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Version 6 of Shakira Lyrics Hips Don't Lie (http://www.mp3lyrics.org/s/shakira/hips-dont-lie/v6.html) Version 6 of the lyrics |
Version 1 of Shakira Lyrics Hips Don't Lie (http://www.mp3lyrics.org/s/shakira/hips-dont-lie/v1.html) Version 1 of the lyrics | |||||||||||||
| 1 | Ladies up in here tonight No fighting We've got | Ladies up in here tonight | 1 | |||||||||||
| 2 | the Refugees No fighting No fighting Shakira, | No fighting, no fighting | 2 | |||||||||||
| 3 | Shakira | We got the refugees up in here | 3 | |||||||||||
| 4 | No fighting, no fighting | 4 | ||||||||||||
| 1 | I never really knew that she could dance like | 1 | ||||||||||||
| 5 | this She make a man want to speak Spanish Como se | Shakira, Shakira | 5 | |||||||||||
| 2 | llama? Si ! Bonita? Si ! Mi casa? Shakira, Shakira | 2 | ||||||||||||
| 6 | su casa ? | I never really knew that she could dance like this | 6 | |||||||||||
| 7 | She makes a man wants to speak Spanish | 7 | ||||||||||||
| 8 | Oh baby, when you talk like that You make a woman | Como se llama, bonita, mi casa, su casa | 8 | |||||||||||
| 9 | go mad So be wise and keep on reading the signs | Shakira, Shakira | 9 | |||||||||||
| 3 | of my body | 3 | ||||||||||||
| 10 | Oh baby when you talk like that | 10 | ||||||||||||
| 11 | I’m on tonight, you know my hips don’t lie and | You make a woman go mad | 11 | |||||||||||
| 12 | I’m starting to feel it’s right All the | So be wise and keep on | 12 | |||||||||||
| 13 | attraction, the tension Don’t you see baby, this | Reading the signs of my body | 13 | |||||||||||
| 4 | is perfection | 4 | ||||||||||||
| 14 | And I'm on tonight | 14 | ||||||||||||
| 15 | Hey girl, I can see your body moving And it’s | You know my hips don't lie | 15 | |||||||||||
| 16 | driving me crazy And I didn't have the slightest | And I'm starting to feel it's right | 16 | |||||||||||
| 17 | idea Until I saw you dancing | All the attraction, the tension | 17 | |||||||||||
| 18 | Don't you see baby, this is perfection | 18 | ||||||||||||
| 5 | And when you walk up on the dance floor Nobody | 5 | ||||||||||||
| 19 | can ignore The way you move your body girl And | Hey Girl, I can see your body moving | 19 | |||||||||||
| 20 | everything's so unexpected The way you are dancing | And it's driving me crazy | 20 | |||||||||||
| 1 | And I didn't have the slightest idea | 1 | ||||||||||||
| 2 | Until I saw you dancing | 2 | ||||||||||||
| 3 | 3 | |||||||||||||
| 4 | And when you walk up on the dance floor | 4 | ||||||||||||
| 5 | Nobody cannot ignore the way you move your body, girl | 5 | ||||||||||||
| 6 | And everything so unexpected - the way you right and left it | 6 | ||||||||||||
| So you can keep on taking it | So you can keep on taking it | |||||||||||||
| 21 | Never knew she could dance like this She make a | I never really knew that she could dance like this | 21 | |||||||||||
| 22 | man wanna speak Spanish Como se llama? Si ! | She makes a man want to speak Spanish | 22 | |||||||||||
| 23 | Bonita? Si ! Mi casa? Shakira, Shakira su casa ? | Como se llama, bonita, mi casa, su casa | 23 | |||||||||||
| 24 | Shakira, Shakira | 24 | ||||||||||||
| 6 | Oh baby, when you talk like that You make a woman | 6 | ||||||||||||
| 25 | go mad So be wise and keep on reading the signs of | Oh baby when you talk like that | 25 | |||||||||||
