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Current version of Lupe Fiasco Lyrics Paris, Tokyo (http://www.mp3lyrics.org/l/lupe-fiasco/paris-tokyo/) Current version of the lyrics |
Version 4 of Lupe Fiasco Lyrics Paris, Tokyo (http://www.mp3lyrics.org/l/lupe-fiasco/paris-tokyo/v4.html) Version 4 of the lyrics | |||||||||||
| I know, I know but I gotta get outta here | I know, I know but I gotta get outta here | |||||||||||
| You know, I gotta go pay these bills, I got a show to do | You know, I gotta go pay these bills, I got a show to do | |||||||||||
| You know, one time for your mind | You know, one time for your mind | |||||||||||
| Let's go to sleep in Paris | Let's go to sleep in Paris | |||||||||||
| And wake up in Tokyo | And wake up in Tokyo | |||||||||||
| Have a dream in New Orleans | Have a dream in New Orleans | |||||||||||
| Fall in love in Chicago, Mayne | Fall in love in Chicago, Mayne | |||||||||||
| I love her and I hate to leave her lonely | I love her and I hate to leave her lonely | |||||||||||
| 1 | Ring ring went the Iphone, it was my homie | Ring ring went the iPhone, it was my homie | 1 | |||||||||
| He said, “Let's hit Japan if we can make 'em jam | He said, “Let's hit Japan if we can make 'em jam | |||||||||||
| We can make a hundred grand, spend it in the South of France” | We can make a hundred grand, spend it in the South of France” | |||||||||||
| Nothin' further, I jumped, grabbed my Goyard trunk | Nothin' further, I jumped, grabbed my Goyard trunk | |||||||||||
| Got ready to 'Walk it Out' like Unk in my John Lennon chucks | Got ready to 'Walk it Out' like Unk in my John Lennon chucks | |||||||||||
| That's when I heard Murder, you're killin' me, you're fillin' me | That's when I heard Murder, you're killin' me, you're fillin' me | |||||||||||
| 2 | With sorrow, sunrise, goodbyes and missin' you tomorrow's | With sorrow, sunrise, goodbyes and missin' you tomorrows | 2 | |||||||||
| 3 | I turn to see, my dream love supreme queen | I turn to see my dream love supreme queen | 3 | |||||||||
| 4 | Meanest thing on the scene, cry | -Meanest thing on the scene- cry | 4 | |||||||||
| I drop my bags in a flash that's faster one | I drop my bags in a flash that's faster one | |||||||||||
| Than 180 on that dash sir to dry her tears | Than 180 on that dash sir to dry her tears | |||||||||||
| And wipe the rain from my dear like Dasher | And wipe the rain from my dear like Dasher | |||||||||||
| You's the dame who's the user name to all my passwords | You's the dame who's the user name to all my passwords | |||||||||||
| The reason I get fly as Ivan Jasper | The reason I get fly as Ivan Jasper | |||||||||||
| I even keep your picture in my passport, love, love | I even keep your picture in my passport, love, love | |||||||||||
| Let's go to sleep in Paris | Let's go to sleep in Paris | |||||||||||
| And wake up in Tokyo | And wake up in Tokyo | |||||||||||
| Have a dream in New Orleans | Have a dream in New Orleans | |||||||||||
| Fall in love in Chicago, Mayne | Fall in love in Chicago, Mayne | |||||||||||
| Then we can land in the motherland | Then we can land in the motherland | |||||||||||
| Camel back across the desert sand | Camel back across the desert sand | |||||||||||
| Take a train to Rome or home | Take a train to Rome or home | |||||||||||
| Brazil, for real | Brazil, for real | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| 5 | So let's keep it real, all in together, free chill | So let's keep it real, all in this together, free chill | 5 | |||||||||
| Tell the stewardess to throw a movie on the reel | Tell the stewardess to throw a movie on the reel | |||||||||||
| Heat up my kosher meal, exchange my dollar bills | Heat up my kosher meal, exchange my dollar bills | |||||||||||
| Lean back in my first class, seat and sleep | Lean back in my first class, seat and sleep | |||||||||||
| Don't wake me till I land, when they barely understand | Don't wake me till I land, when they barely understand | |||||||||||
| What I speak but they nod to my beats | What I speak but they nod to my beats | |||||||||||
| I tell my fans who I am and they stand and they clap | I tell my fans who I am and they stand and they clap | |||||||||||
