| You are viewing a comparison between the current version and version 1 of the song that we have archived as Panic! At the Disco's Lyrics - I Write Sins, not Tragedies (V.2) (current) | |||||
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Current version of Panic! At the Disco Lyrics I Write Sins, not Tragedies (V.2) (http://www.mp3lyrics.org/p/panic-at-the-disco/i/) Current version of the lyrics |
Version 1 of Panic! At the Disco Lyrics I Write Sins, not Tragedies (V.2) (http://www.mp3lyrics.org/p/panic-at-the-disco/i/v1.html) Version 1 of the lyrics | |||||||||||
| 1 | Oh, well imagine as I'm pacing the pews | Oh, well imagine as I ‘m pacing the pews | 1 | |||||||||
| In a church corridor | In a church corridor | |||||||||||
| And I can’t help but to hear, | And I can’t help but to hear, | |||||||||||
| No I can’t help but to hear | No I can’t help but to hear | |||||||||||
| An exchanging of words: | An exchanging of words: | |||||||||||
| “What a beautiful wedding,” | “What a beautiful wedding,” | |||||||||||
| What a beautiful wedding | What a beautiful wedding | |||||||||||
| Says a brides maid to a waiter | Says a brides maid to a waiter | |||||||||||
| “Yes but what a shame, what a | “Yes but what a shame, what a | |||||||||||
| shame the poor groom’s bride | shame the poor groom’s bride | |||||||||||
| is a whore” | is a whore” | |||||||||||
| I’d chime in with a haven’t you | I’d chime in with a haven’t you | |||||||||||
| people ever heard of, | people ever heard of, | |||||||||||
| 2 | Closing the god-damn door, | Closing a god-damn door, | 2 | |||||||||
| No, it’s much better to face | No, it’s much better to face | |||||||||||
| these kinds of things, | these kinds of things, | |||||||||||
| With a sense of poise, and rationality | With a sense of poise, and rationality | |||||||||||
| (x2) | (x2) | |||||||||||
| Oh, well in fact, | Oh, well in fact, | |||||||||||
| We’ll all look at it this way | We’ll all look at it this way | |||||||||||
| I mean technically our marriage is saved | I mean technically our marriage is saved | |||||||||||
| Well this calls for a toast | Well this calls for a toast | |||||||||||
| so pour the Champagne | so pour the Champagne | |||||||||||
| (x2) | (x2) | |||||||||||
| I’d chime in with a haven’t you | I’d chime in with a haven’t you | |||||||||||
| people ever heard of, | people ever heard of, | |||||||||||
| 3 | Closing the god-damn door, | Closing a god-damn door, | 3 | |||||||||
| No, it’s much better to face | No, it’s much better to face | |||||||||||
| these kinds of things, | these kinds of things, | |||||||||||
| With a sense of poise, and rationality | With a sense of poise, and rationality | |||||||||||
| (x2) | (x2) | |||||||||||
| Again… | Again… | |||||||||||
| I’d chime in with a haven’t you | I’d chime in with a haven’t you | |||||||||||
| people ever heard of, | people ever heard of, | |||||||||||
| 4 | Closing the god-damn door, | Closing a god-damn door, | 4 | |||||||||
| No, it’s much better to face | No, it’s much better to face | |||||||||||
| these kinds of things, | these kinds of things, | |||||||||||
| With a sense of poise, and rationality | With a sense of poise, and rationality | |||||||||||
| (x2) | (x2) | |||||||||||
| Again… | Again… | |||||||||||
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