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Current version of Mos Def Lyrics Jam On It (http://www.mp3lyrics.org/m/mos-def/jam-on-it/) Current version of the lyrics |
Version 1 of Mos Def Lyrics Jam On It (http://www.mp3lyrics.org/m/mos-def/jam-on-it/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | To all my people in the back jam on it | To all my people in the back jam on it {Right} | 1 | |||||||||||
| 2 | To all my people in the front jam on it | To all my people in the front jam on it {ha ha, ha ha} | 2 | |||||||||||
| 3 | To all my people on the side jam on it | To all my people on the side jam on | 3 | |||||||||||
| 4 | So jam on it, say what? | it {he he, he he, right} | 4 | |||||||||||
| 1 | So jam on it, say what | 1 | ||||||||||||
| 2 | [Mos Def] | 2 | ||||||||||||
| The sweet old beats my speech radiates | The sweet old beats my speech radiates | |||||||||||||
| I grab the mic my voice resulates and penetrates | I grab the mic my voice resulates and penetrates | |||||||||||||
| 5 | I make the B boy emulate | I make the "B-Boy" emulate | 5 | |||||||||||
| A buck-fifty still swinging like a heavyweight | A buck-fifty still swinging like a heavyweight | |||||||||||||
| 1 | 1 | |||||||||||||
| Me and the lounge about to levitate | Me and the lounge about to levitate | |||||||||||||
| 6 | You don't believe, let me demonstrate | You don't believe let me demonstrate | 6 | |||||||||||
| The way we make cats disintegrate | The way we make cats disintegrate | |||||||||||||
| 3 | [Voice] | 3 | ||||||||||||
| Well hold up you got to stop the tape | Well hold up you got to stop the tape | |||||||||||||
| You got to prove you can rock the bricks | You got to prove you can rock the bricks | |||||||||||||
| Me and my man going to investigate | Me and my man going to investigate | |||||||||||||
| The whole way that you operate, cooperate | The whole way that you operate, cooperate | |||||||||||||
| 7 | And what's your name? {Mos Def} | 7 | ||||||||||||
| 8 | And what's your name? | And where you from? {Brooklyn} | 8 | |||||||||||
| 9 | (Mos Def) | And how you living {Very well, very well} | 9 | |||||||||||
| 10 | And where you from? | Damn you had to say it twice? {That's right} | 10 | |||||||||||
| 11 | (Brooklyn) | So you nice? {Damn right} | 11 | |||||||||||
| 2 | And how you living? | 2 | ||||||||||||
| 12 | (Very well, very well) | [Mos Def] | 12 | |||||||||||
| 13 | Damn you had to say it twice? | I rock the party all night all night | 13 | |||||||||||
| 14 | (That's right) | {All right, all right} | 14 | |||||||||||
| 3 | So you nice? | 3 | ||||||||||||
| 4 | (Damn right) | 4 | ||||||||||||
| 5 | 5 | |||||||||||||
| 6 | I rock the party all night, all night | 6 | ||||||||||||
| So why you over here ripping with me? | So why you over here ripping with me? | |||||||||||||
| Trying to prove you position to me? | Trying to prove you position to me? | |||||||||||||
| 15 | (Some cats ain't equiped to MC) | {Some cats ain't equiped to MC} | 15 | |||||||||||
| 16 | But you can see I'm different G | But you can see I'm different "G" | 16 | |||||||||||
| 7 | 7 | |||||||||||||
| The universal magnificently | The universal magnificently | |||||||||||||
| 17 | I rock the party efficiently | I rock the party eficiently | 17 | |||||||||||
| 18 | From the Brooklyn but centered to | From the Brooklyn but centered to (?) | 18 | |||||||||||
| And I do it so lyrically | And I do it so lyrically | |||||||||||||
| 8 | 8 | |||||||||||||
| That you got to give it to me | That you got to give it to me | |||||||||||||
| Like Rick James, I kick game and spit flame | Like Rick James, I kick game and spit flame | |||||||||||||
| Burning rappers all up out their frame | Burning rappers all up out their frame | |||||||||||||
| We get into this vein | We get into this vein | |||||||||||||
| 9 | 9 | |||||||||||||
