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Current version of Saul Williams Lyrics Coded Language (http://www.mp3lyrics.org/s/saul-williams/coded-language/) Current version of the lyrics |
Version 1 of Saul Williams Lyrics Coded Language (http://www.mp3lyrics.org/s/saul-williams/coded-language/v1.h...) Version 1 of the lyrics | |||||||||||||
| 1 | Whereas break beats have been the missing link | Whereas, breakbeats have been the missing link | 1 | |||||||||||
| 2 | Connecting the Diasporic community to its drum woven past | connecting the diasporic community to its drum | 2 | |||||||||||
| 3 | Whereas the quantized drum has allowed the whirling | woven past Whereas the quantised drum has allowed | 3 | |||||||||||
| 4 | Mathematicians to calculate the ever changing distance | the whirling mathematicians to calculate the ever | 4 | |||||||||||
| 5 | Between rock and stardom | changing distance between rock and stardom. | 5 | |||||||||||
| 6 | Whereas the velocity of the spinning vinyl, | 6 | ||||||||||||
| 7 | Whereas the velocity of the spinning vinyl | cross-faded, spun backwards, and re-released at | 7 | |||||||||||
| 8 | Cross faded, spun backwards and re-released | the same given moment of recorded history , yet at | 8 | |||||||||||
| 9 | At the same given moment of recorded history | a different moment in time's continuum has allowed | 9 | |||||||||||
| 10 | Yet at a different moment in times continuum | history to catch up with the present. | 10 | |||||||||||
| 1 | Has allowed history, to catch up with the present | 1 | ||||||||||||
| 11 | We do hereby declare reality unkempt by the | 11 | ||||||||||||
| 12 | We do hereby declare reality unkempt by the changing | changing standards of dialogue. Statements, such | 12 | |||||||||||
| 13 | Standards of dialog, statements such as 'Keep it real' | as, "keep it real", especially when punctuating or | 13 | |||||||||||
| 14 | Especially when punctuating or anticipating modes | anticipating modes of ultra-violence inflicted | 14 | |||||||||||
| 15 | Of ultra-violence inflicted psychologically or physically or depicting | psychologically or physically or depicting an | 15 | |||||||||||
| 16 | An unchanging rule of events will hence forth be seen as retro-active | unchanging rule of events will hence forth be seen | 16 | |||||||||||
| 17 | And not representative of the individually determined is | as retro-active and not representative of the | 17 | |||||||||||
| 18 | individually determined is. | 18 | ||||||||||||
| 2 | Furthermore, as determined by the collective consciousness | 2 | ||||||||||||
| 19 | Of this state of being and the lessened distance | Furthermore, as determined by the collective | 19 | |||||||||||
| 20 | Between thought patterns and their secular manifestations | consciousness of this state of being and the | 20 | |||||||||||
| 21 | The role of men as listening receptacles is to be increased by a number | lessened distance between thought patterns and | 21 | |||||||||||
| 22 | No less than 70 percent of the current enlisted as vocal aggressors | their secular manifestations, the role of men as | 22 | |||||||||||
| 23 | listening receptacles is to be increased by a | 23 | ||||||||||||
| 24 | Motherfuckers better realize now is the time to self-actualize | number no less than 70 percent of the current | 24 | |||||||||||
| 25 | We have found evidence that Hip Hops standard 85 RPM | enlisted as vocal aggressors. | 25 | |||||||||||
| 3 | When increased by a number as least half the rate of it's standard | 3 | ||||||||||||
| 26 | Or decreased at three quarters of it's speed | Motherfuckers better realize, now is the time to | 26 | |||||||||||
| 27 | May be a determining factor in heightening consciousness | self-actualize We have found evidence that hip | 27 | |||||||||||
| 28 | hops standard 85 rpm when increased by a number as | 28 | ||||||||||||
| 29 | Studies show that when a given norm is changed in the face | least half the rate of it's standard or decreased | 29 | |||||||||||
