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Current version of The Manhattan Transfer Lyrics Blue Serenade (http://www.mp3lyrics.org/m/manhattan-transfer/blue-serenade/) Current version of the lyrics |
Version 1 of The Manhattan Transfer Lyrics Blue Serenade (http://www.mp3lyrics.org/m/manhattan-transfer/blue-serenade/...) Version 1 of the lyrics | |||||||||||||
| 1 | Hot to trot shot | Hot to trot shot, | 1 | |||||||||||
| 2 | Out to the hot spot | out to the hot spot | 2 | |||||||||||
| 3 | Up to the nines | Up to the nines with bodies in line | 3 | |||||||||||
| 4 | With bodies in line an' feelin' so fine | an' feelin' so fine | 4 | |||||||||||
| 5 | What's to lose, go get 'em shoes | What's to lose, go get 慹m shoes | 5 | |||||||||||
| 1 | 1 | |||||||||||||
| 6 | You take a train | You take a train, you find a | 6 | |||||||||||
| 7 | You find a fascinatin' rhythm in the rain | fascinatin' rhythm in the rain | 7 | |||||||||||
| 8 | At every stop | At every stop, | 8 | |||||||||||
| 9 | You hear the clippin' and the clop | you hear the clippin' and the clop | 9 | |||||||||||
| 2 | 2 | |||||||||||||
| 10 | You take a beat | You take a beat, you find a | 10 | |||||||||||
| 11 | You find a fascinatin' rhythm in your feet | fascinatin' rhythm in your feet | 11 | |||||||||||
| 12 | It's so complete | It's so complete and you know | 12 | |||||||||||
| 13 | And you know nothin' can compete | nothin' can compete | 13 | |||||||||||
| 3 | 3 | |||||||||||||
| 14 | You ain't seen nothin' | (You ain't seen nothin', | 14 | |||||||||||
| 15 | You ain't seen nothin', yet | you ain't seen nothin' - | 15 | |||||||||||
| 16 | yet!) | 16 | ||||||||||||
| 4 | You start to palpitate | 4 | ||||||||||||
| 17 | And the jeep is shakin' the snake | You start to palpitate and the | 17 | |||||||||||
| 18 | Like a man upon the move | jeep is shakin' the snake | 18 | |||||||||||
| 19 | For a doll who doesn't hesitate | Like a man upon the move for a | 19 | |||||||||||
| 20 | doll who doesn't hesitate | 20 | ||||||||||||
| Bad John | Bad John | |||||||||||||
| You hear the sound of a sad song | You hear the sound of a sad song | |||||||||||||
| And when the downtown folk | And when the downtown folk | |||||||||||||
| 21 | All shake it on out tonite | all shake it on out tonite | 21 | |||||||||||
| 22 | Jeep is jake | Jeep is jake and rakin' in the take | 22 | |||||||||||
| 5 | And rakin' in the take | 5 | ||||||||||||
| 6 | 6 | |||||||||||||
| Bad John | Bad John | |||||||||||||
| You are back where you belong | You are back where you belong | |||||||||||||
| 23 | She's such a sight tonite | She's such a sight tonite (Hello) | 23 | |||||||||||
| 7 | Hello | 7 | ||||||||||||
| A Caribana with a fan a top banana | A Caribana with a fan a top banana | |||||||||||||
| 24 | In a blue savanna moon | in a blue savanna moon | 24 | |||||||||||
| 8 | 8 | |||||||||||||
| A neck in neck | A neck in neck | |||||||||||||
| You tell her darlin' get the check | You tell her darlin' get the check | |||||||||||||
| 25 | You're all electric | you're all electric | 25 | |||||||||||
| Up in Harlem in a swoon | Up in Harlem in a swoon | |||||||||||||
| 26 | Another dance with a | 26 | ||||||||||||
| 27 | Another dance | with a tropical fan | 27 | |||||||||||
| 28 | With a tropical fan | Another chance with | 28 | |||||||||||
| 29 | Another chance | the topical tan | 29 | |||||||||||
| 9 | With the topical tan | 9 | ||||||||||||
| Mean swimmin' saxophones | Mean swimmin' saxophones | |||||||||||||
| 30 | Takin' in the wimmin' and shakin' them bones | Takin' in the wimmin' and | 30 | |||||||||||
| 1 | shakin' them bones | 1 | ||||||||||||
| The goat get in the fete begin | The goat get in the fete begin | |||||||||||||
| 31 | Naughty little body and set for sin | Naughty in the body and set for sin | 31 | |||||||||||
| 32 | A Creole girl step up and say | 32 | ||||||||||||
| 33 | A Creole girl | "never say never" | 33 | |||||||||||
| 34 | Step up and say | with a casual sway | 34 | |||||||||||
| 10 | Never say never with a casual sway | 10 | ||||||||||||
| Takin' her time to come my way | Takin' her time to come my way | |||||||||||||
| 11 | 11 | |||||||||||||
| Bad John | Bad John | |||||||||||||
| You are back where you belong | You are back where you belong | |||||||||||||
| 35 | [Incomprehensible] | All reet I'm tippin' in, deed I do | 35 | |||||||||||
| 12 | All reet I'm tippin' in yeah, deed I do | 12 | ||||||||||||
| And while the goat is on the fire | And while the goat is on the fire | |||||||||||||
| 36 | And every note is your desire | and every note is your desire | 36 | |||||||||||
| You approve her every move | You approve her every move | |||||||||||||
| 37 | You in a spin (Come on in) | 37 | ||||||||||||
| 38 | You in a spin | She wanna grab you by the duff | 38 | |||||||||||
| 39 | Come on in | and tell you | 39 | |||||||||||
| 40 | She wanna grab you by the duff and tell you | Honey this is tough enough | 40 | |||||||||||
| 41 | Honey this is tough enough for sure | for sure | 41 | |||||||||||
| 42 | There's the door, | 42 | ||||||||||||
| 43 | And there's the door | what are you waiting for? | 43 | |||||||||||
| 44 | What are you waiting for? | And just us two, | 44 | |||||||||||
| 45 | And just us two | Serenading in Blue | 45 | |||||||||||
| 13 | Serenading in blue | 13 | ||||||||||||
| 46 | You take a frail who makes a | 46 | ||||||||||||
| 47 | You take a frail | copesetic caper with her tail | 47 | |||||||||||
| 48 | Who makes a copesetic caper with her tail | I'm tellin' you, she really | 48 | |||||||||||
| 49 | I'm tellin' you | puttin' on a do | 49 | |||||||||||
| 14 | She really puttin' on a do | 14 | ||||||||||||
| 50 | The saxophones, you can't relax | 50 | ||||||||||||
| 51 | The saxophones | when there is rhythm in your bones | 51 | |||||||||||
| 52 | You can't relax when there is rhythm in your bones | You're on the hoof, | 52 | |||||||||||
| 53 | You're on the hoof | you raise a racket on the roof | 53 | |||||||||||
| 15 | You raise a racket on the roof | 15 | ||||||||||||
| 54 | Some syncopation, makin' with the | 54 | ||||||||||||
| 55 | Some syncopation | eyes an arisin' occasion | 55 | |||||||||||
| 56 | Makin' with the eyes an arisin' occasion | Made it in the shade the way they | 56 | |||||||||||
| 57 | Made it in the shade | played that satin Serenade in Blue | 57 | |||||||||||
| 16 | The way they played that satin serenade in blue | 16 | ||||||||||||
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