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Current version of Naughty By Nature Lyrics Everyday All Day (http://www.mp3lyrics.org/n/naughty-by-nature/everyday/) Current version of the lyrics |
Version 1 of Naughty By Nature Lyrics Everyday All Day (http://www.mp3lyrics.org/n/naughty-by-nature/everyday/v1.htm...) Version 1 of the lyrics | |||||||||||||
| 1 | This is somethin' that I call the flow | Verse 1: Treach | 1 | |||||||||||
| 1 | Not many if any 'cept for Vinnie, can say, they know | 1 | ||||||||||||
| 1 | This is somethin that I call the flow | 1 | ||||||||||||
| 2 | Not many if any, 'cept for Vinnie, can say they know | 2 | ||||||||||||
| In fact, detracting that is something that I rarely show | In fact, detracting that is something that I rarely show | |||||||||||||
| Because my tongue is actually fast but then again it's slow | Because my tongue is actually fast but then again it's slow | |||||||||||||
| 2 | See yo (Throw it bro) you say cheeka-boo | 2 | ||||||||||||
| 3 | See yo, throw it bro, you say, "Cheeka-boo" | A name pertained for niggas who WHO | 3 | |||||||||||
| 2 | A name pertained for niggas who, who | 2 | ||||||||||||
| Who hear that name and place a trigger to the figure who | Who hear that name and place a trigger to the figure who | |||||||||||||
| 4 | It blew through and if ya try to rip, I throw a bigger blue shoe to you | It blew through and if ya try ta rip, I | 4 | |||||||||||
| 5 | And if you take the shoe, a nigga, actor will do, ooh | throw a bigger blue shoe to you | 5 | |||||||||||
| 6 | And if you take the shoe, a nigga actor will do, ooh | 6 | ||||||||||||
| Dressed to the best to impress but after they try take us in | Dressed to the best to impress but after they try take us in | |||||||||||||
| 7 | Crook as a nigga, take a pistol, see who wants to be naughty or nicest | Crook as a nigga, take a pistol, see who | 7 | |||||||||||
| 3 | wants to be Naughty or nicest | 3 | ||||||||||||
| Like ice is I'm priceless, plug the mic to it | Like ice is I'm priceless, plug the mic to it | |||||||||||||
| Come with the D with the I with the S to the S's, see whose hype is | Come with the D with the I with the S to the S's, see whose hype is | |||||||||||||
| 8 | Test the test, the treach to Treach address, the address | Test the test the Treach to Treach address, the address: | 8 | |||||||||||
| 3 | 3 | |||||||||||||
| How I'll bless and blow any conflicts | How I'll bless and blow any conflicts | |||||||||||||
| Why to try to chrome, my style is just nonsense | Why to try to chrome, my style is just nonsense | |||||||||||||
| 9 | My ni-ni-nigga, m-m-mackin' so you get out of it | M-my ni-ni-nigga m-m-mackin so you get out of it | 9 | |||||||||||
| Any and all should fall, many are small should call | Any and all should fall, many are small should call | |||||||||||||
| 10 | Naughty By Nature the creator of all y'all, show hope, show no hope | Naughty By Nature the creator of all y'all | 10 | |||||||||||
| 11 | And can't cope, so no way this is how we play everyday all day | Show hope, show no hope and can't cope, so no way | 11 | |||||||||||
| 12 | This is how we play everyday all day | 12 | ||||||||||||
| 4 | Yo, yo, hey, yo | 4 | ||||||||||||
| 13 | Havin' a round of cadavva, gather matters is drastically | Verse 2: Treach | 13 | |||||||||||
| 5 | Never say, never whenever whether we come on after thee | 5 | ||||||||||||
| 4 | Yo yo hey yo | 4 | ||||||||||||
| 5 | Havin a round of (?cadavva?), gather matters is drastically | 5 | ||||||||||||
| 6 | Never say never whenever whether we come on after thee | 6 | ||||||||||||
| Hand to Gee the producer, me is loose off the claps ya see | Hand to Gee the producer, me is loose off the claps ya see | |||||||||||||