| 30 | Of the unchanging the remaining contradictions will parallel the truth | at ¾ of it's speed may be a determining factor in | 30 | |||||||||||
| 31 | Equate rhyme with reason, sun with season, our cyclical relationship | heightening consciousness. | 31 | |||||||||||
| 4 | To phenomenon has encouraged scholars | 4 | ||||||||||||
| 32 | To erase the centers of periods thus symbolizing the non-linear | Studies show that when a given norm is changed in | 32 | |||||||||||
| 33 | Character of 'cause and effect reject mediocrity | the face of the unchanging, the remaining | 33 | |||||||||||
| 34 | contradictions will parallel the truth. | 34 | ||||||||||||
| 5 | Your current frequencies of understanding outweigh that | 5 | ||||||||||||
| 35 | Which as been given for you to understand | Equate rhyme with reason, Sun with season | 35 | |||||||||||
| 6 | The current standard is the equivalent | 6 | ||||||||||||
| 36 | Of an adolescent restricted to the diet of an infant | Our cyclical relationship to phenomenon has | 36 | |||||||||||
| 37 | The rapidly changing body would acquire dysfunctional | encouraged scholars to erase the centers of | 37 | |||||||||||
| 38 | And deformative symptoms and could not properly mature | periods, thus symbolizing the non-linear character | 38 | |||||||||||
| 39 | On a diet of apple sauce and crushed pears | of cause and effect Reject mediocrity! | 39 | |||||||||||
| 7 | 7 | |||||||||||||
| 40 | Light years are interchangeable with years of living in darkness | Your current frequencies of understanding outweigh | 40 | |||||||||||
| 41 | The role of darkness is not to be seen as or equated with ignorance | that which as been given for you to understand. | 41 | |||||||||||
| 42 | But with the unknown and the mysteries of the unseen | The current standard is the equivalent of an | 42 | |||||||||||
| 43 | Thus, in the name of | adolescent restricted to the diet of an infant. | 43 | |||||||||||
| 44 | The rapidly changing body would acquire | 44 | ||||||||||||
| 45 | Robeson, God's Son, Hurston, Ahkenaton | dysfunctional and deformative symptoms and could | 45 | |||||||||||
| 46 | Hathsheput, Blackfoot, Helen, Lennon, Khalo | not properly mature on a diet of apple sauce and | 46 | |||||||||||
| 47 | Kali, The Three Maria's, Tara, Lilithe, Lourde | crushed pears Light years are interchangeable with | 47 | |||||||||||
| 48 | Whitman, Baldwin, Ginsberg, Kaufman, Lumumba | years of living in darkness. The role of darkness | 48 | |||||||||||
| 49 | is not to be seen as, or equated with, Ignorance, | 49 | ||||||||||||
| 50 | Ghandi, Gibran, Shabazz, Shabazz, Siddhartha | but with the unknown, and the mysteries of the | 50 | |||||||||||
| 51 | Medusa, Guevara, Gurdsieff, Rand, Wright, Banneker | unseen. | 51 | |||||||||||
| 8 | Tubman, Hamer, Holiday, Davis, Coltrane | 8 | ||||||||||||
| 52 | Morrison, Joplin, Dubois, Clarke, Shakespeare | Thus, in the name of: ROBESON, GOD'S SON, HURSTON, | 52 | |||||||||||
| 53 | AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN, LENNON, | 53 | ||||||||||||
| 54 | Rachmninov, Ellington, Carter, Gaye, Hathoway | KHALO, KALI, THE THREE MARIAS, TARA, LILITHE, | 54 | |||||||||||
| 55 | Hendrix, Kutl, Dickerson, Ripperton, Mary, Isis | LOURDE, WHITMAN, BALDWIN, GINSBERG, KAUFMAN, | 55 | |||||||||||
| 56 | Theresa, Hensbury, Justlove, Plath, Rumi, Fellini | LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA, | 56 | |||||||||||
| 57 | Michaux, Nostradamus, Nefertiti, La Rock, Shiva | MEDUSA, GUEVARA, GUARDSIEFF, RAND, WRIGHT, | 57 | |||||||||||
| 58 | BANNEKER, TUBMAN, HAMER, HOLIDAY, DAVIS, COLTRANE, | 58 | ||||||||||||
| 59 | Ganesha, Yemaja, Oshun, Obatala, Ogun, Kennedy | MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, | 59 | |||||||||||
| 60 | King, Four Little Girls, Hiroshima, Nagasaki, Keller | RACHMNINOV, ELLINGTON, CARTER, GAYE, HATHOWAY, | 60 | |||||||||||
| 61 | Biko, Perone, Marley, Magalin, Cosby, Shakur | HENDRIX, KUTL, DICKERSON, RIPPERTON, MARY, ISIS, | 61 | |||||||||||
| 62 | Those who burnt, those still aflamed and the countless unnamed | THERESA, PLATH, RUMI, FELLINI, MICHAUX, | 62 | |||||||||||