| 26 | my body | You make a woman go mad | 26 | |||||||||||
| 27 | So be wise and keep on | 27 | ||||||||||||
| 28 | I’m on tonight, you know my hips don’t lie I’m | Reading the signs of my body | 28 | |||||||||||
| 7 | starting to feel you boy Come on let’s go, real | 7 | ||||||||||||
| 29 | slow Don’t you see baby, asi es perfecto | And I'm on tonight | 29 | |||||||||||
| 30 | You know my hips don't lie | 30 | ||||||||||||
| 31 | They know I’m on tonight, my hips don’t lie I’m | And I am starting to feel you boy | 31 | |||||||||||
| 32 | starting to feel it’s right All the attraction, | Come on lets go, real slow | 32 | |||||||||||
| 33 | the attention Don’t you see baby, this is | Don't you see baby asi es perfecto | 33 | |||||||||||
| 8 | perfection Shakira, Shakira | 8 | ||||||||||||
| 34 | Oh I know I am on tonight my hips don't lie | 34 | ||||||||||||
| 35 | Boy, I can see your body moving Half-animal, | And I am starting to feel it's right | 35 | |||||||||||
| 36 | half-man I don’t, don’t really know what I’m doing | All the attraction, the tension | 36 | |||||||||||
| 7 | Don't you see baby, this is perfection | 7 | ||||||||||||
| 8 | Shakira, Shakira | 8 | ||||||||||||
| 9 | 9 | |||||||||||||
| 10 | Oh boy, I can see your body moving | 10 | ||||||||||||
| 11 | Half animal, half man | 11 | ||||||||||||
| 12 | I don't, don't really know what I'm doing | 12 | ||||||||||||
| But you seem to have a plan | But you seem to have a plan | |||||||||||||
| 13 | My will and self restraint | 13 | ||||||||||||
| 14 | Have come to fail now, fail now | 14 | ||||||||||||
| 15 | See, I am doing what I can, but I can't so you know | 15 | ||||||||||||
| 16 | That's a bit too hard to explain | 16 | ||||||||||||
| 17 | 17 | |||||||||||||
| 18 | Baila en la calle de noche | 18 | ||||||||||||
| 19 | Baila en la calle de día | 19 | ||||||||||||
| 20 | 20 | |||||||||||||
| 21 | Baila en la calle de noche | 21 | ||||||||||||
| 22 | Baila en la calle de día | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | I never really knew that she could dance like this | 24 | ||||||||||||
| 25 | She makes a man want to speak Spanish | 25 | ||||||||||||
| 26 | Como se llama, bonita, mi casa, su casa | 26 | ||||||||||||
| 27 | Shakira, Shakira | 27 | ||||||||||||
| 28 | 28 | |||||||||||||
| 29 | Oh baby when you talk like that | 29 | ||||||||||||
| 30 | You know you got me hypnotized | 30 | ||||||||||||
| 31 | So be wise and keep on | 31 | ||||||||||||
| 32 | Reading the signs of my body | 32 | ||||||||||||
| 33 | 33 | |||||||||||||
| 34 | Senorita, feel the conga, | 34 | ||||||||||||
| 35 | Let me see you move like you come from Colombia | 35 | ||||||||||||
| 36 | 36 | |||||||||||||
| 37 | Mira en Barranquilla se baila así, say it! | 37 | ||||||||||||
| 38 | Mira en Barranquilla se baila así | 38 | ||||||||||||
| 39 | 39 | |||||||||||||
| 40 | Yeah | 40 | ||||||||||||
| 41 | She's so sexy every man's fantasy a refugee like me back | 41 | ||||||||||||
| 42 | with the Fugees from a 3rd world country | 42 | ||||||||||||
| 43 | I go back like when 'pac carried crates for Humpty Humpty | 43 | ||||||||||||
| 44 | I need a whole club dizzy | 44 | ||||||||||||
| 45 | Why the CIA wanna watch us? | 45 | ||||||||||||
| 46 | Colombians and Haitians | 46 | ||||||||||||
