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Current version of Leaders of the New School Lyrics Syntax Era (http://www.mp3lyrics.org/l/leaders-of-the-new-school/syntax-...) Current version of the lyrics |
Version 1 of Leaders of the New School Lyrics Syntax Era (http://www.mp3lyrics.org/l/leaders-of-the-new-school/syntax-...) Version 1 of the lyrics | |||||||||||||
| 1 | Dinco, Dinco, Go Dinco | Chorus repeated once: Busta Rhymes, | 1 | |||||||||||
| 2 | Go Charlie, Charlie go | Dinco D & Charlie Brown | 2 | |||||||||||
| 1 | Charlie. Go Busta, Busta | 1 | ||||||||||||
| 2 | Go Busta. You know we got style | 2 | ||||||||||||
| Dinco, Dinco, Go Dinco | Dinco, Dinco, Go Dinco | |||||||||||||
| Go Charlie, Charlie go | Go Charlie, Charlie go | |||||||||||||
| Charlie. Go Busta, Busta | Charlie. Go Busta, Busta | |||||||||||||
| Go Busta. You know we got style | Go Busta. You know we got style | |||||||||||||
| 3 | When it comes to shootouts | Verse 1: | 3 | |||||||||||
| 4 | Boogie Brown is here don't fear | When it comes to shoutouts | 4 | |||||||||||
| 5 | The clear just step to it. Now I drive | Boogie Brown is here don't fear. | 5 | |||||||||||
| 6 | Come alive from the bottom to the top | The clear just step to it. Now I drive. | 6 | |||||||||||
| 7 | Temptation or confusion makes you wanna stop | Come alive from the bottom to the top. | 7 | |||||||||||
| 8 | But? (I know you, and you know me) | Temptation or confusion makes you wanna stop. | 8 | |||||||||||
| 9 | C.B.M.C. Given to me by Chuck D | But… (I know you, and you know me) | 9 | |||||||||||
| 10 | That's deep as I look at all the videos | C.B.M.C. Given to me by Chuck D. | 10 | |||||||||||
| 11 | Wack stage shows, wack page flows | That's deep as I look at all the videos. | 11 | |||||||||||
| 12 | Biters non-rhythm writers. (Example the sample) | Wack stage shows, wack page flows. | 12 | |||||||||||
| 13 | It was an age under and a stage back | Biters non-rythm writers. (Example the sample). | 13 | |||||||||||
| 14 | The girlie's screaming she's having a cardiac | It was an age under and a stage back. | 14 | |||||||||||
| 1 | The girlie's screaming she's having a cardiac. | 1 | ||||||||||||
| Like epileptic seizures no | Like epileptic seizures no | |||||||||||||
| 15 | Amnesia comatose double dose Anesthesia | Amnesia comatose double dose Anaesthesia. | 15 | |||||||||||
| 16 | Damn. (DAMN) should I say | Damn. (DAMN) should I say. | 16 | |||||||||||
| What are you doing! , I dare at your stare so yo | What are you doing! , I dare at your stare so yo | |||||||||||||
| 17 | Come do me, it's done or rather should I say it's on | Come do me, it's done or rather | 17 | |||||||||||
| 18 | The mental instrumental I continue with | should I say it's on. | 18 | |||||||||||
| 19 | My song yeah we've got jumping jerks with no understandings of | The mental instrumental I continue with. | 19 | |||||||||||
| 20 | The East Coast stomp. Fam understand | My song yeah we've got jumping jerks | 20 | |||||||||||
| 21 | Several other brothers watch our videos the vidiots discover | with no understandings of | 21 | |||||||||||
| 22 | The East Coast stomp. Fam understand. | 22 | ||||||||||||
| 23 | (It's just another case) Wow! (Base) | Several other brothers watch our | 23 | |||||||||||
| 24 | Why is everybody always picking on me | videos the vidiots discover. | 24 | |||||||||||
| 3 | Now let's see our games played | 3 | ||||||||||||
| 25 | I'm Donkey Kong fat freak the notes | Verse 2: | 25 | |||||||||||
| 26 | Flip the script run the jewels | (It's just another case) Wow! (Base). | 26 | |||||||||||
| 27 | (The Leaders Of The New School) | Why is everybody always picking on me. | 27 | |||||||||||
| 2 | Now let's see our games played. | 2 | ||||||||||||
| 3 | I'm Donkey Kong fat freak the notes. | 3 | ||||||||||||
| 4 | Flip the script run the jewels. | 4 | ||||||||||||
| 5 | (The Leaders Of The New School). | 5 | ||||||||||||
| Yet I shine when I rhyme (You know, you know) | Yet I shine when I rhyme (You know, you know) | |||||||||||||
