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Current version of The Temptations Lyrics Ball of Confusion (http://www.mp3lyrics.org/t/the-temptations/ball/) Current version of the lyrics |
Version 2 of The Temptations Lyrics Ball of Confusion (http://www.mp3lyrics.org/t/the-temptations/ball/v2.html) Version 2 of the lyrics | ||||||||||||
| 1 | [Norman:] | 1 | |||||||||||
| 1, 2... 1, 2, 3, 4, Ow! | 1, 2... 1, 2, 3, 4, Ow! | ||||||||||||
| 1 | Eddie: People moving out, people | 1 | |||||||||||
| 2 | [Instrumental intro with "psychedlic sounds."] | moving in. Why, because of the color | 2 | ||||||||||
| 3 | of their skin. | 3 | |||||||||||
| 4 | [Eddie:] | Run, run, run but you sure can't hide. An eye | 4 | ||||||||||
| 5 | People movin' out, people movin' in. | for an eye, a tooth for a tooth. | 5 | ||||||||||
| 6 | Why? Because of the color of their skin. | Vote for me and I'll set you free. Rap on, brother, rap on. | 6 | ||||||||||
| 7 | Dennis: Well, the only person talking about love | 7 | |||||||||||
| 8 | [Eddie & Melvin:] | thy brother is the...(preacher.) | 8 | ||||||||||
| 9 | Run, run, run but you sure can't hide. | And it seems nobody's interested in | 9 | ||||||||||
| 10 | learning but the...(teacher.) | 10 | |||||||||||
| 2 | [Eddie:] | 2 | |||||||||||
| 3 | An eye for an eye, a tooth for a tooth. | 3 | |||||||||||
| 4 | Vote for me and I'll set you free. | 4 | |||||||||||
| 5 | ((Rap on, brother, rap on.)) | 5 | |||||||||||
| 6 | 6 | ||||||||||||
| 7 | [Dennis:] | 7 | |||||||||||
| 8 | Well, the only person talkin' about | 8 | |||||||||||
| 9 | Love thy brother is the ((preacher)). | 9 | |||||||||||
| 10 | And it seems nobody's interested | 10 | |||||||||||
| 11 | In learnin' but the ((teacher)). | 11 | |||||||||||
| Segregation, determination, | Segregation, determination, | ||||||||||||
| 11 | Demonstration, integration, | demonstration, integration, Aggravation, | 11 | ||||||||||
| 12 | Aggravation, humiliation, | humiliation, obligation to our nation. | 12 | ||||||||||
| 13 | Obligation to our nation. | Ball of confusion. Oh yeah, that's what the | 13 | ||||||||||
| 14 | world is today. Woo, hey, hey. | 14 | |||||||||||
| 15 | [All:] | Paul: | 15 | ||||||||||
| 16 | Ball of confusion. | The sale of pills are at an all time high. | 16 | ||||||||||
| 17 | Young folks walking round with their heads in the sky. | 17 | |||||||||||
| 18 | [Dennis:] | The cities ablaze in the summer time. | 18 | ||||||||||
| 19 | Oh, yeah, that's what the world is today. | And oh, the beat goes on. | 19 | ||||||||||
| 20 | (Ooo!) hey-ey. | Dennis: | 20 | ||||||||||
| 21 | Evolution, revolution, gun control, sound of soul. | 21 | |||||||||||
| 22 | [Paul:] | Shooting rockets to the moon, kids growing up too soon. | 22 | ||||||||||
| 23 | The sale of pills, | Politicians say more taxes will solve everything. | 23 | ||||||||||
| 24 | Are at an all time high. | Melvin: | 24 | ||||||||||
| 12 | Young folks walkin' 'round, | 12 | |||||||||||
| 13 | With their heads in the sky. | 13 | |||||||||||
| 14 | 14 | ||||||||||||
| 15 | [Eddie:] | 15 | |||||||||||
| 16 | Cities ablaze in the summertime. | 16 | |||||||||||
| 17 | Oh-ahhh, the beat goes ((on)). | 17 | |||||||||||
| 18 | 18 | ||||||||||||
| 19 | [Dennis:] | 19 | |||||||||||
| 20 | Evolution, revolution, | 20 | |||||||||||
| 21 | Gun control, the sound of soul. | 21 | |||||||||||
| 22 | 22 | ||||||||||||
| 23 | [Eddie:] | 23 | |||||||||||
| 24 | Shootin' rockets to the moon, | 24 | |||||||||||