| 14 | That keeps you boogie an' happily | That keeps you boogie'n happily | 14 | |||||||||||
| 15 | Voice ya opinion, it's the rhythm I'm lendin | 15 | ||||||||||||
| 16 | Voice ya opinion, it's the rhythm I'm lendin' | The message I'm sendin from London to Linley | 16 | |||||||||||
| 6 | The message I'm sendin' from London to Linley | 6 | ||||||||||||
| Girls are given a chance to get ya all pampered | Girls are given a chance to get ya all pampered | |||||||||||||
| Leave them ol' cramps in your pants then I belly dance her | Leave them ol' cramps in your pants then I belly dance her | |||||||||||||
| 7 | 7 | |||||||||||||
| God is good and if ya would, you should just | God is good and if ya would, you should just | |||||||||||||
| 17 | Play to the way I see 'em, play all day is what He'll bless | Play to the way I see em, play all day is what He'll bless | 17 | |||||||||||
| 18 | I'm leavin' 'em evil and seein 'em bein' a torture with dull props | I'm leavin em evil and seein em bein a torture with dull props | 18 | |||||||||||
| 19 | I won't give up 'til you had enough of these call shots | I won't give up til you had 'nough of these call shots | 19 | |||||||||||
| 20 | Now let the hard floor break your fall darlin | 20 | ||||||||||||
| 21 | Now, let the hard floor break your fall darlin' | Cos on the shrift and Naughty ain't waltzin | 21 | |||||||||||
| 22 | 'Cause on the shrift and Naughty Nature ain't waltzin' | When we dance we come full-thrust, the bum rush | 22 | |||||||||||
| 23 | When we dance we come full thrust, the bum rush | Knockin and poppin em up inside, they rockin dawn til dusk | 23 | |||||||||||
| 8 | Knockin' and poppin' 'em up inside, they rockin' dawn 'til dusk | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| I ain't the type to get suit-to-sike | I ain't the type to get suit-to-sike | |||||||||||||
| I feel I'm better than ever before but as a rapper I'm just alright | I feel I'm better than ever before but as a rapper I'm just alright | |||||||||||||
| 24 | Showin' time is for clocks, knockin' poppas | Showin time is for clocks, knockin poppas | 24 | |||||||||||
| 25 | Pop, pop ya, try to shine I make your heart work proper | Pop pop ya try to shine I make your heart work proper | 25 | |||||||||||
| 26 | And that's comin from the drifter and if ya | 26 | ||||||||||||
| 27 | And that's comin' from the drifter and if ya | R-U-IN YA L-I-P, you will B-E-G-O-N-E | 27 | |||||||||||
| 28 | R U I NY AL I P, you will B E G O N E | So let the guests gettin pass-ons, be by-gones | 28 | |||||||||||
| 10 | So let the guests gettin' pass-ons, be by-gones | 10 | ||||||||||||
| Nevertheless is definitely hit and hits are what we strive on | Nevertheless is definitely hit and hits are what we strive on | |||||||||||||
| 29 | We feel this way every single day all day, so make way | We feel this way every single day all day | 29 | |||||||||||
| 7 | So make way | 7 | ||||||||||||
| 30 | Was up, to all you MC cub scouts | Verse 3: Treach | 30 | |||||||||||
| 11 | Grub scouts gettin' rubbed out | 11 | ||||||||||||
| 12 | I'll bet' cha kept ya album froze 'til this came out | 12 | ||||||||||||
| 13 | Hittin' ideas to use, a half of us snit or two | 13 | ||||||||||||
| 14 | Snatchin' and maxin' a rap that I'm castin', how dare you? | 14 | ||||||||||||
| 31 | How the hell can you yell what someone else said | Wuz up to all you MC cub scouts | 31 | |||||||||||
| 8 | Grub scouts gettin rubbed out | 8 | ||||||||||||
| 9 | I'll bet'cha kept ya album froze til this came out | 9 | ||||||||||||
| 10 | Hittin ideas to use, a half of us snit or two | 10 | ||||||||||||
| 11 | Snatchin and maxin a rap that I'm castin, how dare you! | 11 | ||||||||||||
| 12 | How the hell can you yell what someone else said? | 12 | ||||||||||||
