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Current version of Saukrates Lyrics Innovations (http://www.mp3lyrics.org/s/saukrates/innovations/) Current version of the lyrics |
Version 1 of Saukrates Lyrics Innovations (http://www.mp3lyrics.org/s/saukrates/innovations/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | Yo, I'm roaming one man deep | [Saukrates] | 1 | |||||||||||
| 2 | Combin' the streets and beat boxin' | Yo, I'm roaming one man deep, combin the streets | 2 | |||||||||||
| 3 | Like the field niggas | And beatboxin, like the field niggas, | 3 | |||||||||||
| 4 | Singin' hymns pickin' cotton | singin hymns pickin cotton | 4 | |||||||||||
| 5 | Wit massive watts and tickle eardrums wit pleasure | 5 | ||||||||||||
| 6 | Wit massive watts and tickle | Every single measure apply, exact amount of pressure | 6 | |||||||||||
| 1 | Eardrums wit pleasure | 1 | ||||||||||||
| 2 | Every single measure apply | 2 | ||||||||||||
| 3 | Exact amount of pressure | 3 | ||||||||||||
| 4 | 4 | |||||||||||||
| A chemical reaction happen | A chemical reaction happen | |||||||||||||
| 7 | What was fastened | What was fastened by the spit, rashing | 7 | |||||||||||
| 8 | By the spit, rashing for its catalytic fashion | For its catalystic fashion, showin its passion | 8 | |||||||||||
| 9 | Showin' its passion | For harassin microphones, pass it to the left | 9 | |||||||||||
| 10 | And left my nigga bless it | 10 | ||||||||||||
| 5 | For harassin' microphones | 5 | ||||||||||||
| 11 | Pass it to the left and left | [Pharoahe Monch] | 11 | |||||||||||
| 12 | My nigga bless it | My God bless my very last breath | 12 | |||||||||||
| 13 | To be Allah Uahkbar | 13 | ||||||||||||
| 14 | My God, bless my very last breath | For narcotic cops to mark me inside of the shark bar | 14 | |||||||||||
| 15 | To be Allah uahkbar | Spiritual sparks and lyrical darts adapt the visual | 15 | |||||||||||
| 16 | For narcotic cops to mark me | One nation under this rap shit indivisible | 16 | |||||||||||
| 17 | Inside of the shark bar | Never miseb-erable anymore | 17 | |||||||||||
| 18 | Pharoahe the crit-ically acclaimed rap professional | 18 | ||||||||||||
| 19 | Spiritual sparks and lyrical darts | Keepin computer digital | 19 | |||||||||||
| 6 | Adapt the visual | 6 | ||||||||||||
| 7 | One nation under | 7 | ||||||||||||
| 8 | This rap shit indivisible | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| 10 | Never miserable anymore | 10 | ||||||||||||
| 11 | Pharaoh, the critically acclaimed rap professional | 11 | ||||||||||||
| 12 | Keepin' computer digital | 12 | ||||||||||||
| By hark the best speed | By hark the best speed | |||||||||||||
| 13 | 13 | |||||||||||||
| This expert who could keep niggas alert | This expert who could keep niggas alert | |||||||||||||
| 20 | In a school for narcolepsy | in a school for narcolepsy | 20 | |||||||||||
| 21 | Let 'em know the time it takes | Chorus [Saukrates] | 21 | |||||||||||
| 22 | (Yes sir) | Let em know the time it takes (Yes sir) | 22 | |||||||||||
| 23 | For every rhyme to shine, innovate | For every rhyme to shine, innovate (Come on) | 23 | |||||||||||
| 14 | (Come on) | 14 | ||||||||||||
| Don't ever underestimate | Don't ever underestimate | |||||||||||||
| 24 | Most niggas come fake but we cuttin' the red tape | Most niggas come fake but we cuttin the red tape | 24 | |||||||||||
| 25 | How many man it take, the quality time to renovate | [Pharoahe Monch] | 25 | |||||||||||