| From Brownsville all the way down to Brisbean | From Brownsville all the way down to Brisbean | |||||||||||||
| 19 | (Damn this brother's flow is insane) | {Damn this brother's flow is insane} | 19 | |||||||||||
| That's what I've been trying to explain | That's what I've been trying to explain | |||||||||||||
| Got no time to play games | Got no time to play games | |||||||||||||
| 10 | 10 | |||||||||||||
| Keep it coming like the next train | Keep it coming like the next train | |||||||||||||
| Make the party people exclaim | Make the party people exclaim | |||||||||||||
| Whenever they hear my name | Whenever they hear my name | |||||||||||||
| 20 | They go Mos Def | They go "Mos Def" | 20 | |||||||||||
| 21 | Oh yes my style is so fresh | 21 | ||||||||||||
| 11 | Oh, yes my style is so fresh | 11 | ||||||||||||
| Guranteed to win any MC contest | Guranteed to win any MC contest | |||||||||||||
| Old school like the eighty-four fresh dress | Old school like the eighty-four fresh dress | |||||||||||||
| You spend you assets to get my cassette | You spend you assets to get my cassette | |||||||||||||
| 12 | 12 | |||||||||||||
| Now that's fresh, the red hook address | Now that's fresh, the red hook address | |||||||||||||
| Make a cop jealous swell like abscess | Make a cop jealous swell like abscess | |||||||||||||
| I'm shoutin' bigs up to Medina and the rest | I'm shoutin' bigs up to Medina and the rest | |||||||||||||
| 22 | 'Bout to drop it on your block a high on the press | Bout' to drop it on your block a high on the press | 22 | |||||||||||
| 23 | I said, people in the front, jam on it | [Chorus with singing in backround] | 23 | |||||||||||
| 24 | To all my people in the back, jam on it | I said people in the front jam on | 24 | |||||||||||
| 25 | To all my people on the side, jam on it | it {Say what, say what} | 25 | |||||||||||
| 26 | Jam on it, ha ha, ha ha | To all my people in the back jam on | 26 | |||||||||||
| 27 | it {Say what, say what} | 27 | ||||||||||||
| 28 | To all my people in the front, jam on it | To all my people on the side jam on it {Ha ha, ha ha} | 28 | |||||||||||
| 29 | To all my people in the back, jam on it | Jam on it, Ha ha, ha ha | 29 | |||||||||||
| 13 | To all my people on the side, jam on it | 13 | ||||||||||||
| 4 | To all my people in the front jam on it | 4 | ||||||||||||
| 5 | To all my people in the back jam on it | 5 | ||||||||||||
| 6 | To all my people on the side jam on it | 6 | ||||||||||||
| So jam on it, ha ha, ha ha | So jam on it, ha ha, ha ha | |||||||||||||
| 7 | [Mos Def] | 7 | ||||||||||||
| You see my name is Mos Def and my style will never pest | You see my name is Mos Def and my style will never pest | |||||||||||||
| Brown skinned body-rocking MC | Brown skinned body-rocking MC | |||||||||||||
| I got the black zodiac and you know it's never whack | I got the black zodiac and you know it's never whack | |||||||||||||
| 30 | Sagitarius definitley | Sagitarius definatley | 30 | |||||||||||
| 31 | You see it's me and lyricist and | 31 | ||||||||||||
| 32 | You see it's me and lyricist and we're getting serious | we're getting serious about to make | 32 | |||||||||||
| 33 | About to make another hit | another hit | 33 | |||||||||||
| 34 | I tell your homeboy chill 'cuz his style | I tell your homeboy chill cuz' his | 34 | |||||||||||
| 35 | Ain't ill but it's straight up counterfeit | style ain't ill but it's straight | 35 | |||||||||||
| 36 | up counterfeit | 36 | ||||||||||||
| 37 | You see I'm fast or bent or sweet | You see I'm fast or bent or sweet then | 37 | |||||||||||
| 38 | Then bullet and when I'm on the set | bullet and when I'm on the set | 38 | |||||||||||
| 39 | All the hip-hop fans just raise they hands | All the hip-hop fans just raise | 39 | |||||||||||
| 40 | Because the one and only mighty Mos Def | they hands because the one and only | 40 | |||||||||||
