| You are viewing a comparison between version 2 and version 8 of the song that we have archived as Shakira's Lyrics - Hips Don't Lie (current) | |||||
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Version 2 of Shakira Lyrics Hips Don't Lie (http://www.mp3lyrics.org/s/shakira/hips-dont-lie/v2.html) Version 2 of the lyrics |
Version 8 of Shakira Lyrics Hips Don't Lie (http://www.mp3lyrics.org/s/shakira/hips-dont-lie/v8.html) Version 8 of the lyrics | |||||||||||||
| 1 | I Never really knew that she could dance like this | Ladies up in here tonight | 1 | |||||||||||
| 2 | She makes a man wants to speak Spanish Como se | No fighting, no fighting | 2 | |||||||||||
| 3 | llama? Bonita? Mi casa? Su casa? Shakira, Shakira | We got the refugees up in here | 3 | |||||||||||
| 4 | No fighting, no fighting | 4 | ||||||||||||
| 1 | Oh baby, when you talk like that You make a woman | 1 | ||||||||||||
| 5 | go mad So be wise and keep on reading the signs | Shakira, Shakira | 5 | |||||||||||
| 2 | of my body | 2 | ||||||||||||
| 6 | I never really knew that she | 6 | ||||||||||||
| 7 | And I’m on tonight you know my hips don’t lie | could dance like this | 7 | |||||||||||
| 8 | and I’m starting to feel it’s right All the | She makes a man wants to speak Spanish | 8 | |||||||||||
| 9 | attraction, the tension Don’t you see baby, this | Como se llama (si), bonita (si), | 9 | |||||||||||
| 10 | is perfection | mi casa (si, Shakira Shakira), | 10 | |||||||||||
| 11 | su casa | 11 | ||||||||||||
| 12 | Hey girl, I can see your body moving And it’s | Shakira, Shakira | 12 | |||||||||||
| 3 | driving me crazy And I didn't have the slightest | 3 | ||||||||||||
| 13 | idea Until I saw you dancing | Oh baby when you talk like that | 13 | |||||||||||
| 14 | You make a woman go mad | 14 | ||||||||||||
| 15 | And when you walk up on the dance floor Nobody | So be wise and keep on | 15 | |||||||||||
| 16 | cannot ignore The way you move your body, girl And | Reading the signs of my body | 16 | |||||||||||
| 4 | everything's so unexpected The way you right and | 4 | ||||||||||||
| 17 | left it So you can keep on taking it | And I'm on tonight | 17 | |||||||||||
| 18 | You know my hips don't lie | 18 | ||||||||||||
| 19 | I Never knew she could dance like this She make a | And I'm starting to feel it's right | 19 | |||||||||||
| 20 | man want speak Spanish Como se llama? Bonita? Mi | All the attraction, the tension | 20 | |||||||||||
| 21 | casa? Su casa? Shakira, Shakira | Don't you see baby, this is perfection | 21 | |||||||||||
| 5 | 5 | |||||||||||||
| 22 | Oh baby, when you talk like that You make a woman | Hey Girl, I can see your body moving | 22 | |||||||||||
| 23 | go mad So be wise and keep on reading the signs | And it's driving me crazy | 23 | |||||||||||
| 24 | of my body | And I didn't have the slightest idea | 24 | |||||||||||
| 25 | Until I saw you dancing | 25 | ||||||||||||
| 6 | And I’m on tonight, you know my hips don’t lie | 6 | ||||||||||||
| 26 | and I’m starting to feel you boy Come on let’s go, | And when you walk up on the dance floor | 26 | |||||||||||
| 27 | real slow Don’t you see baby, asi es perfecto | Nobody can unignore the way | 27 | |||||||||||
| 28 | you move your body, girl | 28 | ||||||||||||
| 29 | Oh I know I’m on tonight, my hips don’t lie and | And everything so unexpected - the | 29 | |||||||||||
| 30 | I’m starting to feel it’s right All the | way you right and left it | 30 | |||||||||||
| 31 | attraction, the tension Don’t you see baby, this | So you can keep on shaking it | 31 | |||||||||||