| I must get on what I loan, what I own on my forehead, huh | I must get on what I loan, what I own on my forehead, huh | |||||||||||||
| But I doubt that, and now ya wanna back out | But I doubt that, and now ya wanna back out | |||||||||||||
| Your career had more ins and outs than a crack house | Your career had more ins and outs than a crack house | |||||||||||||
| 32 | I'm mackin 'n rackin 'n cappin the acts and I wax em wit-wit a smack | 32 | ||||||||||||
| 33 | I'm mackin' an' rackin' an' cappin' the acts and I wax 'em with | This scam he owes must judge me rough with a whiffle bat | 33 | |||||||||||
| 34 | With a smack this scam he owes must judge me rough with a whiffle bat | And that's simply elementary Walton | 34 | |||||||||||
| 15 | And that's simply elementary Watson | 15 | ||||||||||||
| So pack ya track and do 5 flat in your Dodge son | So pack ya track and do 5 flat in your Dodge son | |||||||||||||
| 35 | Now let my canine backtrack the copy-cat | 35 | ||||||||||||
| 36 | Now, let my canine backtrack the copy-cat | Your night life is up, so what you had, you gotta sound track | 36 | |||||||||||
| 16 | Your night life is up, so what you had, you gotta soundtrack | 16 | ||||||||||||
| What's all with seven thousand other rappers, groupie | What's all with seven thousand other rappers, groupie | |||||||||||||
| The cut ya made for that movie ain't soothed me | The cut ya made for that movie ain't soothed me | |||||||||||||
| 37 | Who said that Treach can't work when he don't curse? | 37 | ||||||||||||
| 17 | Who said that Treach can't work when he don't curse | 17 | ||||||||||||
| Some nasty ass me, Naughty and that keep it happy | Some nasty ass me, Naughty and that keep it happy | |||||||||||||
| I'm all that and never go out the small way | I'm all that and never go out the small way | |||||||||||||
| You need a lift, we go this way everyday all day | You need a lift, we go this way everyday all day | |||||||||||||
| 13 | Verse 4: Treach | 13 | ||||||||||||
| 14 | 14 | |||||||||||||
| Your little tape got more blank spots than a tank-top, think, stop | Your little tape got more blank spots than a tank-top, think, stop | |||||||||||||
| 38 | You oughta store it all, fast-forward before I ring props | You oughta store it all, fast-forward 'fore I ring props | 38 | |||||||||||
| You sorry sight, you're a immature rhyme ho | You sorry sight, you're a immature rhyme ho | |||||||||||||
| Come rock a lil somethin, no we're all outta time so | Come rock a lil somethin, no we're all outta time so | |||||||||||||
| 39 | From Chilltown JC to Brooklynn with A-D | 39 | ||||||||||||
| 40 | From Chilltown JC to Brooklynn with A D | I'm rippin things daily, ni if, and or maybes | 40 | |||||||||||
| 41 | I'm rippin' things daily, no if, and or maybes | At the ??? and the A-V, the O-U-R-B-A-BE | 41 | |||||||||||
| 18 | At the F L and the A V, the O U RB A B E | 18 | ||||||||||||
| Kris, the Jungle Brothers, Tribe Called Quest, yeah they be | Kris, the Jungle Brothers, Tribe Called Quest, yeah they be | |||||||||||||
| 42 | Down with Sha-ka-ottin, pimp or, man, they swiftin | 42 | ||||||||||||
| 43 | Down with Shakaottin', pimp or, man, they swiftin' | Then the ruler (?all reigns?), he comes handy on the roll again | 43 | |||||||||||
| 19 | Then the ruler, all reigns, he comes handy on the roll again | 19 | ||||||||||||
| Marked the 45, kids kneels feels the reals | Marked the 45, kids kneels feels the reals | |||||||||||||
| 44 | With the real chill, not the run of the mill deals | With the real chill, not the run-of-the-mill deals | 44 | |||||||||||
| 45 | Get poopoo dooie, producer Louie Louie | 45 | ||||||||||||
| 46 | Get poo-poo-dooie, producer Louie Louie | Throwin best tracks to me to me | 46 | |||||||||||
| 47 | Throwin' best tracks to me to me, so that sometimes they do me | So that sometimes they do me | 47 | |||||||||||
