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Version 1 of Linkin Park Lyrics It's Going Down [X-ecutioners] (http://www.mp3lyrics.org/l/linkin-park/its-going-down/v1.htm...) Version 1 of the lyrics |
Version 2 of Linkin Park Lyrics It's Going Down [X-ecutioners] (http://www.mp3lyrics.org/l/linkin-park/its-going-down/v2.htm...) Version 2 of the lyrics | |||||||||||||
| 1 | [Woman] | 1 | ||||||||||||
| 2 | [Intro] | 2 | ||||||||||||
| I knew I was being threatened | I knew I was being threatened | |||||||||||||
| 1 | Do you think it's worth holding out? | Do you think it was | 1 | |||||||||||
| 2 | I mean I've heard some pretty ugly things about those guys | worth holding out? | 2 | |||||||||||
| 3 | I mean I've heard some | 3 | ||||||||||||
| 4 | pretty ugly things about | 4 | ||||||||||||
| 5 | those guys | 5 | ||||||||||||
| Ugly stories | Ugly stories | |||||||||||||
| 3 | Watch them flee | [X-ecutioners] | 3 | |||||||||||
| 4 | Watch them flee | Watch them flee...watch them flee | 4 | |||||||||||
| 5 | Rap up | Rap rap rap up | 5 | |||||||||||
| Watch them flee | Watch them flee | |||||||||||||
| Hip-Hop hits | Hip-Hop hits | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 6 | [Mike Shinoba] | 6 | ||||||||||||
| 7 | [Verse 1] | 7 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 6 | The rhythm projects 'round the next sound | The rhythm projects | 6 | |||||||||||
| 7 | Reflects the complex hybrid dialect now | 'round the next sound | 7 | |||||||||||
| 8 | Detect the mesh of many elements compressed down | Reflects the complex | 8 | |||||||||||
| 9 | The melting pot of a super-future X-style | hybrid dialect now | 9 | |||||||||||
| 10 | The combination of a vocal caress | Detects the mesh of many | 10 | |||||||||||
| 11 | With lungs that gasp for breath | elements compressed down | 11 | |||||||||||
| 8 | The melting pot of a | 8 | ||||||||||||
| 9 | super-futureesque style | 9 | ||||||||||||
| 10 | The combination of vocal caress | 10 | ||||||||||||
| 11 | With lungs the gasp for breath | 11 | ||||||||||||
| From emotional stress | From emotional stress | |||||||||||||
| With special effects | With special effects | |||||||||||||
| And a distorted collage | And a distorted collage | |||||||||||||
| 12 | Carefully lodged between beats of rhythmic barrage | Carefully lodged between beats | 12 | |||||||||||
| 13 | of rhythmic barrage | 13 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 14 | The logical progression on a the timeline | The logical progression | 14 | |||||||||||
| 15 | The separation narrowed down to a fine line | on the timeline | 15 | |||||||||||
| 16 | To blur the edges so they blend together properly | The seperation narrowed | 16 | |||||||||||
| 12 | down to a fine line | 12 | ||||||||||||
| 13 | To blur the edges so they | 13 | ||||||||||||
| 14 | blend together properly | 14 | ||||||||||||
| Take you on an audible odyssey | Take you on an audible odyssey | |||||||||||||
| Now it's going down | Now it's going down | |||||||||||||
| A logical progression on the timeline | A logical progression on the timeline | |||||||||||||
| 17 | The separation narrowed down to a fine line | The seperation narrowed | 17 | |||||||||||
| 18 | To blur the edges so they blend together properly | down to a fine line | 18 | |||||||||||
| 19 | Take u on a an audible odyssey | To blur the edges so they | 19 | |||||||||||
| 15 | blend together properly | 15 | ||||||||||||
| 16 | Take you on an audible odyssey | 16 | ||||||||||||
| Now it's going down | Now it's going down | |||||||||||||
| 20 | [Refrain:] | [X-ecutioners with Mike Shinoba] | 20 | |||||||||||
| 21 | Put put put it up | [Chorus] | 21 | |||||||||||
| 22 | It said it goes like this | Put put...put it up | 22 | |||||||||||
| 17 | I said it goes like this | 17 | ||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 23 | Put put it up | Put put...put it up | 23 | |||||||||||
| 24 | It said it go- go- goes like this | I said it goes goes like this | 24 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 25 | Its going down | It's going down | 25 | |||||||||||
| 1 | 1 | |||||||||||||
| 18 | [Mike Shinoba] | 18 | ||||||||||||
| 19 | [Verse 3] | 19 | ||||||||||||
| Once again it is | Once again it is | |||||||||||||
| 26 | Composed sentences all together venomous | Composed sentences | 26 | |||||||||||
| 20 | All together venomous | 20 | ||||||||||||
| The four elements of natural force | The four elements of natural force | |||||||||||||