| 41 | mighty Mos Def | 41 | ||||||||||||
| 42 | You see I come into the party in a | You see I come into the party in | 42 | |||||||||||
| 43 | B-boy stance I rock the mic so viciously | a "B-Boy" stance I rock the mic | 43 | |||||||||||
| 44 | So all the real B-boys and real B-girls | so viciously | 44 | |||||||||||
| 45 | Ever know others better than me | So all the real "B-boys" and | 45 | |||||||||||
| 8 | real "B-Girls" never know others | 8 | ||||||||||||
| 9 | better than me | 9 | ||||||||||||
| 10 | [Voice] | 10 | ||||||||||||
| I said hey Mos Def you can't steal the show | I said hey Mos Def you can't steal the show | |||||||||||||
| You ain't the only MC out here with flow | You ain't the only MC out here with flow | |||||||||||||
| I'm the Pro-Castro and I'm letting you know | I'm the Pro-Castro and I'm letting you know | |||||||||||||
| That I get on the mic and go toe to toe | That I get on the mic and go toe to toe | |||||||||||||
| 46 | Well cool young brother and just slow you roll | [Mos Def] | 46 | |||||||||||
| 47 | 'Cuz your arm's too shook to have mic control | Well cool young brother and just slow you role | 47 | |||||||||||
| 11 | Cuz' your arm's to shook to have mic control | 11 | ||||||||||||
| See I get on the mic and jump off your case | See I get on the mic and jump off your case | |||||||||||||
| You best get out my face and stay in a child's place | You best get out my face and stay in a child's place | |||||||||||||
| 12 | [Voice] | 12 | ||||||||||||
| See I get on the mic because I know I can | See I get on the mic because I know I can | |||||||||||||
| And I'm fresher than you because I know I am | And I'm fresher than you because I know I am | |||||||||||||
| So when I jump on the stage you better step back | So when I jump on the stage you better step back | |||||||||||||
| Because your name is Mos Def but your really Mos Whack | Because your name is Mos Def but your really Mos Whack | |||||||||||||
| 13 | [Mos Def] | 13 | ||||||||||||
| Uh listen up little brother you ain't grown | Uh listen up little brother you ain't grown | |||||||||||||
| 48 | The sun is going down, you need to take you butt home | The sun is going down you need to take you butt home | 48 | |||||||||||
| And come outside with your whack freestylin' | And come outside with your whack freestylin' | |||||||||||||
| You should have kept it in the house like Debbie Galler | You should have kept it in the house like Debbie Galler | |||||||||||||
| 49 | When I grab the microphone people scream my name | 49 | ||||||||||||
| 50 | When I grab the microphone, people scream my name | The ain't no sesame street this is a grown-man's lane | 50 | |||||||||||
| 14 | This ain't no Sesame Street, this is a grown man's lane | 14 | ||||||||||||
| See you best heed my words and listen up | See you best heed my words and listen up | |||||||||||||
| Or I'm a tell your momma to whip your butt | Or I'm a tell your momma to whip your butt | |||||||||||||
| 14 | [Voice] | 14 | ||||||||||||
| Well you ain't my daddy and I'm letting you know | Well you ain't my daddy and I'm letting you know | |||||||||||||
| That you can't tell me when it's time to go | That you can't tell me when it's time to go | |||||||||||||
| See I get on the mic and show you what it's about | See I get on the mic and show you what it's about | |||||||||||||
| 51 | 'Cuz even my momma said knock you out | Cuz' even my momma said knock you out | 51 | |||||||||||
| 52 | Well if you didn't know baby boy I'ma tell ya | [Mos Def] | 52 | |||||||||||
| 15 | Well if you didn't know baby boy I'm a tell ya' | 15 | ||||||||||||
| You need to learn to respect your elders | You need to learn to respect your elders | |||||||||||||
| But since you here and you think you got skill | But since you here and you think you got skill | |||||||||||||
