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Version 1 of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/v1.html) Version 1 of the lyrics |
Version 3 of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/v3.html) Version 3 of the lyrics | |||||||||||||
| 1 | Linkin Park - Step Up | Watch as the room rocks | 1 | |||||||||||
| 2 | _____________________________ | Mentally moonwalk | 2 | |||||||||||
| 3 | Mixed media slang | 3 | ||||||||||||
| 4 | Watch as the room rocks Mentally moonwalk Mixed | Banging in your boom box verbal violence | 4 | |||||||||||
| 5 | media slang Banging in your boom box verbal | Lyrical stylist | 5 | |||||||||||
| 6 | violence Lyrical stylist In a time when rock hip | In a time when rock hip hop rhymes are childish | 6 | |||||||||||
| 7 | hop rhymes are childish You can’t tempt me with | You can’t tempt me with rhymes that are empty | 7 | |||||||||||
| 8 | rhymes that are empty Rapping to a beat doesn’t | Rapping to a beat doesn’t make you an emcee | 8 | |||||||||||
| 9 | make you an emcee With your lack of skill and | With your lack of skill and facility | 9 | |||||||||||
| 10 | facility You’re killing me And a DJ in the group | You’re killing me | 10 | |||||||||||
| 11 | just for credibility I heard that some of you are | And a DJ in the group just for credibility | 11 | |||||||||||
| 12 | getting help with your rhymes You’re not an emcee | I heard that some of you are getting help with your rhymes | 12 | |||||||||||
| 13 | if someone else writes your lines And rapping | You’re not an emcee if someone else writes your lines | 13 | |||||||||||
| 14 | over rock doesn’t make you a pioneer Cause rock | And rapping over rock doesn’t make you a pioneer | 14 | |||||||||||
| 15 | and hip hop have collaborated for years But now | Cause rock and hip hop have collaborated for years | 15 | |||||||||||
| 16 | they’re getting randomly mixed and matched up All | But now they’re getting randomly mixed and matched up | 16 | |||||||||||
| 17 | after a fast buck and all the tracks suck So how | All after a fast buck and all the tracks suck | 17 | |||||||||||
| 18 | does it stack up? None of it’s real You want to | So how does it stack up? None of it’s real | 18 | |||||||||||
| 19 | be an emcee you’ve got to study the skill | You want to be an emcee you’ve got to study the skill | 19 | |||||||||||
| 1 | 1 | |||||||||||||
| 20 | [ Chorus ] Who can rock a rhyme like this? Bring | Who can rock a rhyme like this? | 20 | |||||||||||
| 21 | it to you every time like this? [ 2x ] Step, step | Bring it to you every time like this? [2x] | 21 | |||||||||||
| 22 | up, step, step up | Step, step up, step, step up | 22 | |||||||||||
| 2 | 2 | |||||||||||||
| 23 | So you pick up a pen and write yourself a new | So you pick up a pen and write yourself a new identity | 23 | |||||||||||
| 24 | identity But mentally you don’t have the hip hop | But mentally you don’t have the hip hop energy | 24 | |||||||||||
| 25 | energy With a tendency to make up stories | With a tendency to make up stories | 25 | |||||||||||
| 26 | Sounding like the only hip hop you’ve heard is top | Sounding like the only hip hop you’ve heard is top 40 | 26 | |||||||||||
| 27 | 40 And your record company is completely missing | And your record company is completely missing it | 27 | |||||||||||
| 28 | it All the kids are dissing it for not being | All the kids are dissing it for not being legitimate | 28 | |||||||||||
| 29 | legitimate So in a battle you can't hack it | So in a battle you can't hack it | 29 | |||||||||||
| 30 | React with whack shit And get smacked with verbal | React with whack shit | 30 | |||||||||||
| 31 | back flips Get your ass kicked by fabulous battle | And get smacked with verbal back flips | 31 | |||||||||||
| 32 | catalysts It's taken decades for emcees to | Get your ass kicked by fabulous battle catalysts | 32 | |||||||||||
| 33 | establish this You’re new to hip hop and welcome | It's taken decades for emcees to establish this | 33 | |||||||||||
| 34 | if your serious But not on the mic Leave that to | You’re new to hip hop and welcome if your serious | 34 | |||||||||||
| 35 | the experienced | But not on the mic | 35 | |||||||||||
| 1 | Leave that to the experienced | 1 | ||||||||||||
| (Using the waves of sound the true master | (Using the waves of sound the true master | |||||||||||||
| 36 | paralyzes his opponents, leaving him vulnerable | paralyzes his opponents, leaving him | 36 | |||||||||||
| 37 | to attack) | vulnerable to attack) | 37 | |||||||||||
| 38 | [ Chorus (2x) ] | [Chorus (2x)] | 38 | |||||||||||
| (After years of pain staking research by the | (After years of pain staking research by the | |||||||||||||
| 39 | world's leading sound scientists, we here at the | world's leading sound scientists, we | 39 | |||||||||||
| 40 | sound institute have invented a reliable audio | here at the sound institute have invented a | 40 | |||||||||||
| 41 | weapons system. Actual movement of musical sound | reliable audio weapons system. Actual | 41 | |||||||||||
| 42 | in space used to carefully attack and neutralize | movement of musical sound in space used to | 42 | |||||||||||
| 43 | the cellular structure of the human body, and the | carefully attack and neutralize the | 43 | |||||||||||
| 44 | question must be asked.) | cellular structure of the human body, and | 44 | |||||||||||
| 2 | the question must be asked.) | 2 | ||||||||||||
| 45 | [ Chorus (2x) ] | [Chorus (2x)] | 45 | |||||||||||
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