| 1 | How many man it take the quality time to rennovate | 1 | ||||||||||||
| Through rhyme form, solely for poetic penetration | Through rhyme form, solely for poetic penetration | |||||||||||||
| 26 | Subliminal in this world, it minimal ventilation | Subliminal in this world it minimal ventilation | 26 | |||||||||||
| 27 | The task master dome to gas mask from a clinic | The task-master dome to gas mask from a clinic | 27 | |||||||||||
| Walking the earth, avoiding the global epidemic | Walking the earth, avoiding the global epidemic | |||||||||||||
| 15 | 15 | |||||||||||||
| I limit the sun's UV rays wit a visor | I limit the sun's UV rays wit a visor | |||||||||||||
| 28 | While ya'll pass the plague | While ya'll pass the plague lickin blunts wit your saliva | 28 | |||||||||||
| 29 | Lickin' blunts wit your saliva | We main-line a rhyme in your mind like tranquilizers | 29 | |||||||||||
| 16 | We mainline a rhyme in your mind like tranquilizers | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | The king has arrived, ya'll | 18 | ||||||||||||
| 19 | Before I get ya at your bar mitzvah | 19 | ||||||||||||
| 20 | Leavin' you mentally circumcised | 20 | ||||||||||||
| 21 | Nah I did it, fuckin' you so hard you never forget it | 21 | ||||||||||||
| 30 | Even Ellen and Martina Navatirola's comin' over | [Saukrates] | 30 | |||||||||||
| 31 | 'Cuz they tryin' to get wit it | The king has arrived ya'll | 31 | |||||||||||
| 2 | Before I get ya at your barmitzvah | 2 | ||||||||||||
| 3 | Leavin you mentally circumsized | 3 | ||||||||||||
| 4 | Nah I did it, fuckin you so hard you never forget it | 4 | ||||||||||||
| 5 | Even Ellen and Martina Navatirola's comin over | 5 | ||||||||||||
| 6 | cuz they tryin to get wit it | 6 | ||||||||||||
| Crack the back of all critics in a New York minute | Crack the back of all critics in a New York minute | |||||||||||||
| 32 | You ain't seein' me, my dome is tinted | You ain't seein me, my dome is tinted | 32 | |||||||||||
| 33 | Return, the dues that you never earned | 33 | ||||||||||||
| 34 | Return the dues that you never earned | Niggas know your whole style is ? | 34 | |||||||||||
| 22 | Niggas know your whole style is | 22 | ||||||||||||
| 35 | Let 'em know the time it takes | Chorus B [Saukrates, Pharoahe Monch] | 35 | |||||||||||
| 36 | (Yes sir) | Let em know the time it takes (Yes sir) | 36 | |||||||||||
| For every rhyme to shine, innovate | For every rhyme to shine, innovate | |||||||||||||
| Don't ever underestimate | Don't ever underestimate | |||||||||||||
| 37 | We spit it, you bit the bait | We spit it, you bit the bait of | 37 | |||||||||||
| 38 | Of these top notch stimulating lyrics you can't escape | these top-notch stimulating | 38 | |||||||||||
| 39 | Lyrics you can't escape | 39 | ||||||||||||
| 40 | Let 'em know the time it takes | Let em know the time it takes | 40 | |||||||||||
| For every rhyme to shine, innovate | For every rhyme to shine, innovate | |||||||||||||
| Don't ever underestimate | Don't ever underestimate | |||||||||||||
| 41 | Most niggas come fake but we cuttin' the red tape | Most niggas come fake but we cuttin the red tape | 41 | |||||||||||
| Now, so break down | Now, so break down | |||||||||||||
| 42 | Lyrical mastery, has to be | [Saukrates] | 42 | |||||||||||
| 43 | Otherwise I'm callin you Majesty | Lyrical mastery, has to be, otherwise I'm | 43 | |||||||||||