| They applaud, they love me, my God | They applaud, they love me, my God | |||||||||||
| O'scadie sama'desta or maybe au revoir | O'scadie sama'desta or maybe au revoir | |||||||||||
| A spree on Saint Henry, then back to Charles de Gaul | A spree on Saint Henry, then back to Charles de Gaul | |||||||||||
| So I can get home and tell her everywhere that I been | So I can get home and tell her everywhere that I been | |||||||||||
| And everythin' that I done and tell her that she's the one and um | And everythin' that I done and tell her that she's the one and um | |||||||||||
| Let's go to sleep in Paris | Let's go to sleep in Paris | |||||||||||
| And wake up in Tokyo | And wake up in Tokyo | |||||||||||
| Have a dream in New Orleans | Have a dream in New Orleans | |||||||||||
| Fall in love in Chicago, Mayne | Fall in love in Chicago, Mayne | |||||||||||
| Then we can land in the motherland | Then we can land in the motherland | |||||||||||
| Camel back across the desert sand | Camel back across the desert sand | |||||||||||
| Take a train to Rome or home | Take a train to Rome or home | |||||||||||
| Brazil, for real | Brazil, for real | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| Guess who's back in the house | Guess who's back in the house | |||||||||||
| With a bunch of souvenirs and a smile for your mouth? | With a bunch of souvenirs and a smile for your mouth? | |||||||||||
| I really missed you, each and every night I kissed ya | I really missed you, each and every night I kissed ya | |||||||||||
| In my dreams fore I went to sleep to Lala land to count them sheep | In my dreams fore I went to sleep to Lala land to count them sheep | |||||||||||
| 6 | I swear you're lookin' prettier than Eva | I swear you're lookin' prettier than ever | 6 | |||||||||
| It's got to be a prophecy for us to stay together ever more | It's got to be a prophecy for us to stay together ever more | |||||||||||
| For better or less or poor or worth our weight in buried treasure | For better or less or poor or worth our weight in buried treasure | |||||||||||
| X's on the shore | X's on the shore | |||||||||||
| I know my world tour's like war to ya | I know my world tour's like war to ya | |||||||||||
| But Ian said, “Aloha” and Harley said, “Cheers” | But Ian said, “Aloha” and Harley said, “Cheers” | |||||||||||
| Julian said, “Bonjour”, Big O was like, “Yeah” | Julian said, “Bonjour”, Big O was like, “Yeah” | |||||||||||
| Amanda and Lemessie want to know when we goin' there | Amanda and Lemessie want to know when we goin' there | |||||||||||
| Edison sends his love, so does the rest of the club | Edison sends his love, so does the rest of the club | |||||||||||
| Of the international playboys and playgirls | Of the international playboys and playgirls | |||||||||||
| But I revoke my membership, all for my tenderness | But I revoke my membership, all for my tenderness | |||||||||||
| She said, “Pursue your interests, 'cause even if I'm ticket less | She said, “Pursue your interests, 'cause even if I'm ticket less | |||||||||||
| 7 | I'll be there, by your side in your heart on your mind” | I'll be there by your side, in your heart, on your mind” | 7 | |||||||||
| So, as I taxi down another runway | So, as I taxi down another runway | |||||||||||
| I gotcha, who loves you bay now bring it back, now | I gotcha, who loves you bay now bring it back, now | |||||||||||
| Let's go to sleep in Paris | Let's go to sleep in Paris | |||||||||||
| And wake up in Tokyo | And wake up in Tokyo | |||||||||||
| Have a dream in New Orleans | Have a dream in New Orleans | |||||||||||
| Fall in love in Chicago, Mayne | Fall in love in Chicago, Mayne | |||||||||||
| Then we can land in the motherland | Then we can land in the motherland | |||||||||||
| Camel back across the desert sand | Camel back across the desert sand | |||||||||||
| Take a train to Rome or home | Take a train to Rome or home | |||||||||||
| Brazil, for real | Brazil, for real | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| Wherever I go she goes | Wherever I go she goes | |||||||||||
| 8 | Wherever I go she goes | Wherever I go she goes... | 8 | |||||||||
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