| I can't forget the day live, the solo need a tongue | I can't forget the day live, the solo need a tongue | |||||||||||||
| 48 | Patrol the song, what up to the brothers from the, Natcheo | Patrol the song, what up to the brothers from the (?Natcheo?) | 48 | |||||||||||
| 20 | 20 | |||||||||||||
| We got the gatch to ya batch to rock and lock him | We got the gatch to ya batch to rock and lock him | |||||||||||||
| 49 | But never [Incomprehensible] I don't even try to outrun them | But now it's ??? don't even try to outrun them | 49 | |||||||||||
| 50 | The stable now cocky, Lord Ali Raski and trueogy | The stable now cocky, Lord Ali Raski and (?trueogy?) | 50 | |||||||||||
| The sharper day with double jade is the props see | The sharper day with double jade is the props see | |||||||||||||
| 21 | 21 | |||||||||||||
| We also got the speaker Latifah, the Queen of the flavour | We also got the speaker Latifah, the Queen of the flavour | |||||||||||||
| And nuthin weaker behind is watchin, kick her | And nuthin weaker behind is watchin, kick her | |||||||||||||
| The Digital Under-the-Underground, rocks with Shock and 2PAC | The Digital Under-the-Underground, rocks with Shock and 2PAC | |||||||||||||
| With Money B, Humpty and Jimmy, the master of the charts | With Money B, Humpty and Jimmy, the master of the charts | |||||||||||||
| And on the tipple several brothers, we muskets | And on the tipple several brothers, we muskets | |||||||||||||
| 22 | 22 | |||||||||||||
| It's Tahid, Akeem, Cracker C and Cee Justice | It's Tahid, Akeem, Cracker C and Cee Justice | |||||||||||||
| Plus is the voice behind the flavour unit, all time, all early | Plus is the voice behind the flavour unit, all time, all early | |||||||||||||
| It's that girlie, head of the head called her Shirley | It's that girlie, head of the head called her Shirley | |||||||||||||
| And what poop last but not least, Camille | And what poop last but not least, Camille | |||||||||||||
| I feel you learned the way we come this deep everyday all day | I feel you learned the way we come this deep everyday all day | |||||||||||||
| 51 | You know what I'm sayin'? We got the newest member of the flavour unit | OUTRO: Treach | 51 | |||||||||||
| 23 | Def Jef in effect, we got the producer of this track Kay-Gee | 23 | ||||||||||||
| 52 | We got my girl Nikki-D in the house, my man internale All Star Dave | Y'knowhatI'msayin? We got the newest member of the flavour unit | 52 | |||||||||||
| 15 | Def Jef in effect. We got the producer of this trach Kay-Gee | 15 | ||||||||||||
| 16 | We got my girl Nikki-D in the house | 16 | ||||||||||||
| 17 | My man internale All-Star Dave | 17 | ||||||||||||
| My man on the sax Andy | My man on the sax Andy | |||||||||||||
| We got another engineer Andy and assistant Todd | We got another engineer Andy and assistant Todd | |||||||||||||
| 53 | We got Anj-Du, G-Quick | 53 | ||||||||||||
| 54 | We got Anj-Du, G-Quick, we got the whole entire 18th Street | We got the whole entire 18th Street | 54 | |||||||||||
| 55 | Posse-Rachim, Mook Daddy, Skee Steve | Posse-Rachim,Mook Daddy, Skee Steve | 55 | |||||||||||
| Hammer, Howie Cru-Ru, M-Dee, Tak Diesel, Na-Na | Hammer, Howie Cru-Ru, M-Dee, Tak Diesel, Na-Na | |||||||||||||
| 56 | We got my girl, Aphrodite and her posse in the house | We got my girl Aphrodite and her posse in | 56 | |||||||||||
| 57 | Cherokee, Chaka and Lisa and we outta here like last year | the house-Cherokee, Chaka and | 57 | |||||||||||
| 'Cause we come this deep everyday all day, peace | Lisa | |||||||||||||
| 18 | And we outta here like last year | 18 | ||||||||||||
| 19 | Cos we come this deep everyday all day | 19 | ||||||||||||
| 20 | PEACE | 20 | ||||||||||||
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