| 44 | Bitch maker, switch on me, tragedy | callin you "Majesty" | 44 | |||||||||||
| 45 | These lyrics got 'em all mad at we are us | Bitch-maker, switch on me, tragedy | 45 | |||||||||||
| 7 | These lyrics got em all mad at we are us | 7 | ||||||||||||
| As we discuss who the best could be | As we discuss who the best could be | |||||||||||||
| 8 | [Pharoahe Monch] | 8 | ||||||||||||
| Fuck it, I pop glock and block glock shots | Fuck it, I pop glock and block glock shots | |||||||||||||
| 46 | In top spots from top notch cops to bust from a crotch | In top spots from top-notch cops to bust from a crotch | 46 | |||||||||||
| Positioning, my conditioning allows me | Positioning, my conditioning allows me | |||||||||||||
| 47 | To withstand the rain like two sets of all weather Michelin's, uh uh | To withstand the rain like two sets of | 47 | |||||||||||
| 48 | All Weather Michelins, uh uh | 48 | ||||||||||||
| 23 | Uh, uh, hittin' the whole rhyme, splittin' and fold | 23 | ||||||||||||
| 24 | My diction make friction, switchin' diamonds from coal | 24 | ||||||||||||
| 25 | Heavyweight lyric, man I be rippin' jabols | 25 | ||||||||||||
| 26 | I be hittin' it every minute though there's seconds to go | 26 | ||||||||||||
| 49 | Pharaoh's soliciting crack at black baby christening | [Saukrates] | 49 | |||||||||||
| 50 | Glisten in rap, topical shit, on some Mission Impossible shit | Uh uh hittin the whole rhyme, splittin and fold | 50 | |||||||||||
| 9 | My diction make friction, switchindiamonds from coal | 9 | ||||||||||||
| 10 | Heavyweight lyric, man I be rippin jabols | 10 | ||||||||||||
| 11 | I be hittin it every minute though there's seconds to go | 11 | ||||||||||||
| 12 | 12 | |||||||||||||
| 13 | [Pharoahe Monch] | 13 | ||||||||||||
| 14 | Pharoahe's soliciting crack at black baby christening | 14 | ||||||||||||
| 15 | Glisten in rap, topical shit, on | 15 | ||||||||||||
| 16 | some Missin Impossible shit | 16 | ||||||||||||
| Manyacal, whenever the diabolic spit | Manyacal, whenever the diabolic spit | |||||||||||||
| Words they never undeniable | Words they never undeniable | |||||||||||||
| 51 | Let 'em know the time it takes | Chorus B 2x *minus "Now, so break down"* | 51 | |||||||||||
| 27 | (Yes sir) | 27 | ||||||||||||
| 28 | For every rhyme to shine, innovate | 28 | ||||||||||||
| 29 | Don't ever underestimate | 29 | ||||||||||||
| 30 | We spit it, you bit the bait | 30 | ||||||||||||
| 31 | Of these top notch stimulating lyrics you can't escape | 31 | ||||||||||||
| 32 | 32 | |||||||||||||
| 33 | Let 'em know the time it takes | 33 | ||||||||||||
| 34 | For every rhyme to shine, innovate | 34 | ||||||||||||
| 35 | Don't ever underestimate | 35 | ||||||||||||
| 36 | Most niggas come fake but we cuttin' the red tape | 36 | ||||||||||||
| 37 | 37 | |||||||||||||
| 38 | Let 'em know the time it takes | 38 | ||||||||||||
| 39 | (Yes sir) | 39 | ||||||||||||
| 40 | For every rhyme to shine, innovate | 40 | ||||||||||||
| 41 | Don't ever underestimate | 41 | ||||||||||||
| 42 | We spit it, you bit the bait | 42 | ||||||||||||
| 43 | Of these top notch stimulating lyrics you can't escape | 43 | ||||||||||||
| 44 | 44 | |||||||||||||
| 45 | Let 'em know the time it takes | 45 | ||||||||||||
| 46 | For every rhyme to shine, innovate | 46 | ||||||||||||
| 47 | Don't ever underestimate | 47 | ||||||||||||
| 48 | Most niggas come fake but we cuttin' the red tape | 48 | ||||||||||||
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