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Current version of Mos Def Lyrics Hip Hop (http://www.mp3lyrics.org/m/mos-def/hip-hop/) Current version of the lyrics |
Version 1 of Mos Def Lyrics Hip Hop (http://www.mp3lyrics.org/m/mos-def/hip-hop/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | You say one for the treble, two for the time | You say one for the trebble, two for the time | 1 | |||||||||||
| 2 | Come on, y'all let's rock this | Come on y'all let's rock this! | 2 | |||||||||||
| 3 | You say one for the treble, two for the time | You say one for the trebble, two for the time | 3 | |||||||||||
| 4 | Come on | Come on! | 4 | |||||||||||
| Speech is my hammer, bang the world into shape | Speech is my hammer, bang the world into shape | |||||||||||||
| 5 | Now let it fall | Now let it fall... (Hungh!!) | 5 | |||||||||||
| My restlessness is my nemesis | My restlessness is my nemesis | |||||||||||||
| It's hard to really chill and sit still | It's hard to really chill and sit still | |||||||||||||
| Committed to page, I write rhymes | Committed to page, I write rhymes | |||||||||||||
| Sometimes won't finish for days | Sometimes won't finish for days | |||||||||||||
| 6 | Scrutinize my literature, from the | 6 | ||||||||||||
| 7 | Scrutinize my literature, from the large to the miniature | large to the miniature | 7 | |||||||||||
| 8 | I mathematically add minister, subtract the wack selector | I mathematically add-minister | 8 | |||||||||||
| 9 | Wheel it back, I'm feelin' that | Subtract the wack | 9 | |||||||||||
| 10 | Ha, ha, ha, from the core to the perimeter black | Selector, wheel it back, I'm feeling that | 10 | |||||||||||
| 11 | You know the motto, stay fluid even in staccato | (Ha ha ha) From the core to | 11 | |||||||||||
| 12 | the perimeter black, | 12 | ||||||||||||
| 13 | Mos Def, full blooded, full throttle | You know the motto | 13 | |||||||||||
| 1 | Stay fluid even in staccato | 1 | ||||||||||||
| 2 | (Mos Def) Full blooded, full throttle | 2 | ||||||||||||
| Breathe deep inside the trunk hollow | Breathe deep inside the trunk hollow | |||||||||||||
| There's the hum, young man where you from | There's the hum, young man where you from | |||||||||||||
| Brooklyn number one | Brooklyn number one | |||||||||||||
| 14 | Native son, speakin' in the native tongue | Native son, speaking in the native tongue | 14 | |||||||||||
| 15 | I got my eyes on tomorrow (there it is) | 15 | ||||||||||||
| 1 | I got my eyes on tomorrow, there it is | 1 | ||||||||||||
| While you still try to follow where it is | While you still try to follow where it is | |||||||||||||
| I'm on the Ave where it lives and dies | I'm on the Ave where it lives and dies | |||||||||||||
| 16 | Violently, silently, shine so vibrantly | Violently, silently | 16 | |||||||||||
| 17 | That eyes squint to catch a glimpse | Shine so vibrantly that eyes | 17 | |||||||||||
| 3 | squint to catch a glimpse | 3 | ||||||||||||
| Embrace the bass with my dark ink fingertips | Embrace the bass with my dark ink fingertips | |||||||||||||
| 2 | 2 | |||||||||||||
| Used to speak the king's English | Used to speak the king's English | |||||||||||||
| But caught a rash on my lips | But caught a rash on my lips | |||||||||||||
| So now my chat just like dis | So now my chat just like dis | |||||||||||||
| 18 | Long range from the base line, switch | Long range from the base-line (switch) | 18 | |||||||||||
| Move like an apparition | Move like an apparition | |||||||||||||
| 19 | Float to the ground with ammunition | Float to the ground with | 19 | |||||||||||
| 20 | Chi, chi, chi, pow | ammuntion (chi-chi-chi-POW) | 20 | |||||||||||
| 3 | 3 | |||||||||||||
| Move from the gate, voice cued on your tape | Move from the gate, voice cued on your tape | |||||||||||||
| 21 | Puttin' food on your plate, many crews can relate | Putting food on your plate | 21 | |||||||||||
| 22 | Who choosin' your fate, yo, we went from pickin' cotton | Many crews can relate | 22 | |||||||||||
| 23 | To chain gang line choppin', to Be Boppin', to Hip Hoppin' | Who choosing your fate (yo) | 23 | |||||||||||
| 4 | We went from picking cotton | 4 | ||||||||||||
| 5 | To chain gang line chopping | 5 | ||||||||||||
| 6 | To Be-Bopping | 6 | ||||||||||||
| 7 | To Hip-Hopping | 7 | ||||||||||||
| Blues people got the blue chip stock option | Blues people got the blue chip stock option | |||||||||||||
| 24 | Invisible man, got the whole world watchin' | Invisible man, got the whole world watching | 24 | |||||||||||