| 53 | Then get on the mic and show you're real | Then get on the mic and show your real | 53 | |||||||||||
| 16 | [Voice] | 16 | ||||||||||||
| Well I'm the devastatin' never fakin' | Well I'm the devastatin' never fakin' | |||||||||||||
| Always keep your body shakin' | Always keep your body shakin' | |||||||||||||
| Steady rockin' never stoppin' | Steady rockin' never stoppin' | |||||||||||||
| Keep your body always jockin' | Keep your body always jockin' | |||||||||||||
| 15 | 15 | |||||||||||||
| Rock the beat, shock the beat | Rock the beat, shock the beat | |||||||||||||
| 54 | Till it's time to stop the beat | Till' it's time to stop the beat | 54 | |||||||||||
| Steady moving show improvement | Steady moving show improvement | |||||||||||||
| Keep the party keep on groovin' | Keep the party keep on groovin' | |||||||||||||
| 55 | Well hey young blood, that was fresh | [Mos Def] | 55 | |||||||||||
| 17 | Well hey young blood that was fresh | 17 | ||||||||||||
| You just got one hundred on your MC test | You just got one hundred on your MC test | |||||||||||||
| You got a soul-shocking body-rocking set you see | You got a soul-shocking body-rocking set you see | |||||||||||||
| You need to pack up your bags and get down with me | You need to pack up your bags and get down with me | |||||||||||||
| 18 | [Chorus with singing in backround] | 18 | ||||||||||||
| So jam on it, so jam on it | So jam on it, so jam on it | |||||||||||||
| I said jam j-jam j-jam on it | I said jam j-jam j-jam on it | |||||||||||||
| I said were rocking to the bright early morning | I said were rocking to the bright early morning | |||||||||||||
| I said jam j-jam j-jam on it | I said jam j-jam j-jam on it | |||||||||||||
| This is the one to keep inside the jam | This is the one to keep inside the jam | |||||||||||||
| And make you get up and just do that dance | And make you get up and just do that dance | |||||||||||||
| This is the one to keep inside the jam | This is the one to keep inside the jam | |||||||||||||
| And make you get up and just clap your hands | And make you get up and just clap your hands | |||||||||||||
| 16 | 16 | |||||||||||||
| New York you got to jam on it | New York you got to jam on it | |||||||||||||
| And Atlanta got to jam on it | And Atlanta got to jam on it | |||||||||||||
| And BK you got to jam on it | And BK you got to jam on it | |||||||||||||
| Got to jam on it, you got to jam on it | Got to jam on it, you got to jam on it | |||||||||||||
| 17 | 17 | |||||||||||||
| And Miami you got to jam on it | And Miami you got to jam on it | |||||||||||||
| And California you got to jam on it | And California you got to jam on it | |||||||||||||
| 56 | Got to jam on it | (?) got to jam on it | 56 | |||||||||||
| Got to jam on it, got to jam on it | Got to jam on it, got to jam on it | |||||||||||||
| 18 | 18 | |||||||||||||
| Chicago got to jam on it | Chicago got to jam on it | |||||||||||||
| 57 | And Detroit 'cuz they got to jam on it | And Detroit cuz' they got to jam on it | 57 | |||||||||||
| And St. Louis got to jam on it | And St. Louis got to jam on it | |||||||||||||
| Got to jam on it, got to jam on it | Got to jam on it, got to jam on it | |||||||||||||
| 19 | 19 | |||||||||||||
| The whole world you got to jam on it | The whole world you got to jam on it | |||||||||||||
| 58 | And Brooklyn, yes, we got to jam on it | And Brooklyn yes we got to jam on it | 58 | |||||||||||
| 59 | The lyricist just to make you jam on it | The "Lyricist" just to make you jam on it | 59 | |||||||||||
| Make you jam on it, make you jam on it | Make you jam on it, make you jam on it | |||||||||||||
| 19 | 19 | |||||||||||||
| 20 | {And don't you hear the sound...} | 20 | ||||||||||||
| 21 | {Mos Def and Lyricist Lounge...} | 21 | ||||||||||||
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