| 28 | Always remember the scenario | Always remember the scenario. | 28 | |||||||||||
| 6 | 6 | |||||||||||||
| Syntax Era | Syntax Era | |||||||||||||
| 29 | Dinco, Dinco, Go Dinco | Chorus | 29 | |||||||||||
| 4 | Go Charlie, Charlie go | 4 | ||||||||||||
| 5 | Charlie. Go Busta, Busta | 5 | ||||||||||||
| 6 | Go Busta. You know we got style | 6 | ||||||||||||
| 30 | For the Harper Valley Pete's sake tea makes | Verse 3: | 30 | |||||||||||
| 7 | For the Harper Valley Pete's sake tea makes. | 7 | ||||||||||||
| A great ace in a hole | A great ace in a hole | |||||||||||||
| You cheated gold, only sold to who | You cheated gold, only sold to who | |||||||||||||
| Was told now trembling remembering | Was told now trembling remembering | |||||||||||||
| 31 | When I timberland and down listen wait | When I timberland and down listen wait. | 31 | |||||||||||
| 32 | Who's that coming around sounding like that sound | Who's that coming around sounding like that sound. | 32 | |||||||||||
| 33 | I guess it's Dinco, Milo, Busta, and Bro! win | I guess it's Dinco, Milo, Busta, and Bro! wn. | 33 | |||||||||||
| 34 | Four minds of two kinds run one with the sun | Four minds of two kinds run one with the sun. | 34 | |||||||||||
| 35 | I love my father, mother, my brother, and the sisters | I love my father, mother, my | 35 | |||||||||||
| 36 | That come from all over the place to trace the base | brother, and the sisters | 36 | |||||||||||
| 37 | Inspector Clouseau I wonder is true though | That come from all over the | 37 | |||||||||||
| 38 | Oh no, no more security | place to trace the base. | 38 | |||||||||||
| 8 | Inspector Clouseau I wonder is true though. | 8 | ||||||||||||
| 9 | Oh no, no more security. | 9 | ||||||||||||
| Nets straight human casualties | Nets straight human casualties | |||||||||||||
| 39 | Call for raw regrets in beat societies | call for raw regrets in beat societies. | 39 | |||||||||||
| 40 | Lessons must speak | Lessons must speak, | 40 | |||||||||||
| 41 | Stand be strong. Keep away from weak in the years long | Stand be strong. Keep away from | 41 | |||||||||||
| 42 | Life leaders let loose leading left backs | weak in the years long. | 42 | |||||||||||
| 43 | And misguided youth letting leaks lack | Life leaders let loose leading leftbacks. | 43 | |||||||||||
| 44 | Levels of truth. Look ma' no hands | And misguided youth letting leaks lack. | 44 | |||||||||||
| 45 | Lend likes lots of love only lasting cause I'm asking | Levels of truth. Look ma' no hands. | 45 | |||||||||||
| 46 | Could we be above average not savage | Lend likes lots of love only | 46 | |||||||||||
| 47 | But near newly more duty, more than terror | lasting cause I'm asking. | 47 | |||||||||||
| 48 | Peace to my girl | Could we be above average not savage, | 48 | |||||||||||
| 49 | "Whoops? Syntax Era | But near newly more duty, more than terror. | 49 | |||||||||||
| 10 | Peace to my girl. | 10 | ||||||||||||
| 11 | "Whoops” Syntax Era! | 11 | ||||||||||||
| 50 | Dinco, Dinco, Go Dinco | Chorus | 50 | |||||||||||
| 7 | Go Charlie, Charlie go | 7 | ||||||||||||
| 8 | Charlie. Go Busta, Busta | 8 | ||||||||||||
| 9 | Go Busta. You know we got style | 9 | ||||||||||||
| 51 | Copy cat do this, do that | Verse 3: Busta Rhymes | 51 | |||||||||||
| 12 | Copy cat do this, do that. | 12 | ||||||||||||
| Wanna do something ? | Wanna do something ? | |||||||||||||
| 52 | Do this | Do this. | 52 | |||||||||||
| 53 | Chicky chaka chubaka | Chicky chaka chubaka. | 53 | |||||||||||
| 54 | Gitty getty gothca | Gitty getty gothca. | 54 | |||||||||||
| Ah man, all of a sudden people say I be buggin' | Ah man, all of a sudden people say I be buggin' | |||||||||||||
| Rugged culture musikal Hip-Hop! I be lovin' | Rugged culture musikal Hip-Hop! I be lovin' | |||||||||||||
| 55 | Gimme, gimme, gimme something | Gimme, gimme, gimme something. | 55 | |||||||||||
| 56 | Gimme something for nothing | Gimme something for nothing. | 56 | |||||||||||
| 57 | Rich blood sucker of the poor I see you | Rich blood sucker of the poor I see you. | 57 | |||||||||||