| 47 | I ain't guilty, it's a musical transaction | 47 | ||||||||||||
| 48 | Boo-boop-so-boop | 48 | ||||||||||||
| 49 | No more do we snatch ropes | 49 | ||||||||||||
| 50 | Refugees run the seas 'cause we own our own boats | 50 | ||||||||||||
| 51 | 51 | |||||||||||||
| 52 | I'm on tonight, my hips don't lie | 52 | ||||||||||||
| 53 | And I'm starting to feel you boy | 53 | ||||||||||||
| 54 | Come on let's go, real slow | 54 | ||||||||||||
| 55 | Baby, like this is perfecto | 55 | ||||||||||||
| 56 | 56 | |||||||||||||
| 57 | Oh, you know I am on tonight and my hips don't lie | 57 | ||||||||||||
| 58 | And I am starting to feel it's right | 58 | ||||||||||||
| 59 | The attraction, the tension | 59 | ||||||||||||
| 60 | Baby, like this is perfection | 60 | ||||||||||||
| 37 | my will and self-restrain Have come to fail now, | No fighting | 37 | |||||||||||
| 38 | fail now See I’m doing what I can, but I can’t so, | No fighting | 38 | |||||||||||
| 9 | you know That’s too hard to explain | 9 | ||||||||||||
| 10 | 10 | |||||||||||||
| 11 | Baila en la calle de noche, baila en la calle de | 11 | ||||||||||||
| 12 | dia Baila en la calle de noche, baila en la calle | 12 | ||||||||||||
| 13 | de dia | 13 | ||||||||||||
| 14 | 14 | |||||||||||||
| 15 | Never really knew that she could dance like this | 15 | ||||||||||||
| 16 | She make a man wanna speak Spanish Como se llama? | 16 | ||||||||||||
| 17 | Si ! Bonita? Si ! Mi casa? Shakira, Shakira su | 17 | ||||||||||||
| 18 | casa ? | 18 | ||||||||||||
| 19 | 19 | |||||||||||||
| 20 | Oh baby, when you talk like that You know you got | 20 | ||||||||||||
| 21 | me hypnotised So be wise and keep on reading the | 21 | ||||||||||||
| 22 | signs of my body | 22 | ||||||||||||
| 23 | 23 | |||||||||||||
| 24 | Señorita, feel the conga Let me see you | 24 | ||||||||||||
| 25 | move like you come from colombia | 25 | ||||||||||||
| 26 | 26 | |||||||||||||
| 27 | Mira en barranquilla se baila asi, say it ! En | 27 | ||||||||||||
| 28 | barranquilla se baila asi | 28 | ||||||||||||
| 29 | 29 | |||||||||||||
| 30 | Yeah, she’s so sexy, every man's fantasy | 30 | ||||||||||||
| 31 | aRefugee get back with the Fugees From a | 31 | ||||||||||||
| 32 | third-world country I go back like with ?? cream | 32 | ||||||||||||
| 33 | For humpty hump We need a whole club, Jay-Z Nobody | 33 | ||||||||||||
| 34 | see I ain’t what I watch The Colombian’s a hitch I | 34 | ||||||||||||
| 35 | ain’t guilty, it’s a musical transaction | 35 | ||||||||||||
| 36 | Boo-boop-so-boop, no more dooby snack groups | 36 | ||||||||||||
| 37 | Refugees run the scenes ‘cause we own our own | 37 | ||||||||||||
| 38 | booths | 38 | ||||||||||||
| 39 | 39 | |||||||||||||
| 40 | I’m on tonight, my hips don’t lie I’m starting to | 40 | ||||||||||||
| 41 | feel you boy Come on let’s go, real slow Baby, | 41 | ||||||||||||
| 42 | like this is perfecto | 42 | ||||||||||||
| 43 | 43 | |||||||||||||
| 44 | Oh, you know I’m on tonight, my hips don’t lie | 44 | ||||||||||||
| 45 | I’m starting to feel it’s right | 45 | ||||||||||||
| 46 | 46 | |||||||||||||
| 47 | The attraction, the attention Baby, like this is | 47 | ||||||||||||
| 48 | perfection | 48 | ||||||||||||
| 49 | 49 | |||||||||||||
| 50 | No fighting No fighting | 50 | ||||||||||||
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