| 63 | NOSTRADAMUS, NEFERTITI, LA ROCK, SHIVA, GANESHA, | 63 | ||||||||||||
| 64 | We claim the present as the pre-sent, as the hereafter | YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR | 64 | |||||||||||
| 65 | We are unraveling our navels so that we may ingest the sun | LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, | 65 | |||||||||||
| 66 | We are not afraid of the darkness, we trust that the moon shall guide us | PERONE, MARLEY, COSBY, SHAKUR, THOSE STILL | 66 | |||||||||||
| 67 | We are determining the future at this very moment | AFLAMED, AND THE COUNTLESS UNNAMED | 67 | |||||||||||
| 9 | We now know that the heart is the philosophers' stone | 9 | ||||||||||||
| 68 | We claim the present as the pre-sent, as the | 68 | ||||||||||||
| 69 | Our music is our alchemy, we stand as the manifested | hereafter. We are unraveling our navels so that we | 69 | |||||||||||
| 70 | Equivalent of three buckets of water and a hand full of minerals | may ingest the sun. We are not afraid of the | 70 | |||||||||||
| 71 | Thus realizing that those very buckets turned upside down | darkness, we trust that the moon shall guide us. | 71 | |||||||||||
| 72 | Supply the percussion factor of forever, if you must count | We are determining the future at this very moment. | 72 | |||||||||||
| 73 | To keep the beat then count | We now know that the heart is the philosophers' | 73 | |||||||||||
| 74 | stone Our music is our alchemy We stand as the | 74 | ||||||||||||
| 75 | Find you mantra and awaken your subconscious | manifested equivalent of 3 buckets of water and a | 75 | |||||||||||
| 76 | Curve you circles counterclockwise, use your cipher to decipher | hand full of minerals, thus realizing that those | 76 | |||||||||||
| 77 | Coded Language, man made laws, climb waterfalls and trees | very buckets turned upside down supply the | 77 | |||||||||||
| 78 | Commune with nature, snakes and bees let your children | percussion factor of forever. If you must count to | 78 | |||||||||||
| 79 | Name themselves and claim themselves as the new day, for today | keep the beat then count. Find you mantra and | 79 | |||||||||||
| 80 | awaken your subconscious. Curve you circles | 80 | ||||||||||||
| 81 | We are determined to be the channelers of these changing | counterclockwise Use your cipher to decipher, | 81 | |||||||||||
| 82 | Frequencies into songs, paintings, writings, dance, drama | Coded Language, man made laws. Climb waterfalls | 82 | |||||||||||
| 83 | Photography, carpentry, crafts, love and love, we enlist every instrument | and trees, commune with nature, snakes and bees. | 83 | |||||||||||
| 84 | Acoustic, electronic every so called race, gender and sexual preference | Let your children name themselves and claim | 84 | |||||||||||
| 85 | Every person as beings of soundto acknowledge their responsibility | themselves as the new day for today we are | 85 | |||||||||||
| 86 | To uplift the consciousness of the entire fucking world | determined to be the channelers of these changing | 86 | |||||||||||
| 87 | frequencies into songs, paintings, writings, | 87 | ||||||||||||
| 88 | Any utterance unaimed will be disclaimed | dance, drama, photography, carpentry, crafts, | 88 | |||||||||||
| 89 | Will be named Two Rappers Slain | love, and love. We enlist every instrument: | 89 | |||||||||||
| 90 | Any utterance unaimed will be disclaimed | Acoustic, electronic. Every so-called race, | 90 | |||||||||||
| Will be named Two Rappers Slain | gender, and sexual preference. Every per-son as | |||||||||||||
| 1 | beings of sound to acknowledge their | 1 | ||||||||||||
| 2 | responsibility to uplift the consciousness of the | 2 | ||||||||||||
| 3 | entire fucking World. Any utterance will be | 3 | ||||||||||||
| 4 | un-aimed, will be disclaimed - two rappers slain | 4 | ||||||||||||
| 5 | Any utterance will be un-aimed, will be disclaimed | 5 | ||||||||||||
| 6 | - two rappers slain | 6 | ||||||||||||
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