| 58 | Hickory, dickory | Hickory, dickory. | 58 | |||||||||||
| 59 | Hay watch out for the trickery | Hay watch out for the trickery. | 59 | |||||||||||
| 60 | What happened to creativity, dignity, integrity | What happened to creativity, dignity, integrity. | 60 | |||||||||||
| 61 | Hey Mr. Sneaky-one don't try to read my mind | Hey Mr. Sneaky-one don't try to read my mind. | 61 | |||||||||||
| 62 | Just worry about getting yours, because I'm getting mines | Just worry about getting yours, | 62 | |||||||||||
| 63 | Leaders made a commitment to keep this type of music | because I'm getting mines. | 63 | |||||||||||
| 64 | Livin' forever | Leaders made a commitment to | 64 | |||||||||||
| 65 | Whatever, whatever | keep this type of music. | 65 | |||||||||||
| 13 | Livin' forever. | 13 | ||||||||||||
| 14 | Whatever, whatever. | 14 | ||||||||||||
| We live in an era where errors aren't made to | We live in an era where errors aren't made to | |||||||||||||
| 66 | Remain an error, but I think that's kinda better | Remain an error, but I think that's kinda better. | 66 | |||||||||||
| 67 | Understand that word and how you use it | Understand that word and how you use it. | 67 | |||||||||||
| 68 | Rap is business music, Hip-Hop is cultural music | Rap is business music, Hip-Hop is cultural music. | 68 | |||||||||||
| 69 | Now you get to see the one sun getting super dumb | Now you get to see the one sun getting super dumb. | 69 | |||||||||||
| 70 | Dance around because you know that we doin' it for fun | Dance around because you know | 70 | |||||||||||
| 71 | Flippin' and trippin' | that we doin' it for fun. | 71 | |||||||||||
| 15 | Flippin' and trippin'. | 15 | ||||||||||||
| You little sorry sucker you slippin' | You little sorry sucker you slippin' | |||||||||||||
| 72 | Lay over my lap because I'm gonna | Lay over my lap bacause I'm gonna | 72 | |||||||||||
| 73 | Give you a whippen | Give you a whippen. | 73 | |||||||||||
| Trippin', dippin' and winin' | Trippin', dippin' and winin' | |||||||||||||
| 74 | Stop the damn crying | Stop the damn crying. | 74 | |||||||||||
| 75 | I don't know what you try! n' | I don't know what you tryi! n' | 75 | |||||||||||
| 76 | You better stop lyin' | You better stop lyin'. | 76 | |||||||||||
| 77 | With correct intellect, wetter, bigger and better | With correct intellect, wetter, bigger and better. | 77 | |||||||||||
| 78 | As I come straight | As I come straight. | 78 | |||||||||||
| 79 | Check my Syntax Era | Check my Syntax Era. | 79 | |||||||||||
| 10 | Word to God, 1993, shit is solid | 10 | ||||||||||||
| 80 | We are the L. (What!) | Word to God, 1993, shit is solid. | 80 | |||||||||||
| 11 | We are the O. (What!) | 11 | ||||||||||||
| 12 | We are the N. (What!) | 12 | ||||||||||||
| 13 | We are the S. (What!) | 13 | ||||||||||||
| 81 | We are the L. (What!) | 2nd Chorus repeated three times: | 81 | |||||||||||
| 14 | We are the O. (What!) | 14 | ||||||||||||
| 15 | We are the N. (What!) | 15 | ||||||||||||
| 16 | We are the S. (What!) | 16 | ||||||||||||
| We are the L. (What!) | We are the L. (What!) | |||||||||||||
| We are the O. (What!) | We are the O. (What!) | |||||||||||||
| We are the N. (What!) | We are the N. (What!) | |||||||||||||
| We are the S. (What!) | We are the S. (What!) | |||||||||||||
| 82 | Dinco, Dinco, Go Dinco | Chorus repeated three times | 82 | |||||||||||
| 17 | Go Charlie, Charlie go | 17 | ||||||||||||
| 18 | Charlie. Go Busta, Busta | 18 | ||||||||||||
| 19 | Go Busta. You know we got style | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Dinco, Dinco, Go Dinco | 21 | ||||||||||||
| 22 | Go Charlie, Charlie go | 22 | ||||||||||||
| 23 | Charlie. Go Busta, Busta | 23 | ||||||||||||
| 24 | Go Busta. You know we got style | 24 | ||||||||||||
| 25 | 25 | |||||||||||||
| 26 | Dinco, Dinco, Go Dinco | 26 | ||||||||||||
| 27 | Go Charlie, Charlie go | 27 | ||||||||||||
| 28 | Charlie. Go Busta, Busta | 28 | ||||||||||||
| 29 | Go Busta. You know we got style | 29 | ||||||||||||
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