| 25 | Kids growin' up too soon. | 25 | |||||||||||
| 26 | 26 | ||||||||||||
| 27 | [Dennis:] | 27 | |||||||||||
| 28 | Politicians say mo' taxes, | 28 | |||||||||||
| 29 | Will solve everything. | 29 | |||||||||||
| 30 | 30 | ||||||||||||
| 31 | [Melvin:] | 31 | |||||||||||
| And the band played on. | And the band played on. | ||||||||||||
| 25 | So, round and around and around we go. | 25 | |||||||||||
| 26 | [Short instrumental break.] | Where the world's headed, nobody knows. | 26 | ||||||||||
| 27 | [Instrumental] | 27 | |||||||||||
| 28 | [All:] | Oh, great GoogaMooga, can't you hear me talking to you. | 28 | ||||||||||
| 32 | (So), 'round and around and around we go. | 32 | |||||||||||
| 33 | Where the world's headed to, nobody knows. | 33 | |||||||||||
| 34 | 34 | ||||||||||||
| 35 | [Instrumental break.] | 35 | |||||||||||
| 36 | 36 | ||||||||||||
| 37 | [Dennis:] | 37 | |||||||||||
| 38 | Oh, great Googa-Mooga, | 38 | |||||||||||
| 39 | Can't you hear me talkin' to ya? | 39 | |||||||||||
| Just a ball of confusion. | Just a ball of confusion. | ||||||||||||
| 29 | Oh, yeah, that's what the world is today. | Oh yeah, that's what the world is today. | 29 | ||||||||||
| 30 | (Ooo!)(Yeah-yeh.) | Woo, hey, hey. | 30 | ||||||||||
| 31 | Eddie: | 31 | |||||||||||
| 32 | [Eddie:] | Fear in the air, tension everywhere. | 32 | ||||||||||
| 33 | Fear in the air, | Unemployment rising fast, the Beatles new record's a gas. | 33 | ||||||||||
| 34 | Tension everywhere. | Dennis: | 34 | ||||||||||
| 35 | Unemployment risin' fast, | And the only safe place to live is on an Indian reservation. | 35 | ||||||||||
| 36 | The Beatles' new record's a gas. | Melvin: | 36 | ||||||||||
| 40 | 40 | ||||||||||||
| 41 | [Paul:] | 41 | |||||||||||
| 42 | And the only safe place to live, | 42 | |||||||||||
| 43 | Is on an Indian reservation. | 43 | |||||||||||
| 44 | 44 | ||||||||||||
| 45 | [Melvin:] | 45 | |||||||||||
| And the band played on. | And the band played on. | ||||||||||||
| 37 | Eve of destruction, tax deduction, city | 37 | |||||||||||
| 38 | [Dennis:] | inspectors, bill collectors, | 38 | ||||||||||
| 39 | Eve of destruction, tax deduction, | Mod clothes in demand, population out of | 39 | ||||||||||
| 40 | hand, suicide, too many bills, | 40 | |||||||||||
| 41 | [Paul:] | Hippies moving to the hills. People all over the | 41 | ||||||||||
| 42 | City inspectors, bill collectors, | world are shouting, 'End the war.' | 42 | ||||||||||
| 43 | Melvin: | 43 | |||||||||||
| 46 | [All:] | 46 | |||||||||||
| 47 | Mod clothes in demand, population out of hand, | 47 | |||||||||||
| 48 | 48 | ||||||||||||
| 49 | [Dennis:] | 49 | |||||||||||
| 50 | Suicide, too many bills. | 50 | |||||||||||
| 51 | Hippies movin' to the hills. | 51 | |||||||||||
| 52 | 52 | ||||||||||||
| 53 | [Eddie:] | 53 | |||||||||||
| 54 | People all over the world | 54 | |||||||||||
| 55 | Are shoutin', "End the war." | 55 | |||||||||||
| 56 | 56 | ||||||||||||
| 57 | [Melvin:] | 57 | |||||||||||
| And the band played on. | And the band played on. | ||||||||||||
| 44 | [Instrumental] | 44 | |||||||||||
| 45 | [Instrumental break.] | Great GoogaMooga, can't you hear me talking to you. | 45 | ||||||||||
| 46 | Sayin'... ball of confusion. | 46 | |||||||||||
| 47 | [Dennis:] | That's what the world is today, hey, hey. | 47 | ||||||||||
| 48 | Great Googa-Mooga, | Let me hear ya, let me hear ya, let me hear ya. | 48 | ||||||||||
| 49 | Can't you hear me talkin' to you. | Sayin'... ball of confusion. | 49 | ||||||||||
