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Current version of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/) Current version of the lyrics |
Version 3 of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/v3.html) Version 3 of the lyrics | |||||||||||||
| 1 | Yo, watch as the room rocks | Watch as the room rocks | 1 | |||||||||||
| 2 | Mentally moon walk, mixed media slang | Mentally moonwalk | 2 | |||||||||||
| 3 | Banging in your boom box | Mixed media slang | 3 | |||||||||||
| 4 | Verbal violence, lyrical stylist | Banging in your boom box verbal violence | 4 | |||||||||||
| 5 | Lyrical stylist | 5 | ||||||||||||
| 6 | In a time when rock, hip hop rhymes are childish | In a time when rock hip hop rhymes are childish | 6 | |||||||||||
| 7 | You can't tempt me with rhymes that are empty | You can’t tempt me with rhymes that are empty | 7 | |||||||||||
| 8 | Rapping to a beat doesn't make you an emcee | Rapping to a beat doesn’t make you an emcee | 8 | |||||||||||
| With your lack of skill and facility | With your lack of skill and facility | |||||||||||||
| 9 | You’re killing me | 9 | ||||||||||||
| 10 | You're killing me and a DJ in the group just for credibility | And a DJ in the group just for credibility | 10 | |||||||||||
| I heard that some of you are getting help with your rhymes | I heard that some of you are getting help with your rhymes | |||||||||||||
| 11 | You're not an emcee if someone else writes your lines | You’re not an emcee if someone else writes your lines | 11 | |||||||||||
| 12 | Rapping over rock doesn't make you a pioneer | And rapping over rock doesn’t make you a pioneer | 12 | |||||||||||
| 13 | Cause rock and hip hop have collaborated for years | 13 | ||||||||||||
| 14 | 'Cause rock and hip hop have collaborated for years | But now they’re getting randomly mixed and matched up | 14 | |||||||||||
| 1 | But now they're getting randomly mixed and matched up | 1 | ||||||||||||
| All after a fast buck and all the tracks suck | All after a fast buck and all the tracks suck | |||||||||||||
| 15 | So how does it stack up, none of it's real | So how does it stack up? None of it’s real | 15 | |||||||||||
| 16 | You want to be an emcee you've got to study the skill | You want to be an emcee you’ve got to study the skill | 16 | |||||||||||
| Who can rock a rhyme like this? | Who can rock a rhyme like this? | |||||||||||||
| 17 | Bring it to you every time like this | Bring it to you every time like this? [2x] | 17 | |||||||||||
| 2 | Who can rock a rhyme like this? | 2 | ||||||||||||
| Step, step up, step, step up | Step, step up, step, step up | |||||||||||||
| So you pick up a pen and write yourself a new identity | So you pick up a pen and write yourself a new identity | |||||||||||||
| 18 | But mentally you don't have the hip hop energy | But mentally you don’t have the hip hop energy | 18 | |||||||||||
| With a tendency to make up stories | With a tendency to make up stories | |||||||||||||
| 19 | Sounding like the only hip hop you've heard is top 40 | Sounding like the only hip hop you’ve heard is top 40 | 19 | |||||||||||
| 3 | (Top 40) | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| And your record company is completely missing it | And your record company is completely missing it | |||||||||||||
| All the kids are dissing it for not being legitimate | All the kids are dissing it for not being legitimate | |||||||||||||
| 20 | So in a battle you can't hack it, react with whack shit | So in a battle you can't hack it | 20 | |||||||||||
| 1 | React with whack shit | 1 | ||||||||||||
| And get smacked with verbal back flips | And get smacked with verbal back flips | |||||||||||||
| 5 | 5 | |||||||||||||
| Get your ass kicked by fabulous battle catalysts | Get your ass kicked by fabulous battle catalysts | |||||||||||||
| It's taken decades for emcees to establish this | It's taken decades for emcees to establish this | |||||||||||||
| 21 | You're new to hip hop and welcome if your serious | You’re new to hip hop and welcome if your serious | 21 | |||||||||||
| 22 | But not on the mic, leave that to the experienced | But not on the mic | 22 | |||||||||||
| 23 | Leave that to the experienced | 23 | ||||||||||||
| 6 | Using the waves of sound the true master | 6 | ||||||||||||
| 24 | Paralyzes his opponents | (Using the waves of sound the true master | 24 | |||||||||||
| 25 | Leaving him vulnerable to attack | paralyzes his opponents, leaving him | 25 | |||||||||||
| 26 | vulnerable to attack) | 26 | ||||||||||||
| 7 | Who can rock a rhyme like this? | 7 | ||||||||||||
| 27 | Bring it to you every time like this | [Chorus (2x)] | 27 | |||||||||||
| 8 | Who can rock a rhyme like this? | 8 | ||||||||||||
| 28 | Step, step up, step, step up | (After years of pain staking research by the | 28 | |||||||||||
| 29 | world's leading sound scientists, we | 29 | ||||||||||||
| 30 | Who can rock a rhyme like this | here at the sound institute have invented a | 30 | |||||||||||
| 31 | Bring it to you every time like this | reliable audio weapons system. Actual | 31 | |||||||||||
| 32 | Who can rock a rhyme like this | movement of musical sound in space used to | 32 | |||||||||||
| 33 | Step, step up, step, step up, step up | carefully attack and neutralize the | 33 | |||||||||||
| 34 | cellular structure of the human body, and | 34 | ||||||||||||
| 35 | After years of pain staking research | the question must be asked.) | 35 | |||||||||||
| 9 | By the world's leading sound scientists | 9 | ||||||||||||
| 10 | We here at the sound | 10 | ||||||||||||
| 11 | Institute have invented a reliable audio weapons system | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| 13 | Actual movement of musical sound in space | 13 | ||||||||||||
| 14 | Used to carefully attack | 14 | ||||||||||||
| 15 | And neutralize the cellular structure of the human body | 15 | ||||||||||||
| 16 | So the question must be asked | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | Who can rock a rhyme like this? | 18 | ||||||||||||
| 19 | Bring it to you every time like this | 19 | ||||||||||||
| 20 | Who can rock a rhyme like this? | 20 | ||||||||||||
| 21 | Step, step up ,step, step up | 21 | ||||||||||||
| 22 | 22 | |||||||||||||
| 23 | Who can rock a rhyme like this? | 23 | ||||||||||||
| 24 | Bring it to you every time like this | 24 | ||||||||||||
| 25 | Who can rock a rhyme like this? | 25 | ||||||||||||
| 26 | Step, step up, step, step up, step up | 26 | ||||||||||||
| 36 | Mixed media, mixed media, mixed media | [Chorus (2x)] | 36 | |||||||||||
| 27 | Step up to the microphone | 27 | ||||||||||||
| 28 | And you do it like this | 28 | ||||||||||||
| 29 | And you do it like this | 29 | ||||||||||||
| 30 | 30 | |||||||||||||
| 31 | Step up to the microphone | 31 | ||||||||||||
| 32 | Mixed media | 32 | ||||||||||||
| 33 | And you do it like this | 33 | ||||||||||||
| 34 | 34 | |||||||||||||
| 35 | Mixed media | 35 | ||||||||||||
| 36 | Step up to the microphone | 36 | ||||||||||||
| 37 | And you do it like this | 37 | ||||||||||||
| 38 | 38 | |||||||||||||
| 39 | Mixed media | 39 | ||||||||||||
| 40 | Step up to the microphone | 40 | ||||||||||||
| 41 | And you do it like this | 41 | ||||||||||||
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