||||
| 49 | When you hold the knife that carves her | when you hold the knife that carves her | 49 | |||||||||||
| 50 | You live the life that starves her to the bone | you live the life that starves her to the bone | 50 | |||||||||||
| Good dreams don't come cheap | Good dreams don't come cheap | |||||||||||||
| You've got to pay for them | You've got to pay for them | |||||||||||||
| If you just dream when you're asleep | If you just dream when you're asleep | |||||||||||||
| 51 | There is no way for them, to come alive, to survive | There is no way for them | 51 | |||||||||||
| 52 | to come alive | 52 | ||||||||||||
| 53 | It's not enough to listen, it's not enough to see | to survive | 53 | |||||||||||
| 9 | When the hurricane is coming on, it's not enough to flee | 9 | ||||||||||||
| 54 | It's not enough to be in love we hide behind that word | It's not enough to listen -- it's not enough to see | 54 | |||||||||||
| 55 | It's not enough to be alive, when your future's been deferred | When the hurricane is coming on it's not enough to flee | 55 | |||||||||||
| 6 | It's not enough to be in love -- we hide behind that word | 6 | ||||||||||||
| 7 | It's not enough to be alive when your future's been deferred | 7 | ||||||||||||
| What I've run through my body, what I've run through my mind | What I've run through my body, what I've run through my mind | |||||||||||||
| 56 | My breath's the only rhythm and the tempo is my time | My breath's the only rhythm -- and the tempo is my time | 56 | |||||||||||
| 57 | My enemy is hopelessness, my ally honest doubt | My enemy is hopelessness -- my ally honest doubt | 57 | |||||||||||
| The answer is a question that I never will find out | The answer is a question that I never will find out | |||||||||||||
| 58 | Is music propaganda, should I boogie, rock and roll | Is music propaganda -- should I boogie, Rock and Roll | 58 | |||||||||||
| Or just an early warning system hitched up to my soul | Or just an early warning system hitched up to my soul | |||||||||||||
| Am I observer or participant or huckster of belief | Am I observer or participant or huckster of belief | |||||||||||||
| Making too much of a life so mercifully brief? | Making too much of a life so mercifully brief? | |||||||||||||
| So I stride down sunny streets and the band plays back my song | So I stride down sunny streets and the band plays back my song | |||||||||||||
| 59 | They're applauding at my shadow, long after I am gone | They're applauding at my shadow long after I am gone | 59 | |||||||||||
| Should I hold this wistful notion that the journey is worthwhile | Should I hold this wistful notion that the journey is worthwhile | |||||||||||||
| 60 | Or tiptoe cross the chasm with a song and a smile? | Or tiptoe cross the chasm with a song and a smile | 60 | |||||||||||
| 61 | Well I got up this morning, I don't need to know no more | Well I got up this morning -- I don't need to know no more | 61 | |||||||||||
| It evaporated nightmares that had boiled the night before | It evaporated nightmares that had boiled the night before | |||||||||||||
| 62 | With every new day's dawning, my kid climbs in my bed | With every new day's dawning my kid climbs in my bed | 62 | |||||||||||
| And tells the cynics of the board room your language is dead | And tells the cynics of the board room your language is dead | |||||||||||||
| And as I wander with my music through the jungles of despair | And as I wander with my music through the jungles of despair | |||||||||||||
| My kid will learn guitar and find his street corner somewhere | My kid will learn guitar and find his street corner somewhere | |||||||||||||
| There he'll make the silence listen to the dream behind the voice | There he'll make the silence listen to the dream behind the voice | |||||||||||||
| And show his minstrel Hamlet daddy that there only was one choice | And show his minstrel Hamlet daddy that there only was one choice | |||||||||||||
| 63 | Strum your guitar, sing it kid | Strum your guitar -- sing it kid | 63 | |||||||||||
| 64 | Just write about your feelings not the things you never did | Just write about your feelings -- not the things you never did | 64 | |||||||||||
| 65 | Inexperience, it once had cursed me | Inexperience -- it once had cursed me | 65 | |||||||||||
| 66 | But your youth is no handicap, it's what makes you thirsty, hey kid | But your youth is no handicap -- it's | 66 | |||||||||||
| 67 | what makes you thirsty, hey kid | 67 | ||||||||||||
| 10 | Strum your guitar, sing it kid | 10 | ||||||||||||
| 11 | Just write about your feelings not the things you never did | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| 13 | Dance band on the Titanic | 13 | ||||||||||||
| 14 | Singing nearer my God to thee | 14 | ||||||||||||
| 15 | The iceberg's on the starboard bow | 15 | ||||||||||||
| 16 | Won't you dance with me | 16 | ||||||||||||
| 68 | The dance band on the Titanic | Strum your guitar -- sing it kid | 68 | |||||||||||
| 69 | Singing nearer my God to thee | Just write about your feelings -- not the things you never did | 69 | |||||||||||
| 17 | And the iceberg's on the starboard bow | 17 | ||||||||||||
| 18 | Won't you dance with me | 18 | ||||||||||||
| 19 | 19 | |||||||||||||
| 20 | Yeah the dance band on the Titanic | 20 | ||||||||||||
| 21 | Singing nearer my God to thee | 21 | ||||||||||||
| 22 | And the iceberg's on the starboard bow | 22 | ||||||||||||
| 23 | Won't you dance with me | 23 | ||||||||||||
| 70 | Come on | Dance Band... | 70 | |||||||||||
| 24 | Yeah the dance band on the Titanic | 24 | ||||||||||||
| 25 | Singing nearer my God to thee | 25 | ||||||||||||
| 26 | And the iceberg's on the starboard bow | 26 | ||||||||||||
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