| 50 | It's a ((ball of confusion)). | That's what the world is today, hey, hey. | 50 | ||||||||||
| 51 | That's what the world is today. | Let me hear ya, let me hear ya, let me hear ya, | 51 | ||||||||||
| 52 | (Yeah-yeah.) | let me hear ya, let me hear ya. | 52 | ||||||||||
| 53 | Sayin'... ball of confusion. | 53 | |||||||||||
| 58 | [Otis:] | 58 | |||||||||||
| 59 | wo, let me hear ya, let me hear ya, | 59 | |||||||||||
| 60 | Let me hear ya. | 60 | |||||||||||
| 61 | 61 | ||||||||||||
| 62 | [Eddie:] | 62 | |||||||||||
| 63 | Ball of confusion. | 63 | |||||||||||
| 64 | (Oh-haaa.) | 64 | |||||||||||
| 65 | 65 | ||||||||||||
| 66 | [Dennis:] | 66 | |||||||||||
| 67 | That's what the world is today, hey, hey." | 67 | |||||||||||
| 68 | 68 | ||||||||||||
| 69 | [Eddie:) | 69 | |||||||||||
| 70 | Let me hear ya, let me hear ya, | 70 | |||||||||||
| 71 | Let me hear ya, let me hear ya, | 71 | |||||||||||
| 72 | Let me hear ya, ball of confusion. | 72 | |||||||||||
| 73 | [Fade.] | 73 | |||||||||||
| 74 | [All:] | 74 | |||||||||||
| 75 | That's what the world is today. | 75 | |||||||||||
| 76 | 76 | ||||||||||||
| 77 | 77 | ||||||||||||
| 78 | [BALL OF CONFUSTION (THAT'S WHAT THE WORLD IS TODAY)] | 78 | |||||||||||
| 79 | [Written by: Barrett Strong & Norman Whitfield] | 79 | |||||||||||
| 80 | [Performed by: The Temptations[1]-1970[2]] | 80 | |||||||||||
| 81 | [Produced by: Norman Whitfield[3]] | 81 | |||||||||||
| 82 | [Appears on: Ball of Confusion (US EP)-1970 & (UK EP)-1970, Greatest Hits, | 82 | |||||||||||
| 83 | Vol. 2-1970[4], Anthology-1973 & 1975, 20 Golden Greats-1980, Emporers of | 83 | |||||||||||
| 84 | Soul-1994, Greatest Hits-1997, Millennium Edition-2000, Gold-2005, Live in | 84 | |||||||||||
| 85 | London (DVD)-2007, Playlist Your Way-2008, et al.] | 85 | |||||||||||
| 86 | 86 | ||||||||||||
| 87 | [1]"Ball of Confusion" is one of the Temptations' most covered songs. | 87 | |||||||||||
| 88 | Notable Covers are, The Neville Brothers, Tina Turner, Love & Rockets, | 88 | |||||||||||
| 89 | Widespread Panic, Duran Duran, Anthrax, Forcefield, Edwin Starr, The | 89 | |||||||||||
| 90 | Undiputed Truth, Tesla (on Reel to Reel), Whoopie Goldberg (et al. in the | 90 | |||||||||||
| 91 | movie, Sister Act), Sampled on UNKLE's Never, Never Land album in the song, | 91 | |||||||||||
| 92 | "Eye for Eye," amongst others.] | 92 | |||||||||||
| 93 | 93 | ||||||||||||
| 94 | [2]Lead vocals: Dennis Edwards, Eddie Kendricks, Paul Williams, and Melvin | 94 | |||||||||||
| 95 | Franklin. Background vocals: Dennis Edwards (tenor), Eddie Kendricks | 95 | |||||||||||
| 96 | (tenor), Paul Williams (tenor), Melvin Franklin (bass), and Otis Williams | 96 | |||||||||||
| 97 | (baritone). Instrumentation by The Funk Brothers (Bob Babbitt provides the | 97 | |||||||||||
| 98 | baseline for the intro). When they first saw the sheet music for this song, | 98 | |||||||||||
| 99 | all but Dennis Edwards thought they wouldn't be able to pull off the | 99 | |||||||||||
| 100 | rapid-fire delivery required. So Dennis was assigned the difficult lines.] | 100 | |||||||||||
| 101 | 101 | ||||||||||||
| 102 | [3]Norman Witfield's dramatic count at the start of every recording for | 102 | |||||||||||
| 103 | synching purposes only, was left in the mix for this record.] | 103 | |||||||||||
| 104 | 104 | ||||||||||||
| 105 | [4]Transcribed from the track on this album.] | 105 | |||||||||||
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