| 25 | (where ya at) I'm high, low, east, west, | 25 | ||||||||||||
| 26 | Where ya at? I'm high, low, east, west, all over your map | All over your map | 26 | |||||||||||
| 27 | I'm gettin' big props, with this thing called hip hop | I'm getting big props, with | 27 | |||||||||||
| 8 | this thing called hip hop | 8 | ||||||||||||
| Where you can either get paid or get shot | Where you can either get paid or get shot | |||||||||||||
| 28 | When your product in stock the fair weather friends flock | When your product in stock | 28 | |||||||||||
| 29 | When your chart position drop then the phone calls | The fair-weather friends flock | 29 | |||||||||||
| 30 | When your chart position drop | 30 | ||||||||||||
| 31 | Chill for a minute, let's see who else tops | Then the phone calls.... | 31 | |||||||||||
| 32 | Snatch your shelf spot, don't gas yourself ock | Chill for a minute | 32 | |||||||||||
| 9 | Let's see whoelse tops | 9 | ||||||||||||
| 10 | Snatch your shelf spot | 10 | ||||||||||||
| 11 | Don't gas yourself ock | 11 | ||||||||||||
| The industry just a better built cell block | The industry just a better built cell block | |||||||||||||
| A long way from the shell tops | A long way from the shell tops | |||||||||||||
| 33 | And the bells that L rocked, rock, rock | And the bells that L rocked | 33 | |||||||||||
| 34 | Rock, rock, rock, rock, rock, rock | (rock, rock, rock, rock...) | 34 | |||||||||||
| 4 | Rock, rock, rock, rock, rock | 4 | ||||||||||||
| 35 | Hip Hop is prosecution evidence | *scratching* | 35 | |||||||||||
| 5 | The out of court settlement, ad space for liquor | 5 | ||||||||||||
| 6 | Sick without benefits | 6 | ||||||||||||
| 7 | Luxury tenements chokin' the skyline | 7 | ||||||||||||
| 8 | It's low life gettin' tree top high | 8 | ||||||||||||
| 12 | Hip Hop is prosecution evidence | 12 | ||||||||||||
| 13 | The out of court settlement | 13 | ||||||||||||
| 14 | Ad space for liquor | 14 | ||||||||||||
| 15 | Sick without benefits (hungh!) | 15 | ||||||||||||
| 16 | Luxury tenements choking the skyline | 16 | ||||||||||||
| 17 | It's low life getting tree-top high | 17 | ||||||||||||
| Here there's a back water remedy | Here there's a back water remedy | |||||||||||||
| 36 | Bitter and tender memory, A class E felony | Bitter intent to memory | 36 | |||||||||||
| 37 | Facin' the death penalty, hungh | A class E felony | 37 | |||||||||||
| 18 | Facing the death penalty (hungh!) | 18 | ||||||||||||
| Stimulant and sedative, original repetitive | Stimulant and sedative, original repetitive | |||||||||||||
| 38 | Violently competitive, a school unaccredited | Violently competitive, a school unacredited | 38 | |||||||||||
| 9 | 9 | |||||||||||||
| The break beats you get broken with | The break beats you get broken with | |||||||||||||
| 39 | On time and inappropriate | on time and inappropriate | 39 | |||||||||||
| 40 | Hip Hop went from sellin' crack to smokin' it | Hip Hop went from selling crack to smoking it | 40 | |||||||||||
| Medicine for loneliness | Medicine for loneliness | |||||||||||||
| Remind me of Thelonius and Dizzy | Remind me of Thelonius and Dizzy | |||||||||||||
| 41 | Propers to B Boys gettin' busy | Propers to B-Boys getting busy | 41 | |||||||||||
| 42 | The war-time snap shot | 42 | ||||||||||||
| 43 | The war time snap shot | The working man's jack-pot | 43 | |||||||||||
| 10 | The workin' man's jack pot | 10 | ||||||||||||
| A two dollar snack box | A two dollar snack box | |||||||||||||
| Sold beneath the crack spot | Sold beneath the crack spot | |||||||||||||
| 44 | Olympic sponsor of the black glock | Olympic spnosor of the black glock | 44 | |||||||||||
| 11 | 11 | |||||||||||||
| Gold medalist in the back shot | Gold medalist in the back shot | |||||||||||||
| 45 | From the sovereign state of the have nots | From the sovereign state of the have-nots | 45 | |||||||||||
| 46 | Where farmers have trouble with cash crops, woo | Where farmers have trouble | 46 | |||||||||||
| 47 | It's all city like phase two, Hip Hop will simply amaze you | with cash crops (woooo) | 47 | |||||||||||
| 48 | Craze you, pay you, do whatever you say do | It's all city like phase two | 48 | |||||||||||
| 19 | Hip Hop will simply amaze you | 19 | ||||||||||||
| 20 | Craze you, pay you | 20 | ||||||||||||
| 21 | Do whatever you say do | 21 | ||||||||||||
| But black, it can't save you | But black, it can't save you | |||||||||||||
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