| 7 | is perfection Shakira, Shakira | 7 | ||||||||||||
| 32 | I never really knew that she | 32 | ||||||||||||
| 33 | Oh boy, I can see your body moving Half-animal, | could dance like this | 33 | |||||||||||
| 34 | half-man I don’t, don’t really know what I’m doing | She makes a man want to speak Spanish | 34 | |||||||||||
| 1 | Como se llama (si), bonita (si), | 1 | ||||||||||||
| 2 | mi casa (si, Shakira Shakira), | 2 | ||||||||||||
| 3 | su casa | 3 | ||||||||||||
| 4 | Shakira, Shakira | 4 | ||||||||||||
| 5 | 5 | |||||||||||||
| 6 | Oh baby when you talk like that | 6 | ||||||||||||
| 7 | You make a woman go mad | 7 | ||||||||||||
| 8 | So be wise and keep on | 8 | ||||||||||||
| 9 | Reading the signs of my body | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | And I'm on tonight | 11 | ||||||||||||
| 12 | You know my hips don't lie | 12 | ||||||||||||
| 13 | And I am starting to feel you boy | 13 | ||||||||||||
| 14 | Come on lets go, real slow | 14 | ||||||||||||
| 15 | Don't you see baby asi es perfecto | 15 | ||||||||||||
| 16 | 16 | |||||||||||||
| 17 | Oh I know I am on tonight my hips don't lie | 17 | ||||||||||||
| 18 | And I am starting to feel it's right | 18 | ||||||||||||
| 19 | All the attraction, the tension | 19 | ||||||||||||
| 20 | Don't you see baby, this is perfection | 20 | ||||||||||||
| 21 | Shakira, Shakira | 21 | ||||||||||||
| 22 | 22 | |||||||||||||
| 23 | Oh boy, I can see your body moving | 23 | ||||||||||||
| 24 | Half animal, half man | 24 | ||||||||||||
| 25 | I don't, don't really know what I'm doing | 25 | ||||||||||||
| But you seem to have a plan | But you seem to have a plan | |||||||||||||
| 26 | My will and self restraint | 26 | ||||||||||||
| 27 | Have come to fail now, fail now | 27 | ||||||||||||
| 28 | See, I am doing what I can, | 28 | ||||||||||||
| 29 | but I can't so you know | 29 | ||||||||||||
| 30 | That's a bit too hard to explain | 30 | ||||||||||||
| 31 | 31 | |||||||||||||
| 32 | Baila en la calle de noche | 32 | ||||||||||||
| 33 | Baila en la calle de día | 33 | ||||||||||||
| 34 | 34 | |||||||||||||
| 35 | Baila en la calle de noche | 35 | ||||||||||||
| 36 | Baila en la calle de día | 36 | ||||||||||||
| 37 | 37 | |||||||||||||
| 38 | I never really knew that she | 38 | ||||||||||||
| 39 | could dance like this | 39 | ||||||||||||
| 40 | She makes a man want to speak Spanish | 40 | ||||||||||||
| 41 | Como se llama (si), bonita (si), | 41 | ||||||||||||
| 42 | mi casa (si, Shakira Shakira), | 42 | ||||||||||||
| 43 | su casa | 43 | ||||||||||||
| 44 | Shakira, Shakira | 44 | ||||||||||||
| 45 | 45 | |||||||||||||
| 46 | Oh baby when you talk like that | 46 | ||||||||||||
| 47 | You know you got me hypnotized | 47 | ||||||||||||
| 48 | So be wise and keep on | 48 | ||||||||||||
| 49 | Reading the signs of my body | 49 | ||||||||||||
| 50 | 50 | |||||||||||||
| 51 | Senorita, feel the conga, let | 51 | ||||||||||||
| 52 | me see you move like you come | 52 | ||||||||||||
| 53 | from Colombia! | 53 | ||||||||||||
| 54 | 54 | |||||||||||||
| 55 | Mira en Barranquilla se baila así, say it! | 55 | ||||||||||||
| 56 | Mira en Barranquilla se baila así | 56 | ||||||||||||
| 57 | 57 | |||||||||||||
| 58 | Yeah | 58 | ||||||||||||
| 59 | She's so sexy every man's fantasy | 59 | ||||||||||||
| 60 | a refugee like me back with the | 60 | ||||||||||||
| 61 | Fugees from a 3rd world country | 61 | ||||||||||||
| 62 | I go back like when 'pac carried | 62 | ||||||||||||
| 63 | crates for Humpty Humpty | 63 | ||||||||||||
