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Version 3 of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/v3.html) Version 3 of the lyrics |
Version 1 of Linkin Park Lyrics Step Up (http://www.mp3lyrics.org/l/linkin-park/step-up/v1.html) Version 1 of the lyrics | ||||||||||||
| 1 | Watch as the room rocks | Linkin Park - Step Up | 1 | ||||||||||
| 2 | Mentally moonwalk | _____________________________ | 2 | ||||||||||
| 1 | Mixed media slang | 1 | |||||||||||
| 3 | Banging in your boom box verbal violence | Watch as the room rocks Mentally moonwalk Mixed | 3 | ||||||||||
| 4 | Lyrical stylist | media slang Banging in your boom box verbal | 4 | ||||||||||
| 5 | In a time when rock hip hop rhymes are childish | violence Lyrical stylist In a time when rock hip | 5 | ||||||||||
| 6 | You can’t tempt me with rhymes that are empty | hop rhymes are childish You can’t tempt me with | 6 | ||||||||||
| 7 | Rapping to a beat doesn’t make you an emcee | rhymes that are empty Rapping to a beat doesn’t | 7 | ||||||||||
| 8 | With your lack of skill and facility | make you an emcee With your lack of skill and | 8 | ||||||||||
| 9 | You’re killing me | facility You’re killing me And a DJ in the group | 9 | ||||||||||
| 10 | And a DJ in the group just for credibility | just for credibility I heard that some of you are | 10 | ||||||||||
| 11 | I heard that some of you are getting help with your rhymes | getting help with your rhymes You’re not an emcee | 11 | ||||||||||
| 12 | You’re not an emcee if someone else writes your lines | if someone else writes your lines And rapping | 12 | ||||||||||
| 13 | And rapping over rock doesn’t make you a pioneer | over rock doesn’t make you a pioneer Cause rock | 13 | ||||||||||
| 14 | Cause rock and hip hop have collaborated for years | and hip hop have collaborated for years But now | 14 | ||||||||||
| 15 | But now they’re getting randomly mixed and matched up | they’re getting randomly mixed and matched up All | 15 | ||||||||||
| 16 | All after a fast buck and all the tracks suck | after a fast buck and all the tracks suck So how | 16 | ||||||||||
| 17 | So how does it stack up? None of it’s real | does it stack up? None of it’s real You want to | 17 | ||||||||||
| 18 | You want to be an emcee you’ve got to study the skill | be an emcee you’ve got to study the skill | 18 | ||||||||||
| 2 | 2 | ||||||||||||
| 19 | Who can rock a rhyme like this? | [ Chorus ] Who can rock a rhyme like this? Bring | 19 | ||||||||||
| 20 | Bring it to you every time like this? [2x] | it to you every time like this? [ 2x ] Step, step | 20 | ||||||||||
| 21 | Step, step up, step, step up | up, step, step up | 21 | ||||||||||
| 3 | 3 | ||||||||||||
| 22 | So you pick up a pen and write yourself a new identity | So you pick up a pen and write yourself a new | 22 | ||||||||||
| 23 | But mentally you don’t have the hip hop energy | identity But mentally you don’t have the hip hop | 23 | ||||||||||
| 24 | With a tendency to make up stories | energy With a tendency to make up stories | 24 | ||||||||||
| 25 | Sounding like the only hip hop you’ve heard is top 40 | Sounding like the only hip hop you’ve heard is top | 25 | ||||||||||
| 26 | And your record company is completely missing it | 40 And your record company is completely missing | 26 | ||||||||||
| 27 | All the kids are dissing it for not being legitimate | it All the kids are dissing it for not being | 27 | ||||||||||
| 28 | So in a battle you can't hack it | legitimate So in a battle you can't hack it | 28 | ||||||||||
| 29 | React with whack shit | React with whack shit And get smacked with verbal | 29 | ||||||||||
| 30 | And get smacked with verbal back flips | back flips Get your ass kicked by fabulous battle | 30 | ||||||||||
| 31 | Get your ass kicked by fabulous battle catalysts | catalysts It's taken decades for emcees to | 31 | ||||||||||
| 32 | It's taken decades for emcees to establish this | establish this You’re new to hip hop and welcome | 32 | ||||||||||
| 33 | You’re new to hip hop and welcome if your serious | if your serious But not on the mic Leave that to | 33 | ||||||||||
| 34 | But not on the mic | the experienced | 34 | ||||||||||
| 4 | Leave that to the experienced | 4 | |||||||||||
| (Using the waves of sound the true master | (Using the waves of sound the true master | ||||||||||||
| 35 | paralyzes his opponents, leaving him | paralyzes his opponents, leaving him vulnerable | 35 | ||||||||||
| 36 | vulnerable to attack) | to attack) | 36 | ||||||||||
| 37 | [Chorus (2x)] | [ Chorus (2x) ] | 37 | ||||||||||
| (After years of pain staking research by the | (After years of pain staking research by the | ||||||||||||
| 38 | world's leading sound scientists, we | world's leading sound scientists, we here at the | 38 | ||||||||||
| 39 | here at the sound institute have invented a | sound institute have invented a reliable audio | 39 | ||||||||||
| 40 | reliable audio weapons system. Actual | weapons system. Actual movement of musical sound | 40 | ||||||||||
| 41 | movement of musical sound in space used to | in space used to carefully attack and neutralize | 41 | ||||||||||
| 42 | carefully attack and neutralize the | the cellular structure of the human body, and the | 42 | ||||||||||
| 43 | cellular structure of the human body, and | question must be asked.) | 43 | ||||||||||
| 5 | the question must be asked.) | 5 | |||||||||||
| 44 | [Chorus (2x)] | [ Chorus (2x) ] | 44 | ||||||||||
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