| 27 | Projected daily through the sound of the source | Projected daily through the | 27 | |||||||||||
| 28 | Everybody on board with this blend | sound of the source | 28 | |||||||||||
| 21 | Everybody on board as we blend | 21 | ||||||||||||
| The sword with the pen | The sword with the pen | |||||||||||||
| 29 | The mightiest is the weapons | The mightiest the weapons | 29 | |||||||||||
| Swinging right from the chin | Swinging right from the chin | |||||||||||||
| 30 | The elevate of mental states | To elevate of mental states | 30 | |||||||||||
| Long gone with the wind | Long gone with the wind | |||||||||||||
| 31 | To defend men for shoddy imitation pretends | To defend men from shoddy | 31 | |||||||||||
| 22 | imitation pretends | 22 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| Stalence emulation readily | Stalence emulation readily | |||||||||||||
| Trekking through the weaponry | Trekking through the weaponry | |||||||||||||
| Of the pure pedigree | Of the pure pedigree | |||||||||||||
| 32 | Cleverly seeing through whatever is ahead of me | Cleverly seeing through | 32 | |||||||||||
| 23 | whatever is ahead of me | 23 | ||||||||||||
| Whatever the weather be | Whatever the weather be | |||||||||||||
| We invent the steadily | We invent the steadily | |||||||||||||
| 33 | It's going down to sub-terrestrial high | It's going down sub-terrestrial high | 33 | |||||||||||
| 34 | I rhyme regiment that's calling the shots | I rhyme regiment that's | 34 | |||||||||||
| 35 | Execution of collaborative plots | calling the shots | 35 | |||||||||||
| 36 | Ready to bring the separation of style to a stop | Exectution of colloborative plots | 36 | |||||||||||
| 24 | Ready to bring the | 24 | ||||||||||||
| 25 | seperation of style to a | 25 | ||||||||||||
| 26 | stop | 26 | ||||||||||||
| 37 | It's going down | A logical progression on the timeline | 37 | |||||||||||
| 38 | A logical progression on a the timeline | The seperation narrowed | 38 | |||||||||||
| 39 | The separation narrowed down to a fine line | down to a fine line | 39 | |||||||||||
| 40 | To blur the edges so they blend together properly | To blur the edges so they | 40 | |||||||||||
| 27 | blend together properly | 27 | ||||||||||||
| Take you on an audible odyssey | Take you on an audible odyssey | |||||||||||||
| 41 | Now, it's going down | Now it's going down | 41 | |||||||||||
| 2 | 2 | |||||||||||||
| 3 | [au Refrain] | 3 | ||||||||||||
| 28 | [X-ecutioners with Mike Shinoba] | 28 | ||||||||||||
| 29 | [Chorus] | 29 | ||||||||||||
| 30 | Put put...put it up | 30 | ||||||||||||
| 31 | I said it goes like this | 31 | ||||||||||||
| 32 | And you do it like this | 32 | ||||||||||||
| 33 | It's going down | 33 | ||||||||||||
| 34 | Put put...put it up | 34 | ||||||||||||
| 35 | I said it goes like this | 35 | ||||||||||||
| 36 | And you do it like this | 36 | ||||||||||||
| It's going down | It's going down | |||||||||||||
| 4 | X-men 'bout to blast of world wide | 4 | ||||||||||||
| 42 | Yo it's request only | [X-ecutioners] | 42 | |||||||||||
| 43 | X- men 'bout to blast of world wide | X-men 'bout to blast off world wide | 43 | |||||||||||
| 37 | Yo it's a request only | 37 | ||||||||||||
| 38 | X-men 'bout to blast off world wide | 38 | ||||||||||||
| It's built from scratch | It's built from scratch | |||||||||||||
| Album in stores soon | Album in stores soon | |||||||||||||
| 'Bout to blast off world wide | 'Bout to blast off world wide | |||||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| 39 | Just like this | 39 | ||||||||||||
| 44 | It's going down | [X-ecutioners] | 44 | |||||||||||
| 45 | Put put put it up | Put put...put it up | 45 | |||||||||||
| 46 | It said it goes like this | I said it goes like this | 46 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| 47 | Put put it up | Put put...put it up | 47 | |||||||||||
| 48 | It said it goes like this | I said it goes like this | 48 | |||||||||||
| And you do it like this | And you do it like this | |||||||||||||
| It's going down | It's going down | |||||||||||||
| Like this... | ||||||||||||||
| 40 | [X-ecutioners, Mike Shinoba] | 40 | ||||||||||||
| 41 | Like this | 41 | ||||||||||||
| 42 | Like this | 42 | ||||||||||||
| 43 | Like this | 43 | ||||||||||||
| 44 | Like this | 44 | ||||||||||||
| 45 | Like this | 45 | ||||||||||||
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