| 64 | I need a whole club dizzy | 64 | ||||||||||||
| 65 | Why the CIA wanna watch us? | 65 | ||||||||||||
| 66 | Colombians and Haitians | 66 | ||||||||||||
| 67 | I ain't guilty, it's a musical transaction | 67 | ||||||||||||
| 68 | No more do we snatch ropes | 68 | ||||||||||||
| 69 | Refugees run the seas 'cause we own our own boats | 69 | ||||||||||||
| 70 | 70 | |||||||||||||
| 71 | I'm on tonight, my hips don't lie | 71 | ||||||||||||
| 72 | And I'm starting to feel you boy | 72 | ||||||||||||
| 73 | Come on let's go, real slow | 73 | ||||||||||||
| 74 | Baby, like this is perfecto | 74 | ||||||||||||
| 75 | 75 | |||||||||||||
| 76 | Oh, you know I am on tonight | 76 | ||||||||||||
| 77 | and my hips don't lie | 77 | ||||||||||||
| 78 | And I am starting to feel it's right | 78 | ||||||||||||
| 79 | The attraction, the tension | 79 | ||||||||||||
| 80 | Baby, like this is perfection | 80 | ||||||||||||
| 35 | My will self restraint Have come to fail now, | No fighting | 35 | |||||||||||
| 36 | fail now See I’m doing what I can, but I can’t so | No fighting | 36 | |||||||||||
| 8 | you know That’s a bit too hard to explain | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| 10 | Baila en la calle de noche, baila en la calle de | 10 | ||||||||||||
| 11 | dia Baila en la calle de noche, baila en la calle | 11 | ||||||||||||
| 12 | de dia | 12 | ||||||||||||
| 13 | 13 | |||||||||||||
| 14 | I never really knew that she could dance like | 14 | ||||||||||||
| 15 | this She makes a man want to speak Spanish Como se | 15 | ||||||||||||
| 16 | llama? Bonita? Mi casa? Su casa? Shakira, | 16 | ||||||||||||
| 17 | Shakira | 17 | ||||||||||||
| 18 | 18 | |||||||||||||
| 19 | Oh baby, when you talk like that You know you got | 19 | ||||||||||||
| 20 | me hypnotized So be wise and keep on reading the | 20 | ||||||||||||
| 21 | signs of my body | 21 | ||||||||||||
| 22 | 22 | |||||||||||||
| 23 | Señorita ??? feel the conga Let me see you | 23 | ||||||||||||
| 24 | move like you come from Colombia Yeah, oh, yeah | 24 | ||||||||||||
| 25 | Sing it, sing it | 25 | ||||||||||||
| 26 | 26 | |||||||||||||
| 27 | Mi vidaen barranquilla se baila asi, say it! Mi | 27 | ||||||||||||
| 28 | vida en barranquilla se baila asi | 28 | ||||||||||||
| 29 | 29 | |||||||||||||
| 30 | Yeah she’s so sexy every man´s fantasy a | 30 | ||||||||||||
| 31 | refugee like me back with the Fugees From a | 31 | ||||||||||||
| 32 | third-world country I go back like when ´pac | 32 | ||||||||||||
| 33 | carried crates For humpty humpty I need a whole | 33 | ||||||||||||
| 34 | club dizzy Why the CIA I wanna watch us? | 34 | ||||||||||||
| 35 | Colombians and Haitians I ain’t guilty, it’s a | 35 | ||||||||||||
| 36 | musical transaction Boo-boop-so-boop no more do | 36 | ||||||||||||
| 37 | we snatch ropes Refugees run the seas ‘cause we | 37 | ||||||||||||
| 38 | own our own boats | 38 | ||||||||||||
| 39 | 39 | |||||||||||||
| 40 | I’m on tonight, my hips don’t lie I’m starting to | 40 | ||||||||||||
| 41 | feel you boy Come on let’s go, real slow Baby, | 41 | ||||||||||||
| 42 | like this is perfecto | 42 | ||||||||||||
| 43 | 43 | |||||||||||||
| 44 | Oh, you know I’m on tonight and my hips don’t lie | 44 | ||||||||||||
| 45 | and I’m starting to feel it’s right The | 45 | ||||||||||||
| 46 | attraction, the tension Baby, like this is | 46 | ||||||||||||
| 47 | perfection | 47 | ||||||||||||
| 48 | 48 | |||||||||||||
| 49 | No fighting No fighting | 